Tag Archives: Nintendo

One Strike Review

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Every now, and again a game comes along with the idea of simplifying things. Many look to the Super Smash Bros. games, Nidhogg, and even Divekick as primary examples. All of which take different approaches to doing so. Smash simplifies inputs, and goes for ring outs. Nidhogg goes for a fencing theme, while Divekick reduces everything down to one button. One Strike doesn’t quite go that far, but it does try to be interesting in its mission.

PROS: An interesting take on simplifying the fighter.

CONS: It doesn’t take long to notice a formula.

CLASH: Of the art styles.

One Strike is a one on one fighter that tries to be different by living up to its namesake. You simply lose a round (or a match!) by suffering one hit. It takes a page from Soul Calibur by making each character a master of a specific weapon. There are sword masters. Dagger masters. Staff masters. They have you covered. And controlling your fighter is pretty straightforward. You can move left or right, block, strike, or dodge. That’s pretty much it.

The game has a really nice art style considering that it’s a bite-sized fighter. There are really great painted portraits of each of the fighters. But the characters themselves are done in a sprite art style somewhere between the look of an Atari 800 computer, and an NES. This isn’t bad by any means. There are all kinds of cool, little details in the backgrounds, as well as animations in them you wouldn’t likely see on these retro platforms. The drawback of course is that these art styles clash somewhat. Seeing the 8-bit inspired sprites represented by icons that could have made it into a late 90’s arcade cabinet can be a little bit jarring.

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Still, while that may be jarring, and the character select screen is a little anemic, One Strike has a really cool look to it. Unfortunately there’s one major thing that kills the whole game that I’ll get to shortly. One Strike gives you an arcade ladder for some single player content. You can choose to play it on a five lives per match setting, or you can play it as a gauntlet match that provides you but one life. And these modes aren’t too bad. They’ll take the average person a fair number of attempts to clear. The concept is simple. Stab the other person once to win the round or match. Kill everybody, and you win the entire tournament. There is also a Team Battle where you can pick three characters, each with one life, and go on either an arcade ladder by yourself, or you can play in a head to head versus battle. One nice feature the game also has is the ability to set up a tournament bracket. It’s something small, but it is nice for any venue looking to have another tournament for, as your brackets are already set up in it.

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But like all fighting games, the head to head fighting is what keeps you coming back. The challenge of trying to outwit, or outmaneuver them. Or to learn how to properly defend yourself. There are no combos here because it’s a one hit, and you’re dead affair. But you can still overpower your opponent in theory. Unfortunately, there is one tactic that most will discover in a couple of hours, and that is how to utilize hit stun. All fighting games have a tiny window of time when you can make an opponent unable to react. Usually a second or less. In this game you can do this with a successful block. Blocking at just the right time will employ hit stun on your opponent. They’ll have a split second where they can’t block in time or move backward. So if you’re the least bit quick enough you can bait them into swinging, you can get the block, and immediately stab them for the win. And the reverse is true.

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So matches often boil down to a Swing/Block/Stab/Match Over formula. Which can get really tiresome really quick. Now to alleviate this to some degree, block windows are very small. You can’t sit in a blocking position forever. After a moment your character will go back to their standard animation. Some characters also have the ability to cancel a move by creating stances. For instance, Oni requires you to press attack twice. Pressing it the first time gets you into a combat stance. Pressing it again swings his club. So you can dodge backward after the first button press if you don’t think it’s safe. With advanced strategies like this, the aforementioned formula isn’t always going to be the way a match goes down. Be that as it may, it does happen often enough that many people may grow bored with things quickly.

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It’s a shame because this hinders strategies. I’m sure someone far better at One Strike may see this, and have a difference of opinion. But as far as my experience has been playing with both people who are adept at competitive games, and others who are not, matches often result in either predictable fast matches, or (once both players have become more adept at blocking) drawn out matches reliant on turtling, or being overly defensive. All in all, One Strike isn’t a terrible game though. It functions very well, it has likable characters, and a really cool concept. But in practice, there isn’t enough here to keep most fighting fans playing it days on end. Nor are there enough characters to draw more average players into playing it for long. You could easily play this over some of the other stuff out there it’s true. But then you could also go back, and play the classics. In spite of its shortcomings I wouldn’t mind seeing a sequel though. There’s a decent foundation here. You’ll likely really enjoy it initially. But after some time with it, that excitement may wane. If it had a couple of other options in the combat to keep things interesting, a few more characters, and internet matches it would be a better game worth checking out. If you don’t mind a fighting game you’ll play for an hour at a party with friends every few months you’ll have some fun with it. But for others, unless you’re really starved for newer fighting game concepts you might just want to go back to something else. Your mileage may vary with this one.

Final Score: 6 out of 10

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Super Smash Bros. Ultimate Review

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Well between the overtime, and festivities, Christmas, and New Year’s were quite busy. I had a great time with family, and I hope everyone out there had a wonderful, Merry Christmas out there as well. I didn’t get much in the way of entertainment gifts, though I did get a case of Pocky, and a really nice solid state drive. The sole game I received is the one I’ve been playing feverishly in my free time unlocking characters. That would be today’s game. Super Smash Bros. Ultimate has come out to critical acclaim. Is it worthy of the praise? In a lot of ways it certainly is.

PROS: Every character, stage from the previous game, and then some!

CONS: Trophy hunting is gone. Online performance can be spotty.

PIRANHA PLANT: Is a free character for those who register by 1/31/19.

For the five people who don’t know what Super Smash Bros. is, it’s a long running series that combines fighting game conventions, and party game conventions into a unique fighting game with its own rules. Most fighting games are one on one affairs where the goal is to knock out your opponent by kicking his or her teeth in. Some of them have intricate combos (a series of moves that can’t be blocked) that require dexterity, and ring awareness to input properly. Most of them have flashy special moves, and they feature some equally flashy ways to finish off an opponent for bragging rights.

But over the years many games in the genre became so complex that it intimidated newcomers from trying them out. At the same time, in the days of the Nintendo 64, most fighting games were going to the PlayStation due to the cheaper storage space of a CD-ROM. Many of the high-caliber fighters didn’t make it over to Nintendo’s console. But Masahiro Sakurai had secretly set up a new project over at  HAL. It would evolve from four generic placeholder characters in an arena to Nintendo characters in a variety of arenas. Smash Bros. replaces the “Send them to the hospital or morgue to win.” rule set with a Sumo wrestling “Knock them out of the ring, and keep them out of the ring.” rule set. You pick a character, multiple opponents pick a character, and then you can duke it out based on either time (knock more people out than anyone else) or stock (be the last one standing with any lives) rules.

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But what makes the series compelling for every type of player, are the move sets. Every character uses the same basic inputs. There’s an attack button, a special moves button, a jump button, a block button, and a grab button. If you press up, down, or left or right, with either an attack or special button press you’ll do a different attack. There are also Smash attacks which are another three, more powerful moves you can do if you press attack with a direction at the exact same time. From the second game onward, you can use a right, thumb stick to do the Smash attacks instead. Every character has the exact same inputs, so you don’t have to spend hours learning how to press down, down-forward, forward, punch to do something amazing.

But while the simplicity appeals to newcomers, the series does have a fair amount of depth in its combat. There are still combos, two-in-ones, and other advanced techniques to learn. You can learn how to roll dodge, and parry. While the inputs are shared across the board, the characters’ moves are mostly unique. And from the third game onward, the series even implements super finishers for the characters.

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To make things more interesting the series lets players use randomly dropped items, which can be anything from bats, to laser guns, to assist trophies that summon run ins from characters who are not selectable fighters. They fight on behalf of the player who threw them. And to top it off, the games have all let players turn the items off entirely, select the few they want, or leave them on. The second game Super Smash Bros. Melee, is where the series really took off in popularity, and proved the series could be a viable competitive fighting game. Dedicated players have spent years mastering the game’s mechanics, and continue playing it today. Their efforts even got the series enough attention to end up in high-profile tournaments like EVO.

Over the years Nintendo’s brawler has added different tweaks, and features to the formula. Melee added an Adventure mode. Brawl expanded the roster further, and expanded the Adventure mode. Wii U/3DS improved the roster, cut the Adventure short, and improved the mechanics. All while giving each version unique stages to incentivize buying both versions.

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So what does Ultimate bring to the table? What new features, and refinements can you expect over previous editions? Well for starters, you’ll eventually get to use every character who has ever appeared in a Super Smash Bros. title. I say eventually, because as in previous games you have to unlock them by playing. However, this time around unlocking them is much easier. You can go through any of the game’s modes to add them to your roster. Playing standard matches by yourself or with friends has them showing up every few rounds or so. You can also go through the returning Classic mode, or the all new Spirits modes.

