Tag Archives: Nintendo

Splatoon 2: Octo Expansion Review

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Splatoon. It’s become one of the most popular Nintendo franchises in a fairly short period of time. And, as I’ve pointed out in two reviews, it’s easy to see why. It’s an excellent take on third-person team shooting. Plus, each of the games offered a substantial campaign that was easily worth the asking price. Now, Nintendo has gone 90’s PC gaming, and released an expansion pack for Splatoon 2. It boasts a whopping 80 stages, and promises to expand the lore. But does this expansion truly deliver?

PROS: An 80 stage campaign. Killer OST. Unlockable multiplayer content.

CONS: Some of the mission goals aren’t always clear.

PEARL & MARINA: Can be used to cheese your way through.

Splatoon 2: Octo Expansion does indeed deliver on its promises. Maybe not in the exact way you might want. But it gives you what it promised mostly in spades. The campaign centers around Agent 8, a Octoling who wakes up in a subway with no memory of who they are. You’ll start out by customizing the general look of your Octoling, like you did for your Inkling in the mainline Splatoon 2 campaign. As it turns out, Captain Cuttlefish from the original game is also in the subway. Over the course of the campaign we learn that the subway is actually a test facility.  That’s right, Inkopolis has its own Aperture Science.

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The way the expansion is structured is a bit strange at first, but eventually you’ll figure it out, and everything will make sense. Throughout the course of the game you’ll be riding along on a subway train. Stages are placed about along train lines. Some of these tracks intersect with other train lines, and if you want to see everything, you’ll need to complete every stage on a line. Beating any given stage, will give you something the game calls Mem Cakes, icons that resemble the characters throughout the Splatoon mythos. That is, if the characters were marshmallows in a breakfast cereal. Completing an entire line, and collecting all of the Mem Cakes will net you apparel you can use online when you complete the storyline. There’s a giant insect on the subway train. Every time you go to him with a set of Mem Cakes you’ll get the aforementioned clothing.  You can also play as a Octoling online if you complete the storyline. So this expansion gives you incentive to try to beat all eighty of its stages.

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In order to play stages you’ll need some power eggs, and the game starts you out with some. Each stage has an entry fee depending on how difficult the designers feel it is. Once the fee is paid you’ll begin the stage. Stages do show off a lot of variety. Many of the levels play like the ones in the primary campaigns of Splatoon, and Splatoon 2. You’ll go from point A to point B, and take out any enemies you see along the way.  While that sounds simple, in practice it rarely ever is. Your reflexes, and mind will be pushed hard as you try to balance combat, and platforming. These are a lot like EX grade stages in other games, where the bar is raised even higher. You’ll find yourself learning advanced techniques, and new mechanics. But don’t be intimidated. These skills parlay into the primary Splatoon 2 multiplayer, and you’ll likely do better at its other modes too.

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But that’s far from the only kind of stage you’ll be playing. Other stages are survival modes, where you have to go a period of time avoiding obstacles, and projectiles for a period of time. Some of them will send you into a room of death traps. Other times it will be a room of enemies. Often times you’ll be completely unarmed, and in just about every instance you cannot take a single hit of damage. The time limit can be as low as a few seconds, or as long as a few minutes. When you first start out these will indeed be pretty tough. But over time you’ll learn patterns, and eventually clear them. As frustrating as the early attempts can be, these stages are a lot of help too. Because again, you’ll learn how to better dodge, and outwit online opponents by playing them.

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The 8-Ball stages are about on par with what you’d find in Valve’s Portal series, at least in terms of complexity. Initially, things start out pretty softly. You’ll get the basic mechanics of the idea, shooting an 8-Ball at just the right angle to move it along a series of courses to the end. But as you unlock newer stages based around the mechanic, they become far more elaborate. Many of them have segments where there are no guard rails. So if the ball falls into the abyss, you lose a life. Some of them involve pinball bumpers, multiple balls, switches, and time trials. They’re some of the best stages in the expansion.

There are also a number of puzzle stages that involve rotating the stage around in order to reach your objectives. Again, these are comparable to some of the Portal puzzles in terms of complexity. Then there are the handicap matches. These are the multiplayer games, only instead of playing online, it’s just you up against a team of Octolings. These matchups can be compared to the ones in the main Splatoon 2 campaign. You’ll have to defeat the Octoling soldiers which seem to have advanced A.I.

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But it doesn’t end there. Some of the stages will give you an option of what weapon to use, while others will demand you use a specific one. There are also gauntlet stages, where you’ll have to defeat hordes of enemies in order to get to the next checkpoint. Some of these use the mechanics from the main game as well, such as invisible walls, and floors that need to be inked in order to see them, or switches that have to be shot in order to freeze a piece of geometry so you can jump on or over it. There’s even one that puts the attackers on a turn table, where a switch will cause enemies to spin around in front of you.

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There are also a few boss stages in this campaign. Many of them bring back harder versions of previous bosses. But there are also a few new ones that go along with the storyline of the Octo Expansion. The toughest part about these, are the high entry fees. If you lose, you’ll be going back to other levels to grind away enough currency for a re-match. Be that as it may, these can feel like a massive accomplishment when you finally emerge victorious. When I say these are harder versions, I really mean these are harder versions. The strategies you used before won’t always translate to the rematch. Plus you’ll have to dish out more damage than before, and be on the lookout for new tricks from these old dogs.

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The overall goal is revealed to you when you happen upon a phone in the early goings of the Octo Expansion. This mysterious phone wants you to collect four devices, that are represented on the rail line maps. In order to get to each, you’ll have to play stages that lead up to them in order. Once you’ve done so, you’re ready to escape (which isn’t as cut, and dry as it sounds) But you won’t see every rail line initially. You’ll discover them when you find a stage that intersects on them. So as I mentioned earlier the game gives you a lot to do. Especially if you want to earn those cosmetic items for multiplayer in Splatoon 2. Discovering new lines will also have the conductor giving you currency to enter new stages with so you’ll get a perk for doing so. Don’t forget clearing stages also gives you money so you’ll earn money to go on. As stated earlier, certain levels also give you a choice as to what weapon to use. So if you want to go high reward for an equally high risk, you can choose the least advised option for a bigger payout.

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Of course some of the challenges on display here take only the most honed skills. For many, this will only give the drive needed to complete these. But if you find them too frustrating you can call on Pearl, and Marina to let you skip them. It’s a lot like the aid Nintendo has put in some of its Super Mario Bros. games. Allowing people of a lower skill level to see everything. However the game also makes note of the stages you’ve skipped, and gives you faded versions of the meme cakes outlined earlier. This means you also miss out on some of the lore, because much of the storyline is built into background item drops, chat logs, and other devices. It isn’t all front, and center via cut scenes.

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A lot of this stuff is really well written too, and goes a lot deeper with allegorical commentary, than you might realize. But it also does it without beating you over the head. It’s subtle enough that those looking for it will find it, and those that don’t pay as much mind to it won’t miss it. And at the same time there’s nothing controversial one could glob onto. They did a great job of letting players see the events from a number of viewpoints. There is also some Sci-Fi in this that comes out of nowhere, and yet still fits the storyline like a glove.

You don’t have to clear every stage to be able to complete the campaign, but because of some of the multiplayer rewards, and some of the storyline elements you’ll have enough incentive to go back, and play the stuff you skipped, or replay the stuff you might have previously found too taxing. You’re definitely getting a lot of value in the Splatoon 2 Octo Expansion.

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Be that as it may, I do have a few minor gripes with it. The largest small problem is that it isn’t always clear where you’re supposed to go in some missions. In this handful of stages, you’ll figure it out simply enough with some trial, and error. But knowing off the bat helps immensely most of the time. A minor nitpick but there you are.  It’s also possible to cheese your way through by skipping stages after every two failed attempts. The flip side of this is that you’re not really getting the experience of actually playing the game. It’s certainly a viable mechanic for newcomers to be able to see more of the game, but it has the potential for abuse.

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I also would have preferred more original bosses over the returning bosses from the campaign. The new versions of these old bosses again, do present new, and more difficult challenges than before. But seeing these guys again just didn’t have the same magic. Especially when so much of the rest of the expansion is so new. Still, you’ll likely enjoy the tension that these skirmishes provide. It’s just too bad they couldn’t have had some more original characters for these encounters instead. Visually speaking, there isn’t a notable jump over the base game, but it still looks great. Nice designs, some slick textures, and visual cues. Pretty much everyone will be fine with it. But for those holding out hope this would look like a pseudo-sequel were probably aiming a little too high.

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And finally, I would have preferred more New Wave, Power Pop, and Pop Punk tracks than the expansion pack delivers, but the Electronica it gives the audience is very good. It’s at its best when it goes for ambience during some of the most difficult tasks at hand. There are also some great uses of sampling the original Wii U game soundtrack in it. So in terms of using the soundtrack for telling the story, one can’t complain much.  Again, all of my issues are minor, and two of them boil down toward preference more so than actual complaints. Really the main issue is that some goals aren’t laid out to you properly in a very small percentage of levels. In the grand scheme of things, that really isn’t that big a deal.

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Octo Expansion is a worthwhile expansion pack. Players who wished the base game had more single-player content than the base game should absolutely download this. With 80 stages, and so much variety, chances are you’ll be playing this a fairly long amount of time. It also has plenty in it for anybody who has become a big fan of the characters, and the world they inhabit. There is a lot of backstory here for those willing to look for it, and for those looking to uncover it. Not only in the cut scenes, and chat logs. But in the actual gameplay as well. It is even a solid buy if you come to Splatoon 2 for the Turf War, Ranked Battles, and Splat Fests. Because beating a lot of these stages will actually improve your skills online. They often require learning some advanced techniques to complete which then parlay into multiplayer. Plus there are all sorts of apparel, and Octoling options you’ll have access to once you manage to complete the storyline.