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Ultimate’s most drastic change is indeed the inclusion of Spirits. These replace the trophies from the last few games. While the trophies were a nice way to celebrate Nintendo’s history, and wealth of characters, ultimately it had little impact on how the games played. Spirits add an almost Role-Playing Game element to the action. They can be picked up primarily either by playing through the Spirit Adventure mode, or the Spirit Board. Although you’ll find in other modes you can gain them as well. Spirits can enhance your fighters by adding other properties into the mix. They can buff your attack power, defensive power, grab power (for holds or throws), or be neutral, helping stats equally. This is also where the RPG elements come into play, because over the course of the game you can level them up. You can add secondary Spirits to many of them, as they’ll have additional slots. Doing this effectively adds even more stats. Beyond that you can also feed them snacks you earn in every mode, which will boost stats further. When you get some Spirits to level 99, you can even find ways to prestige them (Think like the resets in Call Of Duty. Not exactly an RPG, but an element that could work in one) by starting them over at level 1, while retaining experience. Henceforth making them more potent.

You can even choose to allow the use of Spirits in standard matches with your friends, which admittedly throws off the balance, but can result in fun experimentation. Going into the Spirit Board will let you enter fights where you can potentially win a new Spirit to use should you win a given match. This works similarly to the matches you’ll enter in the Spirit Adventure mode, which more or less replaces the previous games’ takes on a Story mode.

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This time around instead of having sets of stages, or a huge Metroidvania styled map the game keeps things simplified with Spirit matches. However these are peppered throughout a massive map, and it does utilize the Spirit system in other ways. For instance, the map has a resemblance to a table top game board. It’s covered in fog, that clears partially when completing certain events. It also has JRPG like shops, and training centers on it that can be found, where you can spend prize money on new Spirits, or to buff existing ones. And of course, this is the mode that tells the storyline, so you can expect to see the majority of it here. When you start off, you’ll find the world of Smash Bros. under assault from an army of Master Hands. A mysterious force pretty much kills every one of our favorite combatants, with only Kirby surviving unscathed. The antagonist imprisons our combatants, and creates countless evil clones of them. From here you’ll go about the board, fighting battles, getting Spirits, and equipping them. Over the course of the adventure you’ll level them, swap them, in between battles. Each battle you’ll get an overview of your opponent, and what Spirit they are using, as well as any special rules that have been employed.

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Not only will you have to win battles against evil clones, you’ll also have to win battles with the original characters. If you do this, you’ll break the spell on them, and they’ll join your party. They’ll also become unlocked for you to use in multiplayer. Because of that, many players may want to play through this mode, as you’re essentially going to unlock everyone over the course of the campaign. However, there are 74 characters here. The first 8 of whom are already playable in multiplayer. But, for those who don’t, they can also be unlocked by playing other modes. If you’re really desperate there is even an exploit circulating around YouTube. But even then you’re going to be grinding a while.

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You can also lose these battles to unlock characters, and if you do they’ll go back to the end of the line. So your next unlockable opponent will be different. The game does have a seemingly random rematch option though. Getting back to the Spirit Adventure, you can expect to spend days, or even weeks to see everything. Even after unlocking all of the characters in the game, I still have a long way to go in terms of completing this mode. There are many battles, shops, training centers, and chests for you to uncover. There are even centers where you can put one of your leveled Spirits back to their original stock settings! At face value one might ask why they would want to bother doing this. But again, like an RPG, sometimes you might find you’ve increased all of the wrong stats. Maybe it was a Spirit geared toward defense, but you found you hastily buffed up a bunch of attack properties because you weren’t sure what you were doing when you first started playing. It certainly beats starting the entire game over when you’ve spent the last 10 hours building up your Spirits, unlocking characters for multiplayer, and finding snacks to feed your Spirits.

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Not only can you buff up Spirits, but you can raise the stats of your actual fighters by using a skill tree. You can access it in the pause menu during the adventure, and you can use the Skill Spheres you pick up in battle to level up abilities. You can make yourself escape throws easier, or make your specials do more damage. There are a bunch of them, and doing this will help you a lot. Especially with some of the boss fights that have returned from previous games, as well as all new ones.

It’s a very lengthy campaign indeed. On top of freeing all of the characters, collecting Spirits, and levelling them up. Beyond the epic boss fights, and using Spirits to access previously closed areas on the map. In addition to all of the ways you can use Spirits in the campaign beyond merely powering them up, or fighting evil clones with them, there are three difficulty levels. There are also three endings! So yeah, you can expect to revisit this adventure many, many times.

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Beyond the campaign is the Classic mode. In this iteration the game does do things a little bit differently. Rather than simply give you the arcade style ladder you’re probably used to, it takes that ladder, and tweaks matches around the chosen character. All 74 characters get a personalized ladder, and even conditions. For instance Mega Man’s ladder follows the path of vintage Mega Man games. Even when you beat what you think is the end, it will surprise you. Or take Ryu’s ladder where all of the knock out rules have been changed to stamina rules. It makes going through this mode with every character fun, as you don’t know what to expect next.

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This time around, the intensity meter from the previous game makes its appearance in Classic mode instead. When you start out you can choose how difficult you want things to be based upon how many coins you can put toward it. There are also tickets you can spend to help push it up, but you only have so many. Though these can be earned seemingly randomly as well. The higher you go the more of the painting you’ll see, and the better your rewards for clearing the mode. Though the meter will go down if you lose, and continue. So if you want the credentials of being the best, you’ll have to win every match by a wide margin.

Obviously the meat, and potatoes of any fighter is the multiplayer. This iteration of Smash is no different. Beyond the baseline mechanics there have been a number of changes under the hood. The general speed has been refined, and the roster of 74 characters does feel surprisingly balanced for the most part. There are some characters who have clear advantages, but many of these come at the cost of a slow speed, or a high knock off percentage. There are still ways crafty players can get around these powerhouses. They also have the option to use Spirits in addition to the items. Which changes the dynamics greatly, as a lot of the Spirits share properties with the characters they’re based upon. This can make for a lot of interesting match ups for those who wish to experiment with them. Of course purists can ignore them altogether. Returning from the Wii U version of Smash, are the Omega versions of stages. These basically retain the look of the various arenas, but convert their layout to the bog standard layout of Final Destination. It makes every arena into a tournament arena, which gives some of the players who want to focus on the competitive end some variety.

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One feature I think any player will like is the ability to replace the Smash Ball item with a super meter. Instead of having to take your eyes off of opponents to break a ball, and maybe do your super without getting fragged, now you can do them traditionally. The meter will fill up when you’re damaging or taking damage, and when filled, you can press your Super finish. It’s great because if you’re a competitive player you can focus on the action, and if you’re a novice, you can still get the chance to see the spectacle of a flashy move more often. Ultimate also retains support for the Gamecube controller adapter, and controllers. So once again you can have up to 8 players for local, offline Smash Bros. matches, which are as fun as they are chaotic. Novices, and Pros alike will like that they now put up a wire frame grid during matches when you’re off-screen. This makes it a little bit easier to find your bearings. And the training mode can display the knock back, and Directional Influence stats if you wish.

Another returning feature is the photography feature, and I don’t mean simply pressing the screenshot button. Although you can do that. But the full-fledged photography feature set from previous entries is here. Pause the game during any match, and you’ll be able to fiddle with the camera settings. You can change the angle, and position. You can cycle between the characters to focus the camera on a specific one. You can zoom in, or out. You can even put on borders, or stamp the game’s logo on it. Then if you hit the screenshot button on your controller you can essentially  make a nice wallpaper to upload to your Facebook or Twitter feed. It may not sound like much, but it is a lot of fun to experiment with.

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Online fighting as you’ve probably heard, is a mixed bag. More often than not matches will perform well with one stipulation. That you play with people relatively close to you. Matches with local friends are usually fine. Matches with random strangers, could be fine, or they could be unplayable. Previous Smash games were often the same way. While I have had a better experience with this iteration so far, it still isn’t where it needs to be. Which is a shame because honestly the online play has some cool features in it. Setting up lobbies represents a wrestling arena, where you can clearly seat fighters, and spectators. You can jump into public lobbies too, and search by match types, and other stipulations. You can also go for quick play, where the game will toss you against random opponents. You can set preferred rules for this, so that if you only like to play stock, or love a certain item you can usually be paired with people of similar taste.  If you leave preferred rules off, you’ll be placed against any available players under any possible set of conditions. Again, if you’re pitted against players too far away, you can expect stuttering, warping, or general lag. You can mitigate this slightly by using a Cat5e cable, and a USB adapter with the Dock, as a wired connection is a bit faster than the WiFi connection. But this still doesn’t help much as you’re likely going to see issues more when paired against opponents who live far away.

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Still, if you can deal with a spotty match every few rounds or so, the online play is fun. I even like the feature they’ve added where you can play offline modes while you have the game look for opponents for you. Oddly enough though, other Nintendo franchises have given the option to choose between regional or global opponents. Mario Kart has consistently done this. And while a racing title is probably less taxing than a game like Super Smash Bros. due to the latter’s constant changing of inputs, it seems like it could be a helpful option. It’s also strange that Splatoon 2, very rarely performs poorly online. Still, when the game does perform the way it ought to, matches are an absolute blast. Of course like all fighting games, get used to being decimated. A lot of players are dedicated to mastering their favorite characters, and play continually to improve. But you can’t become anywhere near as good as they are without losing, learning where you made mistakes, and taking that with you into the next match. And there’s something to be said for not taking yourself too seriously too. There’s nothing riding on these matches. So don’t worry about getting bodied.