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Is Octo Expansion required to be able to enjoy Splatoon 2? Not at all. If you stick with the base game, you’ll still get to enjoy all of the Turf War, and Salmon Run you want. But if you like the idea of some added online perks, and hours upon hours of new content for a game you already love, Octo Expansion is a solid recommendation. There are so many things to love about this one. Whether you’re a hardcore fan who sings Calamari Inkantation every chance they get, or just somebody who happens to enjoy a good console shooter, Octo Expansion is quite the catch.

Final Score: 9 out of 10

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Most anticipated titles shown at E3

Man, what a hectic last few weeks, with more to come. It’s kept me away from time to do much. Though at least I was able to get a couple of streaming nights in. Still, I missed most of the E3 conferences, and I’ve been playing catch up. All three of the platform holders had pretty average events this year. Bethesda did a 180 from last year, even if none of the people in attendance seemed to know who Andrew W.K. is.

Ubisoft seemed bog standard. I didn’t see EA’s though the reception doesn’t appear to have been too warm. But beyond the big conferences there were a lot of trailers, and announcements of smaller titles. And I tend to like to pay attention to those, because they can often turn out to be as exciting as the hyped stuff. So these are some of the titles I saw that caught my attention. Hopefully they’ll turn out to be great games we want in our computer, and console game libraries.

Daemon X Machina

Nintendo’s Direct was the first time I’d heard anything about this game. But a trailer’s job is to generate interest in the subject matter. So mission accomplished. It appears to be some kind of action game involving mechs. But what sets this apart (at least in the trailer) is the No More Heroes unsaturated art style, and a rocking industrial metal soundtrack. It goes really well with the depictions of exploding robots, and bloody skies. I want to hear more about this one. If you’re a fan of Voltron, MechWarrior, Metal Storm, Transformers, Gundam, or giant killer death bots in general, you may want to too.

Insurgency: Sandstorm

I’ve been looking forward to seeing more about this once since it was announced. The original game is a wonderful blend of tactical shooter, and team shooter. There isn’t much of a HUD if any. There aren’t any kill cams. Most of the weapons will kill you in one or two hits. If you have body armor, maybe three. There aren’t any unlockable items that require grinding. If your class can use a weapon, you can use it. They balance this with a point system that forces trade offs. And it has all of the modes a Battlefield player might want. This sequel hopes to bring that experience to consoles next year after it launches in September on computers. Without the focus on loot boxes or battle royal modes this could be something Battlefield, and Call Of Duty veterans may want to check out. For those who don’t like to deal with sore sports online, it also offers a robust one player campaign. To sweeten the deal NWI is bringing it out at less than half the cost of a AAA release, and giving customers who bought the old game 10% off. They’re giving an additional 10% off to people who preorder.

Super Smash Bros. Ultimate

Frankly, I don’t know how you don’t get at least a little bit excited for this one. Even if you’re a staunch fan of traditional fighters like Street Fighter, or 3D fighters like Soul Calibur or Tekken, this one should still impress you. Maybe just a tiny bit, but still. They’ve reworked the damage for 1 on 1 fights, heavily nerfed repeated dodges, and made short hop attacking a little bit easier. This is going to make the competitive end of the audience intrigued, and in some cases happy. For the rest of us, this is giving a lot of great stuff too. If you bought the figures, and adapters for your Gamecube controllers, they’ll all work on it. Every character from every previous Smash game is in here. Plus there is bunch of new assist trophies, items, and even some new characters.  This one comes out later this year, and I can already sense many will fire up the older games to practice up.

Serious Sam 4

Serious Sam may not have the star power he did back in the early 2000’s. But you’re always guaranteed a fun time filled with mindless action. For those who don’t know, this long running series by Croteam puts you in a large campaign of stages that have you constantly shooting, and managing resources. Some compare it to stuff like the original Doom. But that’s actually a long way off. The level designs are often interlocked arenas. So you’ll enter a room, destroy a wave of enemies, get an item, and destroy another. The thing is each room potentially has hundreds of enemies to contend with at a time. It’s more accurate to compare it to old Midway games like Robotron 2084, Smash TV, and Total Carnage. But the constant introduction of new enemy types, weapons, and the vast number of Easter Eggs to find keeps them fresh. This time they got the writer of The Talos Principle to write the story for Serious Sam 4. So who knows if Serious Sam will be Serious? Either way, I find these games fun so I hope to check this one out as well.

RAGE 2

Yes I know, there are a lot of shooters on here. But I did enjoy the original Rage when it came out. Abrupt ending aside, it was pretty cool. The desert was a hub world with towns in it. It had a pretty entertaining Mad Max inspired story, and it had the shooting you’d expect an iD game to have. So this sequel has me intrigued. The desert is more than a hub world supposedly, and there are a larger multitude of factions. The action looked good, and so I’m hoping for the best. The original didn’t sell horribly but it didn’t sell Doom, or Wolfenstein numbers either. So I was honestly surprised this sequel was green lit. Still, I liked the old one, and this one looks like it could be an improvement.

Tunic

I know there are a ton of Legend Of Zelda clones out there. But this one stood out to me during the Microsoft conference. It doesn’t look like it does a ton of new things with the gameplay, but at the same time it has an inviting art style, and I loved seeing some of the character designs. Hopefully it turns out really well. It displayed a fairly large map so there will be a lot of ground to cover.

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Similarly, at the Sony show there were a lot of big, anticipated games. But once again, something smaller showed up in the line of trailers. This one is by Remedy who invented the Max Payne franchise years ago. They also did the Alan Wake, and Quantum Break. While Quantum Break was derided for making people watch long, episodic cut scenes, this seems to have eschewed that experiment. The protagonist has this telekinetic ability allowing her to pick things up remotely, and use them as weapons. Sure it’s not the most original idea. But it looks cool in this one. When you’re done with The Last Of Us 2 you might want to pop this in. It looks fun.

Super Mario Party

I rarely get excited about a Mario Party game. Don’t get me wrong. I have most of them. Even the least exciting iterations are still a hit during holidays, and get together moments. But Super Mario Party is the first one in a long time that I kind of really want to play. For starters the frame rate (at least in the trailer) seems like it will be 60 fps on most modern HD TVs which will be pure glory for some of those mini games. Second of all, they seem to be doing interesting things with it if you network two Switches together. On the flip side, my nieces only continue to learn games in 8 seconds. So when I visit my Sister I’m likely leaving with the least amount of stars. They’re pretty good at Smash, and Kart too. But I suppose it happens to even the best of us. We get old, and our siblings’ progeny dethrone us eventually. Still, Super Mario Party looks pretty great even if it will leave me with zero stars.

Ninjala

I really want to see more about this one. Ninja kids Nerf sword fighting while doing parkour, and Baby metal is rocking out in the background? It looks like there is a big reliance on bubblegum. Not sure what that’s about, but it also looks like there is co-op, and versus modes in it. The trailer doesn’t go into much detail, but like Daemon X Machina, I am intrigued.

Ghost of Tsushima

This game looked really cool. The trailer didn’t show off much of what the objective or story was. But the combat, the environments, and characters looked really compelling. I would have liked them to have spent a little bit more time on it. But in any case, Sucker Punch got me talking about this game, and if you missed it or forgot about it, you may want to follow this one. Again, hoping it turns out great. But it looked really good, and like something those with a PS4 ought to look into.

Octopath Traveler

Even though I veer more toward the instant gratification of action genres, I do like a good RPG now, and again. This game has me interested for a few reasons. One is the look of everything. It reminds me a bit of the Ys remasters with its blend of 3D models, and 2D sprites. The filters on everything makes it look unique too. Another reason is that it’s giving players eight different characters to play with, each with their own career paths, and storylines. So it looks like it can be something a die-hard RPG fan can marathon for days. But also something someone with limited time can span out over a year by playing through one story, taking a break, then going back to it.

Mega Man 11

I’m a huge fan of the Classic Mega Man series. I’ve played through all of them. 1-10, as well as the GB line, and the side game Mega Man & Bass. This one looks like they’re trying to make it accessible to newcomers with a bullet time mechanic. But they’re leaving it optional so veterans can play completely old-school. They’re also returning to a more modern 2.5D look. It’ll be interesting to see how they do without Inafune at the helm. But the trailer does look decidedly Mega Man.

Cyberpunk 2077

CD Projekt Red always seems to deliver solid RPGs. (A few of which I still need to finish.) But this one looks like a big departure from what we normally see. It’s Sci-Fi instead of Fantasy. It’s taking inspiration from a pen, and paper series, and yet also seems to have action elements.  I do want to see where they take the not too distant future theme compared to some of the others that have ventured there.

The Messenger

They showed off a little more of this one in some interviews, and I’m even more excited about it than when I saw the initial trailer two months ago or so. It’s a love letter to both the NES Ninja Gaiden Trilogy, as well as action platformers on the Super NES. It’s fast, frantic, and being built with speedrunners in mind. The visual changes are tied to the game’s story, and it’s been confirmed to not only release on the Switch, but on PC as well. As someone who loves action platformers, I’m really looking forward to this one.

Metal Wolf Chaos XD

Originally released on the inaugural Xbox, most have never played this one. Because it was exclusive to the Japanese market at the time. These days, finding an original copy for your Xbox is an expensive endeavor. It’s a mech action game with the premise of a DTV B Movie.  By From Software no less. Devolver Digital is re-releasing this game with some updated visual options on Xbox One, Playstation 4, and PC. It’s completely silly, and over the top. If the high aftermarket prices online have kept you from getting this already, this is one remaster you might not want to miss.

 

So there you go. This year’s show might not have had the hype, and power of last year, but there was still plenty to look forward to. Whether you looked for grandiose blockbusters, or indie games, or somewhere in between. These were some of mine, and I hope you enjoyed this run down. Hopefully you’ll enjoy seeing some of these as much as I did. What were some of your E3 announcements? Feel free to comment below.

Super Monkey Ball 2 Review

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Again I apologize for the delays. The frequent trips to the doctor’s, and the ten-hour work shifts took up a lot of time this month. But I had one day in May free to spend with family, and that surprisingly leads to a game review. When you’re spending time with people who aren’t the rabid video game fans you are you want to make sure there’s something approachable. But something challenging at the same time. It would be easy to choose some Atari 2600 games. Many of them fit the bill. But it’s an hour’s work getting pre-composite systems up, and running on a modern TV. Then you must have a good scaler in the set, if you don’t you need to get your upscaler to bridge the VCR to the set. Your folks don’t have all day. And while there are some great experiences on current consoles, some of the older relatives may find the multiple functions required rather daunting. You need something older in a pinch, but you don’t have to go back to the 1970’s for your indoor picnic. You can break out a Nintendo Gamecube for this one.

PROS: Campaign. Mini games. Visuals. Pretty much everything.

CONS: Some mini games aren’t as memorable as others.

CROSSOVER POTENTIAL: Nintendo, and Sega collaborate a lot. Where’s Super DK Ball?

Following on the heels of Super Monkey Ball, Super Monkey Ball 2 is easily one of the best games on the Gamecube. (Admittedly, one can also get Super Monkey Ball Deluxe if one does not own a Gamecube, but does own a PS2 or an Xbox. It’s basically both games in one.) Released in 2002, Super Monkey Ball 2 is a bigger, and better version of the already excellent Super Monkey Ball. It has even better stages, and even more party games than the original, making it the preferred version to play at gatherings. Though the original is still a tremendously wonderful game everyone should check out if given the chance.

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So what do you do in Super Monkey Ball 2? Where does one begin? There are so many cool modes to play here. The obvious meat, and potatoes are the game’s challenge stages. What makes this fun, are not only the well crafted levels. But the fact you can play with three other people. The object of the game is to get your monkey through a goal ribbon. That’s it. Now that may sound easy, but as the old adage goes it’s “Easier said, than done.” When you first begin any of the modes, you’ll choose a monkey. Each of whom has some minor differences in how they control. Aiai is the main character. He’s the most well-rounded of the primates. Then there is MeeMee who is similar in stats to her co-star. Baby is the lightest of the monkeys while Gon Gon is the heaviest.

The challenge stages are broken up into three sets. A ten stage beginner set, a twenty stage intermediate set, and a fifty stage expert set. Everyone alternates turns, and turns end when someone succeeds or fails at a stage. Everyone also gets two lives, and several continues to try their hand at clearing the stage. If you can manage to get through an entire set of stages without using any continues the game will then enter you into a gauntlet of bonus stages, which increase the challenge ten fold. Some of the main stages can get to be quite the challenge. Some of the bonus stages can get almost sadistic as they require pinpoint accuracy, and impeccable timing.

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But through it all, none of it is really all of that infuriating. It’s just something really addictive. When you fail at a stage, you just want to attempt it again, and again until you’re victorious. The mechanics in the game work something like Marble Madness, where you’re pushing your monkey ball or pulling it back as you’re trying to navigate paths. Except it is then combined with mechanics out of a rolling ball sculpture. Some stages feel like you’re moving the stage around, while others feel like you’re in control of the ball. The only thing you’re ever-moving in these stages is the thumb stick. Again, many of the courses on display get pretty elaborate. Combined with the short amount of time you’re given to complete them, you can easily find yourself frantically trying to keep your monkey from falling into an abyss.

Super Monkey Ball 2 also has a story mode in it for those who want a solitary experience. Here, you have to go through 100 stages in a row to stop a mad scientist from taking all of the world’s bananas. Immediately you’ll wonder why Sega, and Nintendo haven’t done a Donkey Kong, and Super Monkey Ball crossover together. Be that as it may, these stages are very much an extension of the challenge stages. Just more of them, and more intricate in the second half.

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But if a massive story mode, and huge number of multiplayer stages isn’t enough for you, there are a plethora of mini games on hand as well. Some of them have to be unlocked by earning points in other modes. But you’ll have the best of them opened up almost immediately. There’s Monkey Race, which tries to combine the main game with elements of Mario Kart. This one is decent, but nowhere near as good as a proper Mario Kart game. There’s a fun brawl mode, as well as a boat racing mode. Then there’s Monkey Golf which is an interesting take on Golf, as well as a really fun Monkey Bowling mode. This one makes our monkeys into the bowling ball, and does all kinds of wacky things with the lanes. So you really have to nail timing to get a good angle, and approach each lane as a puzzle.

There are mini games based on Baseball, Tennis, and Soccer too. These play about as well as the Golf mode does. Monkey Dogfight is a pretty fun mode as well.  It’s basically a combination of one of the other mini games, and the Vs. mode from Star Fox 64. Monkey Shot is an on-rails light gun shooter. It’s a fun concept, but it would have been better if it had a compatible light gun to play it with. Still, you can move the cursor about at a fairly quick pace, so it’s still an entertaining diversion.  Monkey Billiards is a pool mini game where all of the balls are replaced with monkey balls. It’s cutely crafted to say the least.

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Arguably the best of these mini games is Monkey Target. I must admit it takes some getting used to. But once you understand how it works, it’s a phenomenal party game. Each player rolls down a ramp, and after launching off of the half-pipe at the bottom can open their ball. This converts the halves of the ball into a hang glider. From here, each person has to hang glide over an ocean, and try to land on a floating target for huge points. Depending on where you land, you’ll get a different number of them. To make things more interesting you can collect bananas in the sky for points, find stars to double your points, and even items to help you stop on a dime. For your landing to count you have to close the ball before landing. Falling on that 1,000 point spot gets you zero points if you land on your stomach.

But the best part about Monkey Target is just how deep it is, in spite of how simple it is. You have to account for altitude, and wind which are represented in your corner of the screen. If the wind is blowing west, and you try to move east, you’ll get some resistance. Also if you lose momentum your monkey starts to beep that they’re falling. This is where panic mode sets in when first starting out, and people pull back. But you can’t. It is here you want to push into a nosedive, pull back at the last second, and get a nice lift back into the sky.

Of course, in spite of how good you become at the gliding, some of these targets have shapes that make landing on them quite the task at hand. Often if you don’t line up your landing just right, you’ll roll off into the ocean, and sink. And, because this is a party game, your Uncle can employ dirty tricks like crash landing into you, stopping on your coveted point value, and knocking you back to that ten point border. Still, it’s a great time, and one of the reasons you’ll want to fire up the game beyond its primary puzzle stages.

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And it does all of this while looking, and sounding amazing. Character models have some nice little details on them. The bright colors, and lighting effects feel right out of Sega’s 00’s arcade era. It looks like the natural extension of a First-Party Dreamcast game. The soft Electronica soundtrack complements the game nicely. Even today, 16 years after its release Super Monkey Ball 2 holds up well. It’s a beautiful game indeed. It also supports the Gamecube’s Progressive Scan mode. So if you have the costly Gamecube component cable or you’re playing it through a Wii on component cables you can make it look considerably sharper than on the stock composite cables. There are some Third-Party HDMI solutions coming out now as well. Like this one reviewed by RAXTheGreat1. So that’s something you may consider looking into.

Overall, Super Monkey Ball 2 is a must own if you have a Gamecube. Especially if you have company over for events, or holidays. It’s a lot of fun. The original is also a blast, so you may just want to pick up both of them. For those who don’t have a GCN, but do have an old Xbox or PlayStation 2 Super Monkey Ball Deluxe basically contains both games. So be sure to pick it up. The series would continue on newer consoles, and even a phone app. But honestly SMB2 is the apex of the series. Hopefully Sega will revisit the franchise someday. Whether or not that happens however, Super Monkey Ball 2 is still highly recommended.

Final Score: 9 out of 10

Fast RMX Review

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F-Zero, and Wipeout are two beloved series that rarely seem to make an appearance anymore. Nintendo’s flagship futuristic racing series has a deep (for a racing game) storyline, a huge roster of characters, and of course, high-speed races. It used to be a guaranteed appearance on Nintendo hardware. The Super NES, Nintendo 64, and a slew of handheld releases kept futuristic racing in the limelight. Psygnosis, and Sony answered with their own futuristic racing series; Wipeout. Both of these may seem similar, because they are in premise. But each has their own nuances making them both stand out on their own. But, while not as dormant as F-Zero, Wipeout still doesn’t get the attention it used to.

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But in recent years some independent studios have answered the call of those who long for proper futuristic racers. I previously looked at RedOut which will see a port to the Nintendo Switch at the end of the year. In Nintendo’s absence, German developers Shin’en created a small game on the Wii U called Fast Racing Neo. Which did well enough that it spawned some DLC. With no F-Zero on the horizon, they’ve made essentially a re-mastered director’s cut for the Switch. It includes all of the content the old game had. Plus new content. It also has a considerable upgrade in visuals. Released last year, this new version is an excellent title you might just want to pick up.

PROS: High sense of speed. Tight controls. Performance. Track layouts.

CONS: Online multiplayer has a low population.

EXPLOSIONS: Expect to see many when you’re first learning tracks.

Fast RMX is pretty great stuff. Immediately you’ll be taken back by how great this game looks considering its smaller budget. Then you’ll be taken back by just how great it performs. Where some other futuristic racers take influence from a few different franchises, this one mostly takes inspiration from F-Zero. The thing is, it does so well with the formula that it nearly rivals F-Zero many times. How close does it stick to the F-Zero formula? Pretty closely, but it does just enough to keep it from being a 1:1 knockoff of sorts.

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The vehicles are very much of the F-Zero vein. The designs will instantly remind you of the hovercraft driven by the likes of Captain Falcon, Pico, Dr. Stewart, Samurai Goroh, or even Mr. EAD. Oddly enough, this is where there is a big departure from F-Zero. There are no characters. There isn’t a storyline. One of the hooks with the later F-Zero games, especially F-Zero GX, was the comic book soap opera on display. Every racer had interview clips. There was a set of difficult racing challenges that told more lore about Captain Falcon with each one you were able to win. Every driver had a theme song. There is a lot of back story in the F-Zero series.