I should also mention that this game supports the Amiibo figurines from the last one, and that it will even allow you to import the data from the previous game on them into this one. Of course once you do, you can’t go back, and use it on the old game. If you want to use it with the old game, you’ll have to reformat the figurine, and start over on it. From there they work pretty much as they did in Smash 4. The difference is now you can give them Spirits which work similar to the stats in the previous game. You can train your figure to be an attacker, a defensive player, or somewhere in between. Not all of the strategies from the old game work quite the same in the contemporary one though. So expect some of your Wii U figurines to be inconsistent sometimes. Still, eventually they will get to a point where they’re almost impossible for you to beat. The real fun though is levelling up an Amiibo to be beast-like, and then pit it against a friend’s beast-like Amiibo for supremacy.

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If all of that isn’t enough for you, the challenges come back from previous entries. There are thousands of Spirits to unlock, as well as songs, and other things in the game. Some of which can only be found by completing tasks. One task may be to clear Classic Mode with a specific character in under a certain time. Another might be to accomplish something in the Spirit Adventure mode. You can also get some of this stuff in the game’s shop feature. Suffice it to say, those of you who have to see every possible bit of content in the games you buy, will once again be unlocking things for months on end. Ultimate also brings back the horde modes from previous games. Fight a bunch of waves until you clear the required number. Or go for the endless mode, and see how long you can last. A number of unlockable items are also tied to these. They wanted to be sure you would try everything.

And the game looks, and sounds beautiful through it all. All of the player models, and animations are phenomenal. All of the assist trophies, and items look top-notch. The little details throughout each stage, over every map are simply gorgeous. Everybody involved in the graphics, and sound have done a terrific job here. Even Mr. Game & Watch, one of the simpler characters has been overhauled. Every move he makes references one of his LCD titles more than ever. That’s just one example out of 74 characters. The cinematic videos from the campaign, and introduction are also fantastic. Even if they don’t always make themselves clear in the story, they do grab your attention. The massive amount of top-notch audio is breathtaking. Songs from countless other games show up, alongside some original orchestral scores, electronic remixes, and more. It’s a fantastic soundtrack. While the idea of using the music player mode as a giant Walkman might sound silly, an auxiliary cable in the car makes for a great commute soundtrack.

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Overall, Super Smash Bros. Ultimate is a must own game for almost anybody with a Switch. Some might complain a mode from an older game may have been omitted. Like the Trophies, and their related modes for example. But their replacements are well thought out, and fit the game nicely. In some cases, better. The Spirits may seem convoluted to some, but they make the Adventure worth checking out, and getting invested in. The Smash Tour isn’t here, but there probably weren’t a lot of people clamoring for it. The stage builder is gone, which is one thing I would have liked to have seen return. Be that as it may, the large roster, 8-player matches, multitude of ways to customize matches, are worth getting the game for alone. It’s also wonderful that those of us who invested hundreds of dollars into Nintendo’s figurines, and Gamecube controllers for the Wii U iteration can repurpose those things for this new one.

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For those who love this series, you’ve probably picked this up already. For those who are lapsed, or haven’t played one of these games before though, you should really check it out. This is a series that has always celebrated the history of Nintendo, and video games. There’s something here for everyone. Fighting game enthusiasts will find some advanced techniques to master. People who want to play something different with guests will likely enjoy the chaotic fun of Luigi shooting laser guns. Or the look of surprise on a friend’s face when they see their first stage hazard. Fans of Retro will love the 40 years or more of classic nods, and references in it. Even people who tend to like slower paced cerebral genres over arcade twitch game play may find they really enjoy the RPG elements of Spirit Adventuring. Plus the easier inputs can make it feel less daunting to any newcomer to the series. Of course if you’ve never enjoyed one of these games to any degree, this one won’t change your mind. But for most with a Switch, Super Smash Bros. Ultimate joins Super Mario Odyssey, The Legend Of Zelda: Breath Of The Wild, and Splatoon 2, as a sure first-party bet.

Final Score: 9 out of 10

No Thing Review

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Imagine the surprise I was given when Nintendo reminded fans on Twitter that they may have a few unredeemed coins on the eshop set to expire. I had a scant handful, and so I figured, “Why not give it a shot?” and looked to see if there was anything that cheap. Well I stumbled upon this little game. A game about travelling along a path, in a Orwellian future that would actually lead me down quite the rabbit hole.

PROS: Simple, yet compelling game play.

CONS: Fairly short for anyone adept at it.

SUDA51: Your first look at the game will almost certainly remind you of No More Heroes.

Apparently I’ve been living under a rock, because after playing it for a couple of hours, (Yes, hours.) I just had to do some research. No Thing started life on phones, and tablets during the craze of endless runners. Except that it set itself apart in, many, many ways. The most obvious is the art style. This game looks like something Suda51 would have made for a No More Heroes mini game. Blocky minimalist geometry? Check. Low color palette? Check. Regular images that somehow come off as surreal or even creepy? Check. It has a very similar art style.

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But that isn’t to say it’s a stereotypical endless runner dressed up in edgy shock value. Far from it. For starters, it isn’t endless. There are ten stages. That’s it. Many of the stages are pretty long though. Even in the early goings. The stages are also not made via procedural generation. Every time you play, they’ll be the same. So this game is much more conducive to speed runs. It also isn’t a 2D side-scroller. This one uses a First-Person perspective.

No Thing also has a story that seems simplistic at first, but uses its stage layouts, and bizarre imagery to tell it. In this regard it reminded me an awful lot of games like Portal, and Deadcore, despite the fact it plays nothing like them. And through it all, it just became something I had to keep playing to see more of. The setup is that it’s the dystopian future of 1994. You’re an office worker who has to send a message to the Queen Of Ice. That’s it. Walk to her, and give her the message. Except it isn’t that easy.

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No Thing’s stages are essentially long tracks, and walkways. You use two buttons. One turns you ninety degrees left. The other ninety degrees right. At first you’ll go along fairly easily. Left turns. Right turns. You’re probably thinking to yourself “So? That sounds pretty boring. What’s so special about that?” Well before long the game puts gaps up in the path. Going over them makes a minor jump. The better you do, the faster you begin to go. So it doesn’t take much to have you running. Eventually, the game throws in ramps, branching paths, and mazes. Keep in mind all the while if you go off the path, you fall to your death as this is Super Mario Cyborg in that all of these stages hover over a chasm.

Over the course of the game’s stages, a voice that sounds like it came from early speech synthesis technology narrates instructions, and vague words that also tie into the storyline. Of course you won’t have time to read it as things become faster, and faster. Take your eyes off of the task for even a second, and you’ll fall to your doom. Throughout all of it  you’ll die a bunch of times, but you’ll keep playing it. It’s strangely addicting.

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The stages themselves have a pretty wide variety. Which you might not assume considering the length of the game, and the simple control scheme. But some of these work like tracks you lap. Others are long trails. Others place a lot of ramps in places which speed you up, and have you catching air. There are other stages that throw you curveballs by waiting to give you a turn at the last moment. And that’s part of why you’ll keep giving this one a go. You’ll just want to see what comes next.

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This isn’t to say, it’s a perfect experiment of course. Sometimes you’ll catch air, won’t be able to see below you, and you’ll have to estimate your landing. Also, while many of the filters in the game go along well with it, they can get in the way. When you’re about to make a crucial decision, and the distortion filter comes on, it could lead to you missing a turn. That means starting the stage all over again. The storyline may also a little too vague for some. You’ll get some references through the visuals, and cryptic speech. But chances are you still won’t get exactly what’s going on. On the other hand that could be the point; everyone can take something different away from the experience.

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One thing that certainly stands out is the soundtrack. Coincidentally if you get this one on PC via Steam you can buy the OST as DLC. Many would throw it under the Synth Wave genre, which pays homage to the New Wave, and Synthpop genres, particularly of the early 1980’s. Most of the compositions here are pretty catchy, and make great use of simulated analog synthesized sounds, and percussion.

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No Thing may have come out alongside much of what fans would cast under the shovelware category. But it isn’t. The aesthetics aren’t for everybody. But the underlying gameplay is honestly pretty good. And in spite of some of the cheap deaths due to the eventual jumps, it’s still a pretty fun game. Persistence is the key in No Thing. Every time you screw up, you just have to play again until you beat the level at hand. I enjoy going back to it fairly regularly. It even has a handful of achievements you can receive for beating stages, and scoring exceptionally well. With it being on Steam, and the Switch, I can see it being something speed runners may look into. Again, an acquired taste to be sure, but it might just be a game you want to check out. Especially if you want a game that stands out on your phone, or just something different from the genres you might normally buy on your computer or console.

Final Score: 8 out of 10

Mega Man 11 Review

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After Mega Man 10 came out nearly a decade ago, Capcom slowly went silent on the Blue Bomber. One of their most prolific franchises, Mega Man has always been known for its excellent action platforming, wonderful characters, and excellent soundtracks. Other than perhaps Street Fighter,  the series is synonymous with the company name. After Keiji Inafune (the most recognized name attached to the character) left Capcom, however We rarely ever saw a mention of Capcom’s most recognizable series, or any of its spinoffs. For years many wondered why. Leading up to the release of Mega Man 11 here, the game’s director Kazuhiro Tsuchiya was interviewed by Game Informer. He reasoned that after Inafune left Capcom, the company wasn’t certain they could do an entry on the same level of the previous ten games.

PROS: Great visuals. Level design. Gear System is an excellent new mechanic.

CONS: The soundtrack, while good, doesn’t reach the lofty heights of older games.

NICE: The little touches you’ll notice throughout the adventure.

Well thank God the people behind this iteration decided to step up, and take a risk. Because Mega Man 11 is pretty great. It gives long time fans the challenging action-platforming they’ve come to expect. But it also builds upon the foundation that was solidified way back in 1987. In a way, they could have come out screaming “THIS AIN’T YOUR DADDY’S MEGA MAN!”, and they would be accurate. But before some of you worry, that proverbial Father will still find a lot to love about Mega Man 11.

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The storyline is tied to the game’s fancy new mechanic; The Double Gear System. Basically, Mega Man has two new powers he can use temporarily for a few seconds by pressing the corresponding shoulder button. Pressing the left shoulder button increases his attack power immensely. Pressing the right shoulder button temporarily allows Mega Man to go into a bullet time state like in the Max Payne games. Everything will go into slow motion, allowing you to quickly move around obstacles, and attacks.

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The emphasis however is on that word; temporary. You’ll only have a few seconds to use these powers. If you go beyond that, you’ll overcharge the move, and you won’t be able to use it again for several moments. So you really can’t rely solely on this feature to get through the entire game. But throughout the many stages you will reach sections where you may just find them helpful enough that you don’t lose a life.  In any event when you start the game you’ll find like most of the series, there’s an opening run of cinema screens that set up the arc. This time around Dr. Wily remembers back in his youth he created the Double Gear System. A device that accelerates the speed, and power of robots. But his research was barred when most of the other scientists in the community including Dr. Light feared (with good reason) the horrors that could arise from its abuse. Being the quintessential evil mad scientist, he decides all of these decades later to implement it. He kidnaps the latest run of Dr. Light’s robots, programs them for evil purposes, and installs the tech in them.

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Par the course, Rock begs Dr. Light to install the technology in himself when it is brought to his attention that he likely wouldn’t be able to stop Dr. Wily without it. So Dr. Light reluctantly does so, thus setting up the campaign’s backdrop. As is the case with the rest of the series, you’re going to go up against each of the Robot Masters. Then move onto Dr. Wily’s latest castle stronghold. Unlike some of the older games like Mega Man 3,4,5, or 6 Capcom doesn’t try to fake you out here. There are no Wily stand in castles to go through before Dr. Wily’s inevitable castle run. However that doesn’t mean that Mega Man 11 is particularly short. Even though it is one of the cut, and dry entries (think Mega Man, Mega Man 2, or Mega Man 7) the stages here are quite long. Every stage in the game now has three checkpoint rooms, and have a fair amount of obstacles to get through. Many of the Robot Masters employ mini boss rooms along the way as well. Sometimes twice.

 

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For those who have not played a classic Mega Man game before, you’re able to choose to play the stages in whichever order you choose. The hook is the Rock/Paper/Scissors mechanic that pertains to the Robot Masters you face at the end of every stage. When you defeat the Robot Master, you acquire their signature attack. Each one of the Robot Masters is weak against one of the other Robot Masters’ attacks. Not only do you need to beat all of the stages, but figuring out which boss is weakest against which attacks makes them more manageable. It’s also useful in determining which order will get you through the game the fastest.

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But even if you don’t figure that out on your initial run there are tools to help you. Returning is Auto’s shop. He’s the giant green robot who crafts items for you to buy with screws. As you collect them from fallen enemies, you can spend them on extra tanks to replenish your weapon ammo, and health meter. You can buy upgrades to your primary weapon, and even some items to negate some of the environmental hazards.  And even seasoned veterans may find themselves picking up lives, and E-Tanks because Mega Man 11 can get pretty difficult at times. Not only are there the expected Mega Man tropes, like robots jumping out of pits you’re trying to jump across, or crumbling structures you’re going across, but many new pitfalls too.

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Mega Man 11 is also very creative. Every Robot Master has a terrific design, and like all Mega Man games, their stages are built around their themes. Acid Man’s stage has many pools in which enemies will throw in chemicals. Each of which makes the pH level more lethal. Torch Man’s stage sends a column of fire after you, disintegrating everything in its path. Bounce Man’s has a deceptively deadly layout. It’s layered with cute looking enemies, bright pastels, and more. But upon further analysis you’ll find it one of the most challenging stages in the entire game. Block Man’s stage has a lot of falling boulders, and even some maze structures you need to get through as quickly as possible. Tundra Man’s stage is the quintessential ice level. But with plenty of wind gusts to make things difficult. Impact Man reminds me a lot of Optimus Prime. But with blades. But his stage feels like a continuation of the Guts Man stage in the original Mega Man. Of course with far more trick jumping, and a dash of Quick Man’s Mega Man II stage. Then there is Fuse Man’s stage. One of the highlights of the game, it involves a lot of puzzles centered around time. Rounding things out is Blast Man’s stage, which involves an evil theme park motif. You could almost place it in a Batman match against the Joker. The little henchmen robots throughout the level are cool because while they’re a nuisance, they’re also necessary. It’s a lot of fun.

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But as hard as the game may be, Mega Man 11 is always fair. When you fail you’ll know the onus is on you. Maybe you panicked, and jumped into something. Maybe you were hit by a laser, and fell down a chasm. Maybe the Robot Master shattered your dreams when you got to them on your last life. In all of these cases you won’t be able to blame anybody else. And yet, there’s something compelling about that. The sort of thing that always makes you want to attempt it again, and chip away until you come out on top.

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But Capcom has also put in multiple difficulty settings this time. The original NES outings usually had but one setting. Mega Man 10 had an easy, and hard setting. Mega Man 11 has four of them. Newcomer sets things up for those of you who have never played a Mega Man title before. Up from that is the Casual setting, which is geared for those who may be lapsed Mega Man fans. Then there’s the Normal setting which is the one geared toward seasoned veterans. But the game also has a Super Hero setting. This setting goes beyond the Normal setting by removing most of the pickups in every level, and increasing the damage enemy attacks do to you. Honestly, the four settings are pretty close to reaching about each player type. If you honestly have never touched a Mega Man game, you may want to get your feet wet with the first one.  Veterans may want to just dive into the Normal setting. But whichever way you decide to go, you’ll have a pretty good time with it. Although there is a sense of pride if you can clear it on one of the higher settings.

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With the well crafted level designs, and bright, colorful visuals that bring it all together one has to wonder if there’s anything wrong with this one. And to be honest, not that much. Again, the characters look like the evolution of Mega Man 8 (PS1/Saturn). The game looks beautiful. The backdrops are high quality, crisp blends of 2D art, and 3D models. Everything looks like it belongs in the Classic series though which is one that mostly appeared on the NES. Even 9, and 10 recreated that 8-bit aesthetic, and sound. But Mega Man 7 (Super NES), and Mega Man 8 took that same style, but updated it for their 16-bit, and 32-bit platforms. So this looks like an extension of those styles. If you ever wished more of the games looked like the artwork in the manuals, and other media you’ll be more than pleased here.

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And again, it isn’t just about how good it looks. It’s that the great visuals fit the narrative of each of the Robot Masters the way it has in all of the mainline games. This is also the first game in the classic series since Mega Man 8 to involve voice acting. It isn’t bad, but your mileage will vary. Some of it veers toward what was done in the PS1/Saturn classic. Bounce Man seems to really elicit memories of fighting Clown Man as the voice work goes for the high-pitched cuteness of an anime archetype. Some of the other actors went in other directions with their respective characters. And all of it works. But you’ll probably enjoy some more than others. As for Mega Man himself, again, he sounds perfectly fine. But if you’re coming into it after Mega Man 8, it’s a completely different take, and delivery. So how much you’ll like it may depend on whether or not you love the way he was portrayed in the eighth installment. As far as the soundtrack goes, it isn’t bad by any means. The electronica goes well with the action, and there are distinctive themes for each of the stages. However, it doesn’t stand out the way the rocking chip tunes of 1-6, 7, 9,and 10 do. The songs in Mega Man 8 also felt more memorable than these do. Be that as it may, I really wouldn’t call any of it bad. Just different, and depending on what you prefer, you may agree or disagree. Which is fine.

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Once you do complete the game though there are a few things here to make you want to play it again. The first being the challenges. As in the last two games, you can try to run a battery of missions with the goal of reaching achievements. Some of these can be done in the main game, but the majority are found here. You can also go to a gallery where you can read bios of all of the major, and minor enemies in the game. They even have the voice samples here so you can listen to them all. There’s not too much else in the way of extras, though on the Switch there is a surprise if you play the demo before playing the full game.