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Fast RMX dispels with any attempt to tell a story. There are no bounty hunters chasing super villains or criminals. It’s just pure, adrenaline rushing racing. Which is the most important part of any racing game. It’s the part that this game absolutely nails. Fast RMX may have a generic title, but it is succinct. There is a huge emphasis on speed on display as you’ll be boosting around hairpin turns on a rocket. The settings, and tracks continue the homages to F-Zero. Throughout the 36 tracks are space stations, futuristic cities, mining operations, and desert planets with sand worms right out of Dune. There’s even one race that takes place on a track as a giant robot is walking around, ready to step on you. It’s a pretty wild ride. A couple of tracks even retain F-Zero’s ride along the outside of a tube track designs.

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So there is a lot of love thrown to Nintendo’s racer. Fast RMX looks great doing it too. The highly detailed textures on everything look great. Many of the courses take advantage of wind physics, and filters to add to the sense of speed on display. There are even some really great weather effects in this game like rain, and snow. One of the courses even has puddles that splash when you pass over them. The game even uses some Ambient Occlusion for lighting, and shading effects. Fast RMX is an impressive looking game for the Switch. The sound quality is quite good too. The humming of the engines, the bombastic explosions of wrecked ships are great. There’s even an eccentric announcer who has some quips to cheer you on when you’re doing well, or to essentially boo you when you come in dead last. The low-key Electronica fits the racing well, though personally I would have preferred some element of Rock. But that’s a minor nitpick on my part.

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However, as I mentioned earlier, this isn’t a 1:1 carbon copy of F-Zero. Fast RMX has a few entirely different mechanics. First off, the energy system deviates greatly from F-Zero’s. There are no pseudo-pit stops to refill the boost meter. Instead, you have to be proficient enough to collect orbs at high speeds. These orbs will refill your boost meter instead. Secondly, your boost meter is not tied to your vehicle’s damage meter. If you run out of boost, you’re not going to explode. Third, there are explosions, but you aren’t out of the game after three crashes. You can keep going until the end of the race. However each time you destroy yourself by flying off the course, or hitting a wall you put yourself further, and further behind. Fourth, there are boost strips on the courses. But this leads to Fast RMX’s unique mechanic. Every vehicle has two phases. An orange phase, and a blue phase. Pressing the X button changes between the two, and the exhaust from your vehicle changes color to reflect that. If you’re coming up on a blue boost strip, and you’re using the blue phase, you’ll boost. If however you’re using the orange phase, you’ll be slowed to a crawl until you either shift phases or drive off of the boost strip.

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This leads to all kinds of boost strip patterns, which gives the tracks a puzzle game element. Not only do you need to memorize each of the turns, branching paths, and booby trap placements (Yep, tracks have landmines, omega beams, asteroids, and turbine fans to avoid.) but you’ll need to know boost order. Orange, orange, blue, orange, blue, blue, orange on one track. The next it might be blue, orange, blue, orange, blue, orange. Suffice it to say, you’ll be playing many of these courses many times over. There are several modes in Fast RMX. The primary one being its Championship mode.  This mode starts you out with three cups, each with three races in it. You don’t have to win every single race to win the cup because every placement gives you a certain number of points. So it works a bit like Mario Kart in this regard. However, by the end you’ll need more points than everyone else to claim the top spot. So every track you do badly on, means you have to do better on the subsequent races. If you can place at least third by the end of the cup, you’re treated to a short victory animation. Then you’ll unlock a harder cup, and often a new vehicle to use.

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Each of the 15 vehicles in the game handles differently, and are rated on the top speed it can reach, acceleration to that top speed, and the size of the boost power it has. Unfortunately, one bad thing about this, is it doesn’t give you any information about handling. So you have to try each one as you unlock them to see which style you like best. On the plus side, it does force you to at least take a little bit of time with each of them. One thing the ratings do tell you is that if a vehicle has a high top speed, it will take longer to get to that top speed. So these are usually going to be better if you’ve memorized every nook, and cranny of every track. Making a mistake will slow you down considerably. So when you’re just starting out you may want to pick something else. Going for a high acceleration means you’ll get to top speed faster, but you’ll want to master hitting those boost strips to compensate. Going for high boost means you’re at everybody’s mercy if you miss running over those aforementioned orbs.

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Once you get through all 12 cups, you’ll be graced with the end credits. But that’s far from the end of the line here. The game has 3 difficulty runs of the championship. So you’ll have to do it again, and again. Each of the tiers gets a bit more cutthroat. Think of it like the cc ratings in Mario Kart. The courses themselves aren’t that much harder, it’s the enemy pilots who become that much more brazen. Be that as it may, even on the initial tier, the last three cups have a huge spike in challenge. Not just because of the enemies, but because of the precision some of the courses require. It will take you back to getting to the Diamond Cup in F-Zero GX. These courses are a big hurdle to overcome. But once you do, you’ll feel very accomplished upon seeing the end credits for the first time.

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The game also has a mode called Hero mode. This one has you go through each individual track, one by one, and challenging you to come in first. That in of itself is pretty tough to do. Doing it on every track takes dedication. This mode is really for the player who wants to squeeze every last ounce of content out of their game. Much like the mainline championship mode, beating it unlocks another two tiers of difficulty. So if you’re looking for something that you can devote a lot of time to, Hero mode will keep you busy for a while. If that STILL isn’t enough for you, the game has Time Attack. Which is basically what it sounds like. You, practicing the tracks to get the shortest time possible. It isn’t the most exciting thing for the average player, but it is when racing games include them. If you’re having trouble with a certain track, it is nice to be able to practice it. Just as it’s nice to be able to ensure you’ve mastered it if you’re really good at the game, and want to compete in speed runs.

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Rounding things out are the multiplayer modes. The game includes two main online modes. One where you can race against random players online, and another where you race against your friends. Fast RMX is quite fun to play online. The netcode is fairly stable, and I rarely ran into any lag. That isn’t to say it doesn’t exist though. If you’ve connected to players who are on the other side of the world you’ll see their vehicles warping around a bit, or if someone has a bad connection you’ll see a stalled vehicle when they finally crash out to a menu. But by, and large it isn’t a bad experience. However, being released last year, you may find you have a long wait when trying to play online against random players. It took me a nearly ten minute wait to find an opponent. Once I was able to, a few other players eventually showed up, and I had a great time racing around 20 races before heading off to sleep.

That’s really about the only complaint I could levy here, is that there is a low online player population. Unfortunately it seems to be the case with many racing games, the online competition window is a short one. Still, the fact there are online bouts, and that you can play private matches is great. Fast RMX also retains the split-screen racing fun that made F-Zero, and Wipeout awesome party games. Up to four players can play in split-screen, and the frame rate doesn’t seem to be affected too much astonishingly enough. With all of the animation, and special effects going on it still retains a fairly good performance. Though some of the visuals do take a couple of cutbacks to compensate. Fast RMX also has a LAN mode, where you can connect your Switch consoles locally. So if you want to organize a local Fast RMX tournament, or party night you can.

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With its great visuals, excellent track design, and high frame rate it’s almost a no-brainer to download Fast RMX off of the Nintendo eshop. It’s an excellent game in spite of its generic title. I look forward to seeing what Shin’en brings to the table with any potential sequel. The only things to be aware of as of now, are the lack of players online this late in the game, and a big difficulty spike near the end. But in the grand scheme of things these aren’t major problems. In fact, I can’t say I ran into any major bugs while playing it. Shin’en really seems to have gone over everything with a fine tooth, and comb here. If you’re a Switch owner who hasn’t already done so, get this. Fast RMX is a winner.

Final Score: 9 out of 10

The Next Penelope Review

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Combinations. Sometimes they work really well. Most of us like peanut butter with chocolate, fluff, or jelly. In gaming, we often see developers experiment with different elements from one genre, and blending it with elements from another. The Next Penelope is one of many such games. But the components it assembles are far more removed from one another in comparison to other titles.

PROS: Minimalist art style works well.

CONS: Technical hitches. Lack of options. A.I.

HOMER: Expect Iliad, and Odyssey references.

The Next Penelope bills itself as a top-down racer in the vein of the old Codemasters Micro Machines games that appeared on the NES, and Sega Genesis. But in reality that’s only one part of the game. The Next Penelope utilizes these kinds of races, but attempts to cross-pollinate them with bits of F-Zero. You can boost, which drains the health of your vehicle, and you can drive over pit stop lanes to repair your vehicle.

But it doesn’t stop there. The game also includes elements of vertical, and horizontal shoot ’em up games like Raiden, and R-Type. As with the boost mechanic, using the weapons throughout the game will also drain your vehicle health meter. There are several great weapons to use throughout the campaign, and you’ll find that they’re almost always the key to victory.

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So how does the game work? The Next Penelope references Homer’s Odyssey. From the subtitle; Race To Odysseus, to names of characters, and places from the epic poem. In this game you play as Penelope who is trying to get to Ulysses. But in order to do so you’ll have to go to different star systems, and proceed to win different racing circuits. The reality is that each of these circuits has one race. Each circuit lists three races, but only the second race is actually a race. Your first race is usually a trial where you have to master one of the weapons or abilities. Complete that task, and then you’ll enter a race. A race you have to place first in. If you don’t win, you can’t advance. Winning the race will put you up against a boss for the third event. If you defeat the boss, you’ll get to take the weapon you gained in the first event with you through the rest of the game.

You can technically, go through the game in any order you want, a la Mega Man. But the game really wants you to go in a specific order. Because you’ll quickly find the races are almost impossible to win without the weapon or item required. Where as in Capcom’s games starring the Blue Bomber, you can get through an entire stage using only an arm cannon, here you can’t. You won’t even beat the course required to get to the boss to use your weapon on, without said weapon. That’s because the rubber band A.I. in this game is ridiculous. Even if you lead three laps because you’re good enough to do it, the last lap you will be bombarded with enemy racers’ firepower, and get overtaken.