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Overall, I quite liked Mega Man 11. I played through it on Normal, and found that this time out the Robot Masters’ respective stages were as challenging as Dr. Wily’s Castle stages, which isn’t always the case in these games. Even still, I had a fun time. I yelled at myself for messing up at times. But I had fun rising to the challenge, and overcoming the obstacles it threw in my way. Which is the joy that all of these games deliver. All while delivering a new tool for you to use. Which you don’t have to. It is possible to get through the game without touching the Double Gear System. Though you’ll probably want to. At least on some of the tougher bosses. Still, this is a great entry in the long running series, and I can easily recommend it to not only fans, but to almost anyone who is remotely interested in it. It won’t be a cakewalk. But it does have that addictive “One more match.” feeling the series is known for. Don the mantle of the Blue Bomber, and save the world. If only the music could have been *that* much better it would have been perfect. As it stands, it’s still a highly recommended Mega Man game. Or Rock Man if you prefer.

Final Score: 9 out of 10

Super NES Classic Edition Review

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Well, although I’m up, and around again I still haven’t been medically cleared to leave the home on my own, or return to employment yet. So what to do? What to do? Well, when you’re shut in between the rainy weather, and waiting to go in for your follow-up, there’s little you can do. So why not take inspiration from my good friend Peter, and open something some people wouldn’t?

PROS: Respectable build quality. Play Star Fox 2 legitimately!

CONS: Light on extra features. Cannot play Star Fox 2 right away.

SAVINGS: The unit has a number of games that cost a lot on the aftermarket.

To be fair I actually opened up this system a few weeks ago. I won mine at RetroWorld Expo 2018 thanks to the raffle held by the always great Super Retro Throwback Podcast. So do give them a listen, they do some terrific interviews, and discussion with a nice radio morning show feel. In any event, now that I’ve spent some more quality time with it, I figured I would give my impressions.

Now I know what you’re thinking: “Deviot, you’re so late to the party on this one. We know it’s pretty damned cool.” But that discounts the plethora of people who still don’t have one, as they were on the fence, or wanted to wait until they saw how the scalper phase went. (It went pretty fast. You can find these things everywhere now.) For those who were on the fence, you’re probably wondering about things like input lag, filters, or simply how well are these games emulated. All of which I’ll get to in due time.

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For the five people who don’t already know about the device, it’s the second of Nintendo’s all-in-one plug, and play consoles. Atari’s Flashback, and AtGames’ continuation of the series led to a slew of players in the market. And while AtGames hasn’t done so well with their emulated take on Sega consoles, their takeover of the Atari Flashback line went fairly well. From there they did an Intellivision plug, and play, a Colecovision plug, and play, along with others. Other companies jumped in, and so Nintendo capitalized on the craze by introducing the NES Classic. Which was infamously short-packed, and under-produced leading to the majority of them being scooped up by scalpers. Many thought the Super NES Classic would follow suit, but thankfully it hasn’t, and Nintendo re-released the NES version too. So you can pick either of these up now.

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The mini console comes in a box that is very reminiscent of the one the original Super NES came in, with a black background, and grey striping along with stylized lettering. The company did an excellent job of making geezers like me, remember what it was like when we finally got our hands on one back in 1991. Upon opening the kit, you’ll find a poster, and documentation packet. Obviously the mini Super NES control deck, a HDMI cable, a USB cable, a USB Power adapter, and two Super NES controller replicas.

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I have to say, I was really impressed with the build quality of the device. Granted, I know there isn’t much to it, as it’s mostly one resin plastic shell in the shape of a Super NES. Still, considering how the company could have opted to go with a flimsy, or brittle plastic to cut costs, they didn’t. It feels very much like the same build as an actual Super Nintendo Entertainment System. So kudos on the presentation. Note that when you actually want to use the thing, the front of the unit is actually a face plate that comes off. It’s tethered to a plastic ribbon so it doesn’t get lost. Behind the faceplate are your controller ports. These are the same ports that you’ll find on the Wiimote controllers for the Nintendo Wii. Which means that if you should ever lose, or break one of these Super NES replica controllers, you can use a Wii Classic controller. It also means that if you have a Wii, or a Wii U with Super NES games you’ve purchased on it, you can use the Super NES Classic’s controllers with those as well. With this in mind you might just want to get the spare controllers for the mini just to use on your Wii U if you find you own most of the included games on it on your Wii U already.

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As for the controllers, they feel exactly the same as the ones made for the Super NES back in the 1990’s. The same textured surface. The same glossy buttons. The attention to detail here is wonderful. If you sold or gave away your Super NES years ago, this will feel very familiar to you if you pick one up. It even has the same rubberized Select, and Start buttons. Some have derided the length of the cables, and, I’m not going to lie. They really could stand to be a bit longer. You can buy extension cables, but realistically most of us will have to sit closer to the TV like we did as teenagers.

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As for the interface it’s simplistic, but nice. There’s a brief setup where you pick your language, and then your thrust into the home screen. If you go poking around though, you will find an options menu. Here you can choose display options like the aspect ratio, filters, and borders. Really the sole filter is a CRT filter which emulates scan lines, and color bleeding. It’s okay if you really prefer the look of an old TV. There’s also the standard 4:3 that doesn’t have the filter, and then there’s pixel perfect, which basically makes the games 4:3, and crisper. But that also means you’ll see every last square that makes up every character, and background. It’s interesting because some games look completely fine, while others like Super Castlevania IV have a bit of inconsistency. My Brother who isn’t nearly as into game collecting as I am noticed this when visiting. There’s nothing wrong with the game, but you can see the backgrounds, and enemies have more details in this display mode, than Simon Belmont appears to. Of course the bigger the TV the more noticeable it is. Still, if this level of crispness turns you off, you can always opt to play the game with the CRT filter on. It really will come down to personal preference.

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As for the game selection, it’s a really good one. There are some games I personally may have chosen instead, had I been a Nintendo decision maker. But on the whole, there is a nice variety of games here, covering almost every genre. Final Fantasy III (6), Earthbound, Super Mario RPG, Secret Of Mana, and The Legend of Zelda III: A Link To The Past are here for your JRPG/Action RPG/Adventure fix. You also get a lot of classic platformers. Donkey Kong Country, Super Mario World, Yoshi’s Island, Kirby Superstar are all here. Covering your action platforming you have Mega Man X, Super Castlevania IV, and Super Ghouls N’ Ghosts. You’ve got F-Zero, and Super Mario Kart for some arcade racing. Star Fox, and the previously unreleased Star Fox 2 are on the device for rail shooting. Kirby’s Dream Course is the lone puzzle outing, although Superstar does have some puzzle modes. Super Punch-Out!! is an underrated inclusion here, and of course Super Metroid is one of the best exploration games of all time. So naturally that is on here. Street Fighter II’s popularity hit its fevered pitch on the 16-bit consoles, so naturally one of the iterations would have to be included here. Street Fighter II Turbo is the iteration chosen to appear here, and it is definitely one of the fan favorites in the series. Fans who preferred the larger roster in Super Street Fighter II might be disappointed, but there are other inexpensive ways to play the Super NES port of that game elsewhere. Finally, fans of the run n’ gun genre get Contra III: The Alien Wars.

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On paper, picking this mini system is worth it for these games alone. Consider that (at the time of this writing) the original physical Game Paks of many of these titles are expensive. Super Metroid goes between $30, and $40 loose, alone. Earthbound is prohibitively expensive for many people often going for well over $100 by itself. For anybody who simply wants to buy one of these games legitimately, and play it, the Super NES Classic Edition is a pretty good value proposition. As for the emulation of the games, they’re very good. All but the most astute fan can go back, and play these without noticing much of a difference. If you go through the extra work of hooking up the original Super NES on a TV, and standing it next to your new HDTV & Super NES Classic setup, you can notice slight differences. Differences in color that might matter to an absolute purist who will insist on playing the original Super Ghouls N’ Ghosts Game Pak. If you absolutely require a 1:1 experience without exception you’ll want to empty your bank account. For everyone else a .98:1 experience is still pretty impressive.

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As far as input lag goes, I honestly haven’t noticed much of any, and I’ve played my unit on three modern TVs. A 50″ 4K unit by Samsung, a 20″ 1080p Insignia (Best Buy), and my trusty 32″ 720p Element I keep because it has legacy ports. In every case, the games played fine. Any input lag that is there will be noted by only the most scrupulous players. Top-tier speed runners, and tournament level players may want to spend on the original console, and games for those purposes. But again, for those who want to buy these titles legitimately, the Super NES Classic Edition is a wonderful option.

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Even some of those collectors who normally might pass on it may consider giving it a go as it is presently the only way to buy Star Fox 2. And while it won’t wow you the way the original did, or the way Star Fox 64 did on the Nintendo 64, it is still an interesting one. It includes features that weren’t seen until later games in the series. If you’re a big fan of Nintendo’s long running franchise, you may just want one of these for that game. Although it is strangely locked behind the first game’s first stage. You aren’t allowed to actually play it, until you defeat the first boss in the original game. Weird.