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Over the course of the game you’ll get laser guns, a teleportation device, a grappling hook, and even a cloud that turns bullets into experience points. Win the races, and it’s off to fight a boss. Admittedly, the boss fights are some of the best parts of The Next Penelope. Most of them are pretty creative, and involve some level of puzzle solving skills on your part. There are a few that are disappointing though, because they boil down to trial, and error gameplay as opposed to the puzzle solving twitch action of the better ones. Still, these are where most of the fun times happen.

That isn’t to say the racing is terrible. Most of the tracks have some pretty cool designs, and you’ll have to get your turns just right, to drift around a corner or make a jump over a gap safely. Tracks have some interesting hazards too, like flooded streets, blockades that require specific items to avoid, and even have shortcuts that require expert timing, and speed to use. What kills the fun a bit is the aforementioned A.I. if you thought some of the old Mario Kart, Need For Speed, or Cruisin‘ games had cheap CPU racers, you’ll have flashbacks when playing this. The pain is doubled when you realize this game has the same steering scheme as games like Super Sprint. Your space car also moves automatically, so you can’t brake around corners, or to avoid hitting something.

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Thankfully the controls are responsive, and if you don’t want to use the classic D-Pad controls, you can use the triggers on your controller to steer left, or right. Once you have a handle on them, and you get a few circuits in, it will become a lot more manageable as the items, and weapons will help keep you in the lead a lot. Once you’ve gotten through a set of races you can move along a star map to the next set you want to attempt. There are also extra courses you can attempt. But these won’t be playable until you’ve completed the campaign for the first time. You’ll also earn XP throughout the game, and there is a store on the star map where you can spend your XP on upgrades. In my time with the game, I found it best to wait until near the end to do this, but you can also go into the shop whenever you want between circuits.

Once you beat all of the main circuits, you’ll be able to enter the final showdown. This is a two boss rush. Here the game ceases to be a top-down racer, and becomes a horizontal shmup. What makes these fights challenging is that the game continues to use the F-Zero drain mechanics from the races. So as you shoot at the bosses you’ll drain your health. Beating these guys will take careful resource management, and all of your cunning.

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The story here isn’t particularly great. It references Homer’s poems a number of ways, but it doesn’t do anything interesting with them. It’s really just there to set up each of the circuits so that the boss encounters make more sense. On the plus side, the artwork is very nice. It could easily pass for one of the late 90’s action shows that aired on Cartoon Network with minimalist designs that are accented with a wonderful use of color. This moves into the mainline game graphics too, which use an interesting blend of background tile art, and shaded shapes for the vehicles, and characters. It reminded me a bit of Another World’s look. vehicles appear to be almost like models when in actuality they’re an animated series of sprites. It’s pretty impressive for a such a small game.

 

The Next Penelope isn’t a bad game, by any means. But it isn’t going to be for everyone. The worst part of the experience is the brutal A.I., and there are a number of technical hitches in it that don’t help. Sometimes the game will hiccup for no apparent reason. I played the game on both my gaming desktop that far exceeds the requirements, and an old laptop. In both cases they came up at arbitrary times. It didn’t matter if I had the settings maxed or set to minimum. The game also has a CRT filter you can enable. Again, sometimes this would happen with or without simulated scan lines. In my case I had been playing for a few hours before it would happen. But when it did it was awful, as it would cause me to drive off course, or crash into an obstacle. I don’t know if this happens on any of the console versions as I haven’t played those. There was also the strange omission of any kind of volume controls in the game. This makes it a tough game to stream as you can’t just go in, and lower the sound if it drowns out your voice. Instead you’ll have to go tweak your system’s microphone, and sound settings. Which isn’t always a simple task depending on your configuration.

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That said, it’s worth experiencing if you’re looking for something a little bit different to play. It looks nice, controls fine, and there are some truly fun moments in it. But only the truly devoted will go through the bonus missions, or care to accomplish all of the game’s achievement milestones. It’s not a terrible game, but don’t expect the moon either. If you come into it looking for something on par with an F-Zero or Wipeout game, you’ll want to look elsewhere. But if you’re open-minded, and want to try something new, you might be surprised.

Final Score: 6.5 out of 10

Owlboy Review

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The Super NES is known for many great things. Obviously Nintendo’s own wonderful games, and some of the most memorable efforts from names like Capcom, Konami, Square, and Natsume. These efforts often resulted in excellent adventure games, action RPGs, and action platformers. In recent  years a number of new games have shown up paying homage to these titles. But not all of them have done it as well as Owlboy.

PROS: Beautiful visuals. Tight controls. Engrossing story.

CONS: A few annoying bugs. Objectives aren’t always clear.

PIXEL ART: This game really does raise the bar for the art form.

Owlboy is easily one of the best modern platformers done in a style that resembles the 16-bit titles of yesteryear. Immediately you’ll be blown away by the insane amount of detail in the pixel art. The shading of the grass, the gradients in the clouds, and the plethora of tiles that make every background, and object stand out. Not only is there a great amount of detail, but so much of it is animated. Animated so well, in fact, that it matches the characters with their text balloons almost flawlessly.

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Speaking of facial sprite animation, and text balloons, Owlboy has a story on par with many coming-of-age animated Disney films. When the game begins you take control of an owl named Otus. Otus isn’t well liked by most of the inhabitants of Ville. He’s mocked, teased, bullied by many of the other owls his age (often because of his muteness), and he’s ostracized by adults. He gets blamed for things he has little to nothing to do with. He has one friend named Geddy who works defense for the town. Things change drastically one day, when a mysterious troublemaker distracts the two, and allows an invasion of pirates to occur.  From here, our pariah has to go on a three arc adventure to become the hero.

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Along the course of the story new characters get introduced, and this is where the game’s mechanics start to really take shape. Owlboy combines the Platformer with Adventure, and Action RPG elements to create something pretty special. You’ll explore different towns, and talk to NPCs the way you might in a game like Ys, or Faxanadu. You’ll explore areas the way you do in Metroidvanias. You’ll get into boss fights on par with those of the Classic Mega Man series. The developers at D-Pad even went the extra mile to make the shop one of the most entertaining moments in the game.

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Otus can run, jump, fly, and do a couple of  roll attacks as you go through the game. But he can also pick up some of the NPC characters you’ll meet, some items, and even some enemies. All of which are needed to solve puzzles, and get to a lot of areas. Most of the puzzles are fairly challenging to solve, involving every possible thing you can lift. Throughout the campaign you’ll also find fruits, and vegetables that replenish health too. Around halfway through the game you’ll find a shop. It works a little bit differently than the typical shops in most RPGs, and Adventure games.

Rather than simply buy items with the money you have, the shop keep sends out employees to just give them to you once you have enough coins. They don’t take the coins from you though. So it’s almost like a level up progress bar accented with comedy. These moments are quite hilarious too. The game makes excellent use of its characters, and animation to deliver laughs. Rather than simply give you the normal mundane experience of grinding money until you can buy the best kit, it’s gives entertainment. And these funny moments fit right in with the rest of the story.

 

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The story is great, the characters, are great, and everything else for the most part is as well. Not only do you get a bunch of interesting challenges to solve, but you’ll also do your fair share of platforming. Any good platformer requires excellent, and responsive controls. Owlboy has them. As you jump, fly, and switch characters around, things feel natural. So while things may look insurmountable at times, with enough practice you’ll get through them. The game utilizes the Adventure feel of checkpoints rather than the life system many retro-platformers do. These are fairly numerous, so there aren’t very many times you’ll find yourself re-doing long stretches of hurdles upon a mistake. That isn’t to say things will be easy. There were a few parts of the game that I found myself spending thirty to forty minutes on because I didn’t do just the right move. Or because I didn’t kill an enemy quite fast enough. But again, perseverance pays off. If you don’t give up, you’ll get through it.

The game is a lot of fun too. It scratches the itch of just about any old-school experience you can think of, and it’s engrossing. It makes you feel accomplished when you do something grand, and it doesn’t feel discouraging when you fall down. There are also plenty of moments that will just wow you. From riding rock dragons, to infiltrating bases, to the tremendous boss fights, there is a lot to love. Boss fights bring back the era of memorizing patterns. Much like the Mega Man, Castlevania, and Contra games of old, each fight makes you watch for openings. Eventually you’ll realize the boss is doing the same thing, and you’ll learn where to move, or which character to utilize, at what time. Most of them have several forms though, and with each form, a new pattern to learn. But through it all, you’ll have a great time. Whether you were in that era or not.

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As I’ve stated before, Owlboy looks astonishing. But the soundtrack goes along with it all so beautifully. The game has a wonderful orchestral score that flows from scene to scene, and area to area. It’s as if a Metroid game were filled with symphonic songs inspired by classical composers. None of it really comes off as cliché either. It’s almost expected in any fantasy setting to hear strings, and woodwind instruments. But here again, it feels like an animated Disney film. There are up tempo notes of optimism when things are looking up for our characters, and there are bombastic yet somber moments when it looks like all is lost. It probably isn’t the sort of thing you’ll listen to on a work commute, but it does accent the story, and gameplay very well.

It would be easy to write the game off as some niche experience for geezers like me who jammed on Ys III, Mega Man X, and ActRaiser on the Super NES back in the day. But it really isn’t, and you’re doing yourself a disservice if you skip it because of that impression. Yes, indeed, there are plenty of things to like for those who were around for the 16-bit console wars of the 1990’s. But the new twists on gameplay, identifiable characters, and well told story, are things anybody who likes video games can experience. Owlboy joins the ranks of well-crafted, memorable indie releases like Axiom Verge, Giana Sisters: Twisted Dreams, Undertale, and VVVVVV.