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Overall, I quite like the Super NES Classic Edition. While I feel it could use some more visual options for those who don’t like how old games look on new displays, and it could have used a more convenient way to create saves (You have to press RESET.), I do find the build quality quite nice. I also found that they added a cool fast forward, and rewind function to the save state software. So you can pinpoint the moment you want to start from. I also like that they put some of the harder to acquire titles on it, and it is nice that Star Fox 2 finally sees the light of day. The controllers are also versatile for Wii, and Wii U owners, as you can use them with games purchased digitally. It’s also a great proposition for those who want to experience what they weren’t around for without having to invest in a 20-year-old or more console, and cartridge technology. Newcomers can get their feet wet here, and see what the fuss over the 16-bit era is all about. Interestingly, Nintendo has put up PDF scans of the Super NES manuals for all of the games included here.

Final Score: 9 out of 10

Giana Sisters Twisted Dreams OWLtimate Edition Review

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Well, it’s been over a week, and I’m slowly on my way back to normal. I feel like I’m being stabbed whenever I cough or sneeze. If I get up or down out of a chair or bed everything is sore, and I can’t pick up anything heavier than 15 pounds for a while. Things were far worse when I first got out of the hospital though, and so it was a nice surprise to find one of my favorite games has gotten a second director’s cut. A super-duper director’s cut. An “Ultimate” edition. A OWLtimate” edition. On the Switch!

PROS: The additions are more substantial than they sound.

CONS: A couple of miniscule bugs. Physical release isn’t very wide.

EARWORMS: The new songs are as catchy, as the rest of the OST.

Well Deviot, you were enamored with the original 2012 release, its expand-alone on PC, and the Director’s Cut that combined both on consoles. Isn’t it a given you would like this too? Why even bother talking about this one? I can already hearing you ask. Sure, it’s no secret I love this game about as much as Mark Bussler loves Truxton. As I talked about way back in the original review, there is so much about the game to like.

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But where most reissues, do a couple of minor things, like clean up some graphics, or add some filters or history lessons  this one does more. The biggest inclusion is the introduction of five new stages. However instead of simply throwing them into a bonus chapter, and being done with it, Black Forest Games has peppered them into the existing worlds. This not only adds the new content into the game, but does it in a way that is going to feel benign to newcomers. At the same time, seasoned veterans will not simply blow through the original stages to get to these new stages.

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The new stages are also very, demanding! In a good way mind you. They’ve been placed near older stages of a similar difficulty level, while at the same time putting in sections that require a mastery of the base mechanics. So they will still feel like a gradual increase in challenge to those who have never played Giana Sisters: Twisted Dreams before. But veterans who wish to find every last gem while using the fewest lives possible are probably not hitting one hundred percent on their first attempt either.

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So for those who haven’t played Giana Sisters: Twisted Dreams before, and haven’t heard me sing its praises multiple times, this is the gist. Years have passed since the original Commodore 64 game’s time. But the inhabitants of the Dream world haven’t forgotten about those events. So one night as Maria helps her Sister to bed, a vortex opens up, and pulls her though. Giana jumps into the vortex after her, and this is where the main game begins. After being acclimated to the basic controls through a brief section, Giana sees the dragon from the original game swallow Maria whole, before he flies away. So from this point on, you have to go save your Sister from the belly of the beast.

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The meat, and potatoes of the game is this campaign which sprawls four worlds. The first three are the original three worlds (with some new stages peppered in), and the fourth world, the Rise Of The Owlverlord expansion. What really sets this game apart from other platformers is its brilliant use of morphing effects. At the press of a button the world shifts from a bright, cheery dream to a dark, dystopian nightmare. Each stage is filled with puzzles that require you to switch back, and forth between these worlds in order to solve them, and forge ahead. Not only must you get from one end of a stage to the next, you have to worry about your ranking when you do. You’ll be given a star rating at the end of every stage. You can get anywhere from one star to five stars. You have to average around a four star rating in order to open the boss stage in each of the worlds.

 

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So how do you get a good rating? Well the best way is to find as many of the gems in each stage as possible. There are five types, and many of the stages have hundreds to acquire. Blue gems are the standard ones. But there are also red, and yellow gems. This is where the morphing effects come into play, because the red ones can only be collected in the Dream world, while the yellow ones can only be collected in the Nightmare world. Moreover, when Giana shifts the world her abilities change. In the Dream world, she becomes a Punk Rocker, who can dash as a fireball. In the Nightmare world she appears in her trademark outfit, and can slow her fall with a twirl. As you get further in the game, you’ll begin to see where you have to switch between the two forms to get through sections. You’ll also want to have a keen eye for secrets, because it’s how you’ll find the coveted Master gems. These are giant-sized blue gems that are worth around ten gems. Plus they unlock a bunch of concept art!

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You’ll also want to collect the pink colored shield gems when you see them because they allow you to take an extra hit of damage before dying. Keep in mind everything kills you. You have a plethora of enemies. Owls, spiked crates, charging knights, to name a few. But then there are a bunch of obstacles to overcome, and traps to avoid. Saws, spikes, acid pools, boulders, walls that cave in, and then some. There are also moments where an entire section will flood with acid, and you have to go through a gauntlet of obstacles quickly in order to avoid being burned alive. But of course said obstacles will also kill you, so fair warning, Giana Sisters Twisted Dreams is not an easy game. But it does ease you into the challenge. The game slowly introduces new mechanics over time, and you’ll know what you need to do. But it isn’t going to do it for you either. It’s the kind of challenge a lot of old-school games had. Where failure only makes you more determined. Most of the time your deaths don’t feel cheap. When you mess up, you’ll be upset with yourself. Not the game. That said, try not to die more than a few times per stage. Dying less also gives you clout toward getting stars.

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Fortunately, if this sounds too daunting Giana Sisters: Twisted Dreams Owltimate Edition, also has a few changes from the initial computer game release that make it both manageable, and involved. Like the previous console iteration’s Director’s Cut, the boss rooms have been converted into stage exits, and the boss rooms are now standalone stages. This makes the run up to a boss a little bit easier in that you won’t have to immediately go into the encounter after a long fought battle through a stage. But at the same time, you’ll still be going into those boss battles, all of which require pattern memorization, and fast reflexes to take down.

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This updated release also has two difficulties, Normal, and Hard. Normal acts as the Easy setting. Some of the sections remove some obstacles, or give players additional aid. Such as putting bridges over spikes, or putting extra shield gems in boss rooms. Hard mode basically plays as the hard mode from the original release. If you manage to clear the four episodes on Hard you’ll unlock Hardcore. Hardcore mode is basically the Hard mode but with no checkpoints. So if you die in a stage, you’ll respawn at the beginning of the stage. You won’t have to grab gems again, but you will be starting over. Of course the point of Hardcore isn’t collecting things anyway, it’s just trying to get from A to B on as few lives as possible. If you can manage to clear Hardcore mode, the game then unlocks Uber Hardcore mode. This tasks you with clearing the entire game on one life. And that means this is also the most difficult version of Giana Sisters Twisted Dreams ever released. At least in terms of this mode. Because now all of the boss encounters are standalone stages, and there are five other stages peppered in on top of those. Good luck to all of the speed runners out there who will be poised to pull that off.

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Speaking of speed running, the game does offer a Time Attack mode where you can play each stage individually, and try to beat the developers’ times. If you can do so, the stage will display a trophy on the stage’s icon. There is also a Score Attack mode where instead of going for time, you’re shooting for a high score. You get big points for gems, and taking out enemies. The game also includes all of the free holiday stages from the PC release, and the DC edition on the PS4/XB1(Digital)/Wii U. These are altered stages from the campaign made more difficult, and reworked with some Halloween, and Christmas decor. It is here you’ll also find an additional tutorial stage that guides you through some of the basic mechanics. I also found it interesting that the game has a surprisingly deep language setting hidden in the options menu. So if for some reason you can’t find this in stores in your area, it makes importing it on cartridge far more attractive if you collect physical games.

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And as in previous releases there are a lot of concept art, and renders you can unlock by finding the Master gems in the campaign. But not only did BFG make another expansion pack worth of stages for this release, they also added in some cut scenes. Now some who have already played the Director’s cut, elsewhere or the Rise Of The Owlverlord expansion on PC may find them familiar. But they’re all new. Except for the ones used in the World 4 stages which are mostly carried over from ROTO. And a lot of them, while still working in a simple, silhouetted, silent film way fill in gaps. You’ll actually get glimpses into the lives of Giana, and Maria outside of the Dream world. And some of it can be surprisingly dark for such an optimistic, care free character. Other clips cover Giana’s search for Maria. Some spend time focusing on Maria, and there is one particularly cool moment where we get to rock out with Chris Huelsbeck!

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Of course, Black Forest Games managed to get Chris, and Machinae Supremacy to come back a third time for a couple of new songs. Once again, these songs shift along with the world as you play. So again, when playing in the Nightmare aesthetic you can hear Chris Huelsbeck’s  New Wave synth compositions, and when in the Dream aesthetic you’ll hear Machinae Supremacy’s SID Metal interpretations. And again, they flow along seamlessly so as you shift back, and forth you’ll be in the same place in either version of the song. It does so much to add to the game’s atmosphere.

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If you haven’t already played the game elsewhere you’ll find the graphics are wonderful. All of the scenery has vivid detail in every little model. Trees, benches, bridges, garden gnomes, mushrooms, and the bones, stones, crumbled structures, gargoyles, and toadstools they shift into are breathtaking. As well as the matte painted backgrounds that add, a nice sense of depth perception to it all. It’s 2.5D after all.  There are a fairly wide variety of settings throughout the game as well. Lush forests, eerie swamps, cold dark castles, and even airships! Again, the level of detail in the textures, and models in the backgrounds is pretty impressive despite the simpler geometry.

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And there are a lot of little touches throughout the game. When climbing bookshelves, you’ll see little pages falling out of books. When you’re twirling your way through the forest you can see leaves blow by in the breeze, and little blue jays fly by in the background. Eventually you’ll run into the gumball machines introduced in Giana Sisters DS. These will put a translucent pink bubble of gum around you, and you have to navigate areas by continually pushing a button while steering with a thumbstick. It’s like Joust. But with gum. There is a lot of creativity on display in this game.

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Plus the characters all manage to have such great details on their models. Giana’s cool little skull has representation on her Punk Rock skirt. You can see the little feathers on the owls. You can see the little buckles on the knights, or the spikes on the blowfish. Even the water sheen on the turtles looks pretty cool. When you get to the dreaded Gurglewocky dragon to save Maria, you’ll even marvel at the level of facial animation on the boss. It’s hard to believe the game is nearly six years old at this point, but it still impresses.

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As much as I’m imploring everyone to check this one out (again), there are a couple of things that keep it just shy of perfection. There are some very minor technical bugs in this release. I ran into one, solitary clipping glitch in my initial run, which made me have to restart the level as I got stuck in a platform. I couldn’t repeat it, so odds are it’s fairly rare. But it was disappointing. I also hit a tiny bit of slowdown in one of the stages in World 4 for about 3 seconds in handheld mode. But the rest of the time, the game seemed to run at or around 60 frames no problem. Chances are it performs better on a HDTV, I never noticed any dips when playing docked. But honestly I played mostly in handheld mode as I recovered from my surgery.

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Frankly, very minor issues considering how great the overall game is. Overall, the performance is very good, and unless you’re an absolute nitpicker you may not even notice it. As it stands I only ever experienced the one hiccup in performance. So having said all of this should you pick it up? Well I suppose it does depend a little bit on the situation. If you have a Switch, and have never played this one on a computer or another console, this is a resounding “Yes!”. This really is one of the best platformers to see release over the past few years. The unique art style to the beautiful graphics, and especially the way the soundtrack is worked into everything. The level design is top-notch, and again, while there is a lot of challenge here, it isn’t unfair, and can become quite addicting. It really does stand out in a way that other modern platformers have not. Everyone should really check it out.

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Having said that, should you buy it again if you’ve played it elsewhere? For some I would definitely say “Yes.” If you loved the previous releases, there’s a substantial amount here for you. Plus we’re talking about the Nintendo Switch, which means it’s also portable. If you’re taking a vacation trip, and don’t want to bring your bulky laptop with you, this is a great version of the game to take along with you. It’s also something you can play a stage of on your commute, or hanging out while getting coffee. But if you’ve played it to death elsewhere, and don’t care about the new content you may give it a pass. But why would you want to do that when Giana Sisters is just so good?

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The issues it has may hold it back from perfection, but the additions to an already great game certainly make it the Owltimate edition. If you’ve got a Nintendo Switch, and love platformers Giana Sisters: Twisted Dreams Owltimate edition is pretty much essential. It’s just odd THQNordic doesn’t seem to be giving the physical release a wide one. You’ll need to either go to Amazon or Best Buy (as of this writing) to get it. Otherwise you can get it on the Nintendo eshop as a digital download.

Final Score: 9.5 out of 10 (BUY IT NOW!)

The Messenger Review

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Sometimes a game comes out with a ton of fanfare, but ultimately lets everybody down. This is not one of those games. The Messenger earns every ounce of excitement, and praise preemptively thrown its way. Nearly everything about this one is so on point you can stop reading, and buy the game. In the words of Triple H, it is “That damn good.”

PROS: Sprite work. Controls. Music. Story. Humor. Nearly everything really.

CONS: A bug that makes a certain section of the game nearly impossible to solve.

NINJA GAIDEN: The original NES designers were invited to play it, and loved it.

The Messenger was largely advertised as a love letter to the trilogy of NES Ninja Gaiden games. Upon booting up the game it’s easy to see why. The action, cinema screens, wall climbing, and secondary weapon throwing are obviously influenced by those classics. Devolver Digital even had the two lead designers of Ninja Gaiden play their demo before release as they couldn’t wait to see their reaction.

But while The Messenger would have likely done well enough as a mere homage, that wasn’t good enough for the team at Sabotage. The Messenger does so much more than mimic one of gaming’s best action platform games. It uses that formula as one small piece in a much, much larger puzzle. A puzzle that will likely take you hours to solve.

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The Messenger centers around a Ninja clan that gets attacked by monsters. As one of the Ninjas, you’re chastised by your sensei for not taking your training seriously. You’re told a super warrior is supposed to save the day, but unfortunately for everyone this person doesn’t show up in time. The monsters wipe out the village, and you’re about to be destroyed when they show up just in time. The enemies retreat, and this warrior gives you a scroll. You’re told to deliver the scroll to the top of a mountain, and so you go on your way.

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I won’t go into the rest of the surprisingly deep, and convoluted storyline here. But rest assured it is quite good. Filled with twists, turns, and even a lot of sardonic humor. I laughed a lot at the various jokes throughout my time with the campaign. But at the same time, I was pleasantly surprised at just how invested in the overall story I became. Plus the gameplay ties into everything very nicely. When the game begins, it truly will remind you of the NES Ninja Gaiden games. You have a similar run speed. You have similar jumping physics. You’ll even have a sense of familiarity as you can climb certain walls.

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But The Messenger throws in its own entirely new mechanics that set it decidedly apart from Ninja Gaiden. Most notably the extra jump you can get by killing enemies, or hitting specific targets. If you get the timing right, you can jump, hit a target, and jump immediately after to get extra air. You can also gain momentum by repeating the process on subsequent targets. This allows you to kind of hop distances between targets, and get through areas faster.  As you progress, the game makes mastering this technique essential, as it begins throwing in jumping puzzles, as well as highly challenging platforming sections where you’re surrounded by bottomless pits, spikes, or other death traps.

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The game goes along much like those old NES action games. You’ll battle your way through a stage, then fight a boss, watch some dialogue boxes, or cinema screens, and move on. However each stage has a few checkpoints after every few gauntlets. Some of these gauntlets are shops, where you can spend the diamond shards you find on upgrades for your ninja. Some of these give you more resistance to damage. Some of these give you more attack power.

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Over time you’ll also acquire new abilities like a wind suit, and grappling hook. And later in the game you’ll need them because stages are built around their use. It’s crafted so well, and so engrossing you’ll want to keep playing until you get to the final showdown with the demon army, and win the day. Throughout it all, you’ll be blown away at the NES inspired sprite work, and Famicom-esque chip tunes. It’s nothing short of amazing, and you’ll love every minute of it.

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Another interesting mechanic is that while old school, this is another game that ditches lives. Instead of dying a set number of times, or having a limited set of continues, you simply keep playing. Now the original first two Ninja Gaiden games on the NES had unlimited continues. However this game does something a bit different. When you die, a little red bookie monster shows up. He steals any money you make until his debt for respawning you is paid. So while the game becomes more forgiving, at the same time you do well for not dying. Because not dying means more money, and more money means getting all of the items, and upgrades sooner.

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When you finally defeat the Demon army’s second in command you’ll probably do what I did. Think there’s one last stage where your endurance, and cunning are pushed to the proverbial limit. Then one grandiose boss fight, and a satisfying finish. Well this is one part of the game I have to spoil in order to talk about the entire package. I’m not giving away details, just know that nothing could be further from the truth. The game basically comes out, and yells “Surprise! Now you’re going to play a Metroid clone!” The game really opens up at this point, and connects every stage you’ve played together. This makes one overarching world, and you’ll be sent throughout it.

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However, The Messenger does not go sending you on power up fetch quests, in order access the new areas. Rather, you have to go find items that act as keys, and find NPCs to further the story. You can buy map markers in the shops, but even then, getting to those places is going to be very intimidating when you first attempt it. These new areas are filled with new traps, and puzzles. There are also challenge rooms where you can try to get these green tokens. If you find every one of them in the game there’s a surprise waiting for you. But that’s not even the best part.

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The Messenger also adds a dash of stage morphing. It may just remind you of Giana Sisters: Twisted Dreams, although it isn’t done in the same way. The storyline adds an element of time travel, where you go through portals that send you 500 years into the future. And then other ones send you back. When you go into the future, the 8-bit NES aesthetics change to 16-bit Super NES aesthetics! The music also goes from sounding like the Famicom, to sounding like the Super Famicom, and Mega Drive decided to go on tour together. The soundtrack in this game immediately skyrockets from a pretty great one, to an absolutely stellar one. Not only that, but the game uses the time travel mechanic in some pretty intricate ways. Like Metroid Prime 2: Echoes did, The Messenger will make you go to one area of the map in the present, go through a portal to the future, so that you’ll come out in the right place in a different section of the map. Then you’ll go through a portal there to come back in the present where you’ll meet an NPC, or find a room with a green token challenge. Or something else entirely.