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It isn’t without its faults, as even the best games have some issues. In the case of Owlboy it seems to be bugs. Minor bugs, but annoying nevertheless. One of which seems to screw up your controls at random. Loading from the last checkpoint seems to fix it. This only happened to me once, near the end of the game. But it’s still worth mentioning. Another is how, at least on PC, the game still runs in memory even after exiting to the desktop. Pulling up the Task Manager in Windows allows you to shut it down, but it’s still 30 seconds of annoyance. There are also a couple of times in the campaign where it isn’t always clear where you’re supposed to go next. But this is really a minor nitpick since you’ll be spending a good portion of time just exploring anyway.

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Overall though, Owlboy comes highly recommended. It’s fun, engrossing, and has something for just about anyone. It’s a game that will likely garner an emotional response from you, thanks in part to the excellent animation. It’s a game you’ll likely cherish in part because of the story, and characters on display. But it’s also a game you’ll likely enjoy going through due to the top-notch play control, and well crafted gameplay. Owlboy is a must play addition to any collection.

Final Score: 9 out of 10.

Horipad Wired Controller Review

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The Nintendo Switch is a great console, that plays a lot of great games. The controllers it comes with, while innovative, aren’t always the best option in every scenario. On the go, they’re great. They’re small, compact, and you can divide them to make two controllers. But at home, those two joycons are likely going in the comfort grip. So when a friend comes over, or your significant other, spouse, siblings or roommate want to play with you, what to do?

PROS: Quality build. Versatile. Inexpensive.

CONS: Doesn’t have the gyroscopic functions.

WEIRD: The D-pad design.

There are a surprisingly high number of controller options emerging for Nintendo’s gaming tablet. Obviously Nintendo’s own solutions are pretty great. You can roll with another set of joycons, which will double as two controllers, and that gets you set for four player games. But you have that small size issue which in a home setting, and on certain games may feel cumbersome for larger hands. You can also go for Nintendo’s Pro Controller. It’s nice, does everything the joycons can, and it’s got a hefty, yet comfortable design. But it also costs more than a lot of games do the day they come out.

For a lot of us, buying a Pro Controller for ourselves, or to have on hand for a second player, may be cost prohibitive. There are a wealth of third-party solutions coming out now to address this. But many of them have lackluster build quality, using cheap plastics or sub par wiring. Enter the Horipad. Hori isn’t generally known for what most might call general purpose controllers. They’re known for expensive, professional grade arcade fighting sticks. Go to any local Street Fighter or Tekken tournament, and you’ll find a lot of arcade joysticks made by Hori.

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Anyway, the Horipad is a pretty good solution for anyone looking for a controller for a second player, or to leave connected so they don’t have to take the joycons off at home. It has a solid build quality. It doesn’t have the heft of Nintendo’s own controller, however it doesn’t feel brittle, and thin either. It feels about as solid as Microsoft’s own Xbox 360 controllers did.  The thumb sticks feel really comfortable, and all of the buttons, and triggers are very responsive.

Beyond that, the controller also has the +, and – buttons to pull up menus. It has the home button, and even included the screen capture button. Hori even put a turbo button into the controller, and it works wonderfully. Simply hold a button down, press turbo, and it will just rapid fire along when you hold it from that point on. Let go of everything, press the turbo button again, and everything goes back to normal.

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Frankly, this would be an utterly flawless solution if not for a couple of things. The worst is the lack of gyroscopic functions. This means that for a handful of games, you really won’t be able to use it properly. Super Mario Galaxy, for instance, requires gestures for some of the moves. Using the joycons, or pro controller won’t be a problem, as you can swing or shake them when needed. You can’t do them with the Horipad. The pad does work in Splatoon 2, but you won’t be able to use mouse-look like you can with the joycons or pro controller. There aren’t gobs, and gobs of games that require the gyroscopic tech. But if you buy one, do know you’ll have to use the joycons. I do applaud Hori for mentioning this on the back of the box though. It’s nice to know this going in.

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The other thing some won’t like is the D-pad. Rather than get rid of the C-buttons, and put a traditional D-pad in their place, they kept the C-buttons. The solution they came up with was to put a peg hole in between the buttons, and make a D-pad that plugs into it. It does work fairly well. In most games that benefit from a D-pad this works fine. Press “Up”, and get the desired result. However it ends up feeling like the D-pad on the original Xbox 360 controller.  So it isn’t quite as good as a dedicated D-pad but it’s still an improvement over the C-buttons on the  left joycon.

 

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But there is one really, cool thing about this controller, and that’s its versatility. You can also use this on any Windows 10 computer. Plug it in, and it is seen no problem. However the buttons are still mapped as if you were playing on the Switch. So in games where you’re used to using Microsoft’s layout, you’ll have to go into the menu, and re-bind keys. The overwhelming majority of PC games let you do this. But the bottom line is that, you can repurpose this as a game pad for your PC. Which means although you’re getting a second controller for your Switch, you don’t need to buy an Xbox or Steam controller for your computer. Assuming you haven’t already.

 

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All in all, this is a great all around controller for the overwhelming majority of games on the Switch. Especially if you want something a cut above most other third-party controllers in terms of quality while still coming in at a budget price. Those who require a traditional D-pad might want to look at other solutions. But again, this is still a cut above the build of a lot of third-party solutions. The fact that it can also be used as a PC game pad is also a really great feature. It’s also a really comfortable fit for about anybody’s hands. About the only major drawback is the exclusion of the gyroscopic features seen in Nintendo’s own Pro Controller. Be that as it may, you can get two of these pads for the cost of Nintendo’s wireless one. For someone who needs a solid controller at an affordable price, the Horipad is a contender.

Final Score: 8 out of 10.

Super Mario Odyssey Review

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It’s hard to believe Mario has been with us for nearly four decades. It’s even harder to believe, but there isn’t a bad Mario title. Some are objectively better than others. Old timers like me can remember playing as him in Donkey Kong. We have fond memories of going to the arcade with friends, and playing the original Mario Bros. Obviously everyone from 7 to 70 has probably played Super Mario Bros., Super Mario World, Super Mario 64, Super Mario Sunshine, or Super Mario Galaxy. Again, nary a blemish to be found. The latest adventure continues this trend.

PROS: Pretty much everything. Get this for your Switch if you haven’t already.

CONS: One slight hiccup in performance in the Seaside Kingdom. If you NEED to nitpick.

FROM OUT OF NOWHERE: Rock n’ Roll anthems hit you like an RKO from Randy Orton.

Let’s get this out-of-the-way right away. If you have a Nintendo Switch, and you still don’t have this game it should be your next game purchase. If you don’t have a Switch, it should be one of the first games you get when you get the system. Super Mario Odyssey is not only a wonderfully crafted platformer, it’s one of the most engrossing video games on the console.

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As usual, Bowser has kidnapped Peach again. So Mario heads out to stop his nemesis yet again. This adventure, however is different for a multitude of reasons. This kidnapping attempt Bowser has decided to marry the Princess by force. When the game starts you’re treated to an opening cinematic where Mario is in the process of trying to save Peach. Unfortunately for our hero, Bowser works him over. After suffering a hellacious assault at the hands of the King of the Koopas, Mario is thrown off of an airship to his doom. To add insult to injury, Bowser shreds Mario’s trademark hat to really drive home to the viewer that all is lost.

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Mario is then tended to by a hat named Cappy. It turns out that Bowser devastated an entire kingdom inhabited by sentient hats called the Cap Kingdom. It is also revealed that the bridal tiara Peach was forced to wear is Cappy’s significant other. So Cappy decides to help Mario rescue Princess Toadstool. This is also where you’re introduced to this game’s trademark feature: Possession. Mario can throw Cappy, and if he lands on certain objects, and characters they can be controlled. It’s not something most of us probably think of ever seeing in a Super Mario Bros. title, and yet here it is.

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This makes the game feel very different from previous games in the Super Mario Bros. universe. Yet Super Mario Odyssey also retains all of the things you would expect to see in the long running franchise. This entry leaves the linear design of the two Galaxy games behind. It also abandons the design of the 3D Land, and 3D World games. Instead, Super Mario Odyssey returns to the freedom of Super Mario Sunshine, and Super Mario 64. This time around Mario can travel between Kingdoms using an airship of his own called the Odyssey.

 

As you might expect, you’ll be going through these Kingdoms looking for coins, and items in order to earn entry to another. In this game the coveted item will be Power moons. You have to collect so many for the Odyssey to be able to continue onward. There are a couple of spots where you can choose which of two places to travel to next. But there’s no major hub the way Peach’s castle in SM64 was. Still, while you’ll open most of the Kingdoms in a set order, the stages themselves are open. So you’ll spend a lot of time tracking down moons.

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A lot of the moons are hidden in plain sight, but there are a lot of them that aren’t. Getting some of them involve going on fetch quests. Others involve beating platforming challenges. Still others will require you to win at a mini game, or explore off of the beaten path. Some of them are purchased in shops, while others require you to buy a specific costume with a Kingdom specific currency so you can go to a specific area. That’s not counting the number times you’ll need to possess a particular enemy. Or the number of times you’ll have to solve a puzzle. Or to have a keen eye in the 2D areas I’ll get to later.  You’ll also have to contend with a lot of different bosses to get many of the moons. The most obvious being the Broodlings. These are a group of evil rabbits who have jobs planning Bowser’s forced wedding ceremony. But they’re also Bowser’s hired mercenaries. You’ll have to defeat each of them. But they’re not the only threats you’ll face. Super Mario Odyssey has many bosses hidden within it. You’re going to see all kinds of massive adversaries. Some of whom are going to come completely out of left field.

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There are 880 Power Moons to be found which means you’ll be playing this long after you’ve experienced the storyline. Those who love to get their Mario games to 100% completion can even buy another 119 on top of those. But along the way you’re going to continually be astonished, and amazed. Super Mario Odyssey has something for fans of every era of the character. There are homages to Donkey Kong, Mario Bros. Super Mario Bros., and pretty much every game in the series is referenced in one way or another. Some of the most creative moments, are the inclusion of 2D sections that use the sprites, and tiles seen in Donkey Kong, and the NES Super Mario Bros. games. But it even includes the newer enemies, and characters in the mythos in that same style. These sections are often blended into the contemporary look of everything else, and they work seamlessly together. Sometimes the game incorporates puzzles that can only be solved by transitioning between the 2D pixel game play, and the modern 3D space.

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Mario controls as fluidly as ever too. If you fall off of a ledge, get shot by a Bullet Bill, or land a quarter of an inch in front of a Goomba you’ll know it’s your fault. Another thing that might surprise you is the fact that the traditional system of lives is gone. You’ll have unlimited lives in Super Mario Odyssey. Your punishment for getting killed, is the game takes some of your money from you. However, don’t think you’ll be blowing through this one in a day. A lot of players might think that not needing 1-Ups, and Continues makes this game easy. It really doesn’t. In the early goings, things might seem like they’re simple enough. A few easy to nab moons. Running to the beacon of light to progress to the next story mission. Simple, right? While you might be able to get through the first handful of required areas, and claim their moons without too much trouble, later ones aren’t so easy. Some of the later stages require some significant puzzle solving, and a bit of dexterity. This is a Super Mario game after all.

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You’ll need at least 124 Power Moons to be able to get into the final boss showdown. If you’re persistent you can probably get there within a day of non-stop gaming. But with everything there is to do, and see, you’ll probably want to explore for more moons, and secrets in that time instead. Some of the areas can’t even be reached until after you complete the campaign, all but guaranteeing you’ll be playing this long after the big showdown. Another thing that sets this game apart from the other Super Mario Bros. games is the vastly different environments in each of the game’s kingdoms. Not only do they have different themes, each of the themes has a completely different art style. The Luncheon Kingdom has a minimalist look, all rendered in soft neon colors. Take your ship to the Metro Kingdom, and everything goes for a more modern, photorealistic look. Head to the Seaside Kingdom, and things look absolutely beautiful. Plus the inhabitants of each Kingdom are completely different from each other as well, lining up with the aesthetics of the area perfectly. There are also all sorts of little visual touches that you’ll appreciate. Like the rain effects in New Donk City, or the soot that lands on Mario whenever he walks through fire.

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The soundtrack is absolutely spectacular. If there’s one thing this title has over many other games it’s the music. Everyone has likely heard Jump Up Superstar, as it has been in all of the promotional material for the game. The trailer, the spots at conventions, you can even buy the song on iTunes. But everything else on the soundtrack is just as good as that title track. From the orchestral pieces to Big Band Jazz, to Heavy Metal to Power Pop. Even if a certain genre isn’t your cup of tea, you’ll recognize the sheer talent, and greatness of the compositions. All placed in parts of the game that suit themselves best. There is just so much to like here. No matter what you’re doing the music thumps along perfectly. It’s energetic, and light-hearted when it needs to be. It’s ambient, and dark when it needs to be.

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Quite frankly, so much of Super Mario Odyssey is done so well, it can be difficult to find anything all that wrong with it. Controls are spot on. The environments, character design, and sound are all simply brilliant. Some of the mission types repeat here, and there. By the second or third Kingdom you’ll pick up on the general formula. But again, everything is done so superbly, it feels like nitpicking just mentioning it. About the only technical issue I ran into at all, was a very minor hiccup when running along the beach in Seaside Kingdom. Once. Ever.

 

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There are several other things I haven’t mentioned yet, like Amiibo functionality. Pretty much all of Nintendo’s releases utilize them in some way, and Super Mario Odyssey is no exception. If you buy the three figures specifically made for the game they’ll give you different wedding themed costumes you would ordinarily have to get in the game far later. They’ll also give you the bonuses associated with the non-Odyssey themed figures of those characters. Peach gives you a Life Up Heart, Mario gives you a few seconds of protection, while Bowser gives you purple coin locations on your map.

Some of the other figures you have knocking around can also end up giving you some early access to some of the game’s costumes. But generally just about any figure will get you something. You can also show your Amiibo to a machine Toad appears with after you clear a few kingdoms. Then it will bring back rewards at a later time. Another interesting Amiibo piece of trivia has to do with some cross-promotion with Kellogg’s. The cereal vendor has made a promotional Super Mario cereal you’ve no doubt heard about if you live in the United States. The cereal box has an Amiibo NFC chipset glued to the inside so you can actually scan the cereal box for the same rewards most non SMB related figures do. With one exception: There’s a line of dialogue that may bring about a smirk upon seeing the game recognize the cereal box.

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There are a ton of crazy items in the shops. It is worth looking into them for the costumes alone. Which is good, because after finishing the story the game opens up a host of new areas, moons, coins, and other content. Some of the post campaign moons are tied to unlocking items in the shops. So you’ll definitely want to be looking into them. Many of the costumes get pretty wild too. Some of the ones I really like include a clown costume, a samurai costume, and a couple of retro costumes.

If getting to new areas wasn’t enough, some of the kingdoms have super-secret warps hidden in paintings in them. You can even get a glimpse into some of the kingdoms you may not have visited yet when you find one. Some of the game’s moons even require their use in order to be obtained. Beyond that, there are a number of crazy features you’ll just sort of stumble upon. Like the ability to steal a moped, and drive around on it. Or an RC Car mini game, where you get to use an RC Car in attempt to speed run a track from Super Mario Kart.

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The map I mentioned earlier is part of an overall travel guide you can pull up. It has maps for every one of the worlds you visit along with checklists. You can also pull up the little tutorials that explain some of the more advanced techniques. This can be handy for those who haven’t picked up a Mario game in years, or for someone who has honestly never played a Mario game. It’s also a place where you can review things that you might have forgotten how to do during the course of your time with it.

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Another really cool feature is the camera mode. It really enhances the screen capture function in the Switch. Normally, for any game you can press the camera button, and take a screen shot. But in this game you can press the Down C button first, and pull up a camera mode. In this mode you can zoom in or out before taking a shot. You can also tilt the camera, and apply a number of filters to the image. The absolute best of these are the vintage console filters. One of them is supposed to be the NES palette although in some situations it seems closer to something like the Commodore 64. Another is a Super NES palette, and a third is based on the original Game Boy. Plus you can slap the game’s logo in the corner of your photo. Then you can use the social media function on the Switch to post it to your Facebook account, or Twitter account. It might not sound like much, but you can honestly get pretty creative with what you’re given here.

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It’s hard to say if Super Mario Odyssey is the best Mario game of them all, but it’s absolutely in the running. It’s one of those rare games that makes you feel like you’re 8 years old again, experiencing the series for the first time. It’s so full of awe. It’s so full of wonder. Even though you’ve likely been playing Super Mario Bros. games, and spinoffs for most of your gaming life. It’s a celebration of every era of this universe, and its characters. While at the same time making the entire game feel new. Sure, you’ll spend a lot of hours hunting down the items, and MacGuffins to see what comes next. But it rarely, if ever feels like busy work. With the wonderful environments, stellar game play, and absolutely fantastic soundtrack this is one Odyssey you’ll want to embark upon.

Final Score: 10 out of 10

Ultra Street Fighter II: The Final Challengers Review

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What can be said about Street Fighter II that hasn’t been said already? The original Street Fighter while by no means a horrible game, was mediocre in a few ways. It had some sluggish movement. Special moves did a ridiculous amount of damage. However, performing special moves was inconsistent. Sometimes the hit detection seemed off. The soundtrack wasn’t very good. It had grainy audio. Yet there was a ton of promise in it. It had wonderful characters, pretty cool graphics, and it was still a cut above earlier games like Karate Champ. But it still could have become just an obscure one-off.

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Thankfully, Street Fighter II scrapped the parts that didn’t work, fine tuned everything that did. Then added a bunch of new features. You could play as characters other than Ryu, and Ken. Plus you could really compete with other people for something other than score. Every iteration of the game added, and refined more. You could play as the bosses. You could play at a faster speed. You could play as newer characters. You could do finishers. Every iteration also changed character attributes to try to bring everyone just that much closer. Not only was it leagues ahead of Street Fighter, it became a phenomenon. So now there’s an even newer version of a twenty-six year old game to play on the Switch. With a collection around the corner, should you still get this?

PROS: It’s Street Fighter II. One of the best games of all time. On the Switch.

CONS: Doesn’t add all that much bonus content to the package.

I’VE GOT NEXT: It does bring a taste of the arcade era in portable form.

Ultra Street Fighter II is a pretty awesome game. It’s Street Fighter II. That’s already pretty awesome. That’s a given. But what makes this iteration worth playing over another? Chances are you own at least some version of the game. If you don’t, and you have a Switch, well then this is a no brainer. For a lot of other people though, they’ll need more than that. For the five of you who were around in the 90’s, and somehow never played the game, what you do is simple. Pick a character, beat the other characters in two-out-of-three bouts, until you get to the final boss, and beat him too. Beyond that, you can play against other people for supremacy.

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But if you’re a long time Street Fighter fan, you’ve played this before. So again, you’re going to ask “Why play this over my Super NES Game Pak, or my Anniversary Collection for my PlayStation or my Anniversary Collection on my Xbox 360? Or any other version for that matter?” Well, there a few reasons. A few of which are pretty compelling. The Nintendo Switch being a tablet means convenience. It also means you can recreate some of that bygone era of arcades in a public space. For instance, one of the first things I did when I purchased my copy was go out for coffee. While there I played the game, and a couple other people noticed. They inquired about the system, and we talked about playing Street Fighter II after school in the arcade as teenagers. These kinds of moments lend themselves to rekindling some of that. Strangers can challenge you in person now as you can give them a joycon, you have a joycon, and before long someone shows up with a quarter to say “I’ve got next.”

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It’s also great for a game night. Street Fighter II, in spite of the technical aspects of it, is still an approachable game. Newcomers who weren’t around for it when it was new, can still pick it up, and have a good time. It has a fair amount of depth, and complexity. But it isn’t going to look impossibly daunting to someone who has never touched a fighting game before. At least not compared to something like Guilty Gear Xrd. We all have that friend who insists the party starts with something like Guilty Gear Xrd.  Anyway, It’s a lot of fun for newcomers, and veterans alike which is a big reason why Capcom likely chose to update this game for the Switch.

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In terms of new additions, the obvious one is the ability to play with either the original coin-op graphics or to play with the newer HD Remix inspired graphics. There isn’t any difference in game play between them. When playing in either style everything looks terrific. The HD style looks crisp, vibrant, and detailed. All of the art assets from Udon, are completely on point. The coin-op graphics are also crisp, vibrant, and detailed. They also display in 4:3 aspect ratio which is great. Sometimes a retro release still comes out these days, that zooms or stretches everything into 16:9 by default, and looks just awful. Not the case with Ultra Street Fighter II. Now sadly, there isn’t anything in the way of CRT simulation filter options with this game. So if you do play with the older graphics, you’ll see every last pixel. Personally, I always preferred sharper images. So even in the 90’s playing crisp Super Street Fighter II for MS-DOS on a monitor looked nicer than blurred Super Street Fighter II for the Super Nintendo on a TV. But I know not everyone feels the same way. If you don’t, and seeing all of the squares bugs you, you may want to stick with the new style.

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A couple of other things were thrown in too. You can play the game in a Co-op version of the arcade ladder. Basically turning the bouts into handicap matches. It’s definitely something to try to see if you’ll like it. But it isn’t as fun as the core game you come into a Street Fighter II release for. The same can be said for the Way Of The Hado mode they’ve included. Now to be perfectly honest, I really like this mode. It’s a really fun mini game that you can break out at parties because of two reasons. First, (at least for me) the motion controls were spot on. Second, after you use the trainer to figure out how to hold the joycons for each move (Kind of like the Wiimote, and nunchuck for gestures in some Wii games) you can go into one of two modes. A story-like mode, or an endless mode. The story-like one has an ending you can make it to if you’re good enough. The endless is there more as a high score arcade game. It uses some of the graphics from Street Fighter IV to make a first person mini game. In it you throw fireballs, dragon punches, and other signature attacks as Ryu to beat up M.Bison/Dictator’s goons. Over time they can shoot fireballs back at you, and do other moves. Fortunately, you can also block. Again, it’s honestly a fun distraction. But, also again, it’s just that. It isn’t going to keep you engaged nearly as much as the core game you buy USFII for.

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The game does have online play, and it seems to be fine most of the time. It’s about as good as Ultra Street Fighter IV‘s is. 85% of the time you’re going to get a good to great connection, and have an awesome match. 15% of the time, you’re going to get a jittery mess of a match, possibly a disconnection. I tried this mode at home where I have a good internet connection, at hotspots where things are mixed, and a relative’s, which has a good connection. I had pretty much the same experience everywhere. If you find you don’t have a great wireless connection to your router, you can buy the wired, USB Ethernet connector for the Switch. That can improve things a bit. In the case of the game though, it really comes down to the net code.  Again, most of the time it seems fine.

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Some of the other bonus content in the game includes some in-house Street Fighter series art from Capcom. These were taken from a now out of print book. It’s really great stuff. You can’t use the Switch’s photo function on it though, likely out of piracy concerns. Still, it’s worth thumbing through it, particularly if you love art. Separate from the gallery is the option to add background themes to the menus. Nothing you’ll be excited about though. Some will love the included sprite editor though. It works a lot like the one that came way back in Capcom Vs. SNK 2. You can change the colors of three different sections of any given character, and save them in added color slots. This works in both graphical styles, and subsequently these edits will be playable in the game.

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In spite of some of the bonus content, and the inclusion of online battles this feels like a barebones release though. The extra stuff here does give you a little break from the mainline arcade, versus, and online battles. But that’s just it. They’re minor diversions. Even though they’re fun, they’re not really fleshed out enough to keep most people engaged. Most players will likely try them, and then go back to the one on one fights. Had there been even more graphics options, like a simulated CRT filter, or more characters or backgrounds it would give old-time fans more to get excited about.

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The three new characters you do get are ramped up versions of Ryu, Ken, and Akuma. And they’ve appeared in other Capcom fighting games before. Evil Ryu, Violent Ken, and Shin Akuma (whom you need an old school sequence code to use) are all fun to use. But they all have insane damage potential. Shin Akuma is even barred from online competition. So some of the top-tier players who play in tournaments have their concerns. For the rest of us, they also take a lot of damage. So average to good players who don’t need to bother with tournament level stuff like obsessing over frame data or lists won’t care. As is the case with most Capcom fighters, the trainer does let you see inputs, and some other information.

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On that note, I do want to talk about controllers with this one. Playing the game with the joycons on the console or in the grip is fine. For the most part. It feels pretty close to using a standard game pad, though I found sometimes the analog stick would read a forward jump, as a jump. Playing the game with the joycons as two separate mini controllers is not that bad. It’s not great, and you’ll have to get used to rounding your index fingers to press the Z buttons. But it works. It basically follows the format of the Super NES controller. So if you’ve played any version of the game on the Super NES, you’ll know what to expect. That said, while it’s something you’ll live with when playing other people at Starbucks, you’ll probably want another option for home. There are a host of options for the Switch. The pro controller, aftermarket controllers, and even an arcade tournament joystick by Hori. Depending on your preference, and budget you’ll probably want to invest in one of these options at some point if you haven’t already.

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In the end Ultra Street Fighter II is worth getting for a number of scenarios. Bringing the aforementioned arcade experience to a public setting. If you’re a fan of the game who no longer has an old console or computer version knocking around. Or if you’re getting back into it for the first time in years. Or if you’re just a big fan of fighting games in general, and you’re building a Switch collection. It’s a really fun version of Street Fighter II. With SFII being as timeless as classics like Pac-Man, Centipede, and Space Invaders it’s also a pretty safe bet. Just don’t expect much more out of it than a really fun update of Super Street Fighter II Turbo. The other stuff is nice to try, but isn’t the headline act. Also remember this version of the game isn’t included in Capcom’s upcoming collection.

Final Score: 7 out of 10

 

 

 

 

 

Game Traveler Deluxe Travel Case For Nintendo Switch Review

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So now you have the fastest selling Console in American history. It’s going to provide you years of entertainment on your TV. However, you love the portability of tablets. What if you decide to take your Switch to the local Starbucks to get in a few rounds of Ultra Street Fighter II in on your coffee break? You might scratch it, or lose your beloved fighting game somewhere in a seat cushion! What to do?

PROS: Inexpensive. Contoured for the console. Includes some nice perks.

CONS: Not enough space for an extra AC Adapter, or car charger.

CHOOSE: Slightly sturdier plain, or screen printed with your favorite game.

Enter R.D.S. Industries Inc. They produce the Game Traveler series of cases. Notably, today’s case. The Game Traveler Deluxe Travel Case (Say that five times fast.) is an affordable, streamlined case that gives you most of the necessary features  a large case would. For starters, it’s compact. Often times cases for tablets, laptops, and even some phones get bulky, and oversized. Almost defeating the purpose of having a case in some instances.

 

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The Game Traveler Deluxe Travel Case has a sculpted, contoured inlay inside. So it fits the Switch easily, and firmly, Just zip it open, take the Switch out of the dock, and put it inside. You’ll notice though a couple of indents that the console will rest over. These house two little plastic cases. One of which will hold four physical Nintendo Switch games. The other will hold a few memory cards.

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Above that is a soft cloth pouch that defends the screen from scratches in the event something jostles around while moving. This gets snuggled down with Velcro. On that pouch is a zippered pocket for a few other small items. Perfect for a stylus. The bottom half is constructed of a durable plastic material. So it keeps everything nice, and snug. Depending on the version you pick up, the top half will differ slightly. If you go with the plain, black version it too has the same durable plastic. It’s covered with a nice, nylon texture. And it will have a little Nintendo Switch themed zipper.

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However the other models are screen printed, and these prints are done on a soft, vinyl. So they aren’t quite as protective in every situation, though the difference is pretty negligible. The version I ended up going with was the one themed after Splatoon 2. The screen printed versions of the case will have a rubber zipper based on the specific game the art is based on. So in my case, it’s a little squid from the game. But there are other versions based on Zelda games, Mario games, and others. The Mario Kart 8 Deluxe version has a little Mario logo for a zipper for example.

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It’s a solid, compact case. The times I’ve taken it out to lunch or coffee it’s performed nicely, keeping the console from scratches, and dents if bumped while walking with it. The rubberized handle is a nice touch as well. Now obviously if we’re bringing extreme examples to light, like dropping it from the top floor of the local mall, then going downstairs to see if it survives? I don’t know that it will protect your Switch from something like that. There are all kinds of tales of Nintendo products surviving crazy scenarios. But don’t tempt fate. The case will likely help in a small drop from say your waist to the floor. But if you’re accounting for extreme examples, a better idea would be to buy a third-party warranty that covers accidents, and screen damage. Maybe even get a case made of Tungsten just to be safe.

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Really, the sole complaint I have is that it isn’t *quite* big enough. I bought an extra AC Adapter to bring in the rare case that I forget to charge the console’s battery before leaving, and it won’t fit in the case with everything else. So you’ll have to carry one in a separate bag if you ever take it on vacation, and need to charge your Switch in the hotel room. But really, beyond that one annoyance it’s a great case. You can fit everything for a local trip you’d need, and you won’t have to carry 3 or 4 bags the way you did for some retro handhelds like the Game Boy, Game Gear, or Lynx. 

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Overall though, I’m happy with the Game Traveler Deluxe Travel Case. It may have a convoluted name, and I have to throw the extra plug in my pocket. But it gets the job done, and is far more convenient than the duffel bag size of some of the other options out there. The fact it can hold some games, and accessories without over stuffing itself is also a nice achievement. It’s a case, and it’s not terribly exciting. But the screen printed art versions do add a dash of fun to the mundane. If you’re going to be using the Switch as a portable, it’s a pretty nice option worth looking into.

Final Score: 8 out of 10