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The story also begins to get both more interesting, and more cryptic when you discover a hub section, and you’re discovering entirely new areas that were never part of a previous linear stage from the first act of the game. They’ve done a terrific job with all of this, and that’s before you even get to the impressive boss encounters that follow. They make the early bosses you may have found difficult seem like you were lifting feathers before. But it does this by easing you over time without you even realizing it. It’s an action game, that becomes an adventure game, that implements a feeling you get when playing an RPG.

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And I think that’s probably the best thing about The Messenger. It’s like you’re playing two completely different games back to back. You played Ninja Gaiden II: The Dark Sword Of Chaos. But instead of credits, a dying Jaquio goes “It’s not over. You have to defeat Mother Brain now, or the world will end! Ha. Ha. Ha.” The fact that it makes you feel elated, rather than angry is quite the feat.

So with all of that said, is this a 10 out of 10 game that will forever be the title future indie games are held to as a standard? Not quite. Though it is very impressive, and should be something you should buy I had one major problem with it. At one point in the game there is a section where you have to navigate an area by listening for sound. Well for whatever reason, the game would not play the sound properly. It made finding my way through a complete crapshoot. I had to guess my way through as if I were playing the final stage of Super Mario Bros. And while this isn’t something that breaks the game, as you can still get through it. It does ruin the intended experience of hearing what you need to hear in the place you need to hear it in order to follow the right path. I’m sure in time they may fix it with a patch. But as it stands it’s just enough to keep me from calling it near flawless.

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Still, if you were hoping for a wonderful homage to Ninja Gaiden, you’ll get it. If you were hoping for something more than a wonderful homage to Ninja Gaiden you’ll get it. The Messenger truly is one of the best games to come out this year, and is something you really ought to check out. It’s one of the most engrossing games you’ll play this year. As impressive as the trailers may be, it’s still the kind of game you have to see to believe. Go buy The Messenger now. Even if you’re just stumbling upon this review 500 years from now.

Final Score: 9.5 out of 10

Raging Justice Review

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Double Dragon. Streets Of Rage. Final Fight. Crime Fighters. Teenage Mutant Ninja Turtles. Battletoads. Ninja Combat. Sengoku. PIT-FIGHTER. The list goes, on, and on. The 1980’s, and 1990’s were filled with many entertaining games in which you took control of characters out to rid the world of criminals one by one. Armed with your fists, and the occasional melee weapon. Beat ’em ups were a big deal, and while some of them ran together, most of them were a lot of fun. They were about as close to an action movie a game could be at the time. While they haven’t had the resurgence other genres have had, they still sprout up from time to time. And when they’re done as well as this game is, you really ought to pay attention.

PROS: Unique art style. B+ Movie action. Good Cop/Bad Cop mechanics.

CONS: Tacky title screen. Some choppy animations. Minor bugs.

WWE: There’s a moment that seems like it was placed by wrestling show bookers.

Raging Justice is a title that elicits thoughts of a 1990’s Direct-To-Video B Action movie starring Dolph Lundgren. Which is actually pretty fitting because this game is a complete homage to many of the aforementioned games of old. The storyline is about as easy to follow as one of those old movies. The Mayor of your city has been abducted by violent street gangs, and our heroes have to rescue him. When you fire up the game you’ll have a handful of options on hand. There’s the primary campaign, a survival mode, an options menu, and the credits.  The credits are pretty self-explanatory, and the options menu is rather anemic. You can change volume levels, and you can turn friendly fire on or off.

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So you’re more than likely going to begin by playing through the campaign. When you begin you’ll be able to select one of three characters to choose from. This follows the character archetypes set up in Final Fight, and Streets Of Rage. Rick Justice is the loose cannon of the force who doesn’t play by the rules. He’s basically the power class of the three. He moves slower, but his attacks do a lot of damage. Then there’s Nikki Rage who is the opposite of Rick. She prefers to properly get arrests, and warrants. She is the more well-rounded class. She moves faster than Rick does, and can attack faster while doing a little bit less damage to opponents. Finally there’s Ashley King. A teenage explorer with the fastest, and flashiest style. Ashley is by far the fastest all around character, but does the least damage so you really need to master getting combos to use them.

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Once you’ve selected your character it’s onto the cut scenes that set up the plot of the game, before thrusting you into the action. Immediately Raging Justice begins showing you how it sets itself apart from the games that inspired it. You’re greeted with a screen overlay with some important information. Each stage features certain enemies who have a warrant out for their arrest. If you manage to arrest them you’ll get a health bonus, and if you manage to arrest all of them you can get 1-Ups too. There are also secondary objectives you can shoot for. If you’re successful you’ll score big points, and garner achievements.

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As you play you’ll notice certain enemies will have a red outline around them. These are the criminals with a warrant out for their arrest. This is also where the game begins to implement a virtue system not typically seen in games like this. If you do the right thing consistently (arresting perps rather than killing them), you’ll get the aforementioned perks. If you go the bad cop route, and knock their teeth in you don’t. However, if you’re enough of a loose cannon DTV character you can get help in other ways. Arresting people sounds easy enough. You fill up their dizzy meter by slamming them to the ground or using particular attacks. Then when it’s full, they will be dazed in one spot allowing you to grab them, and cuff them. But this is also much easier said, than done. Because they’ll never be alone. Raging Justice sends hordes of criminal waves at you. So it’s going to be tough isolating them long enough to pull this off. Even when you do, another bad guy can interrupt the process by knocking you down, or even knocking them down. Thus resulting in a resist of arrest. Sometimes you’ll be able to arrest someone. Other times you may find it safer to simply take them out.

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It’s a pleasant surprise to see a mechanic like this in Raging Justice, as it makes the game feel a little bit more unique. Few arcade genre entries have done this, the most notable one being classic Run n’ Gun NARC. For the most part it is implemented fairly well, though there are a few times when a warrant will be dazed next to a weapon or other item, and the game makes you grab the item rather than cuff the criminal at hand. Still, it’s pretty neat, and you can actually arrest most characters. Not just the ones with a warrant out for their arrest.

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The one thing in the game that may be a little bit divisive is the style of the artwork. The backgrounds are honestly quite good by any measure. They have a wonderful mix between pre-rendered models, and airbrushed matte paintings. At least that’s how they appear. The texture quality on all of it is very nice. There are also a host of homages you can spot throughout the game’s backgrounds to other games. Particularly to the original Final Fight’s latter stages. But there are others like Sega’s Streets Of Rage series, and Atari’s PIT-FIGHTER. One especially can’t help of think of that game near the end of the second stage where you’re met by a crowd of enemies in very much the same way that game set up bouts. The comparison continues with the character sprites, and this is why I think some will love the look, while others may not get behind it as much.

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The characters seem to have a similar style. The difference being they aren’t motion captured actors. Instead they appear to be pre-rendered models that were condensed down to sprites. Similar to how the characters in Donkey Kong Country, and Killer Instinct were created. However, the animation quality, while fairly good sometimes results in things looking a little choppy due to some of the wild movements in the characters’ positions in some sprites. Granted this is speculation on my part as I was never in the studio where this was made. But the end result resembles something to that effect.

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Nevertheless, it runs fairly brisk, and I can’t say I’ve even seen much in the way of slowdown in my playtime with it. It’s generally responsive, and there’s little to really complain about here. That said, if you’re not into the art style they were going for, that may disappoint you a little bit. One thing that I think should have been improved is the title screen. Mainly because it is used to sell the game on every digital store it’s stocked on, and sadly it looks woefully generic. Perhaps I’m being too harsh, but it gives the impression the title is something you’d find on the rack of shovelware at an office supply store. Not the incredibly fun, if silly homage to B movies, and brawlers that it is.

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And Raging Justice is incredibly fun. There are a wide variety of criminals to take down in the brawls. You have the archetypical street punks, gang members, street-walker, morbidly obese guys who stampede you, and knife throwers you’d expect. There are also 80’s movie drug dealers who throw dynamite from their trench coats, bikers, Rottweilers, and more. There are a lot of weapons, and background details that can be destroyed on display here as well. Barbed wire bats, knives, swords, clubs, hammers, crates, phone booths, and a slew of other things I’m likely forgetting. All of which can take down some of these enemies with ease. There’s even drivable vehicles at a few key points!

The bosses are also a lot of fun due to a combination of silliness, and nostalgia. There’s the typical brute characters, but then the game decides to have you fight a 10 foot super pimp. There’s a security guard who looks suspiciously close to Final Fight’s Edi. E. But not long after that fight you’ll be facing an abomination that may just remind you of PIT-FIGHTER’s Chainman Eddie. I won’t spoil every boss for you, but suffice it to say, you’ll come away from them both challenged, and entertained.

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Throughout all of it, the audio keeps up with everything. The clanging of knives, screaming of enemies, the bold announcements, all sync up. The ambient synth-pop goes along with the action well, again, bringing along memories of those obscure films you may have rented from the video store back in the day. Or perhaps one of the more recent ones you caught at 2am on HBO or saw in a Red box at the local grocery store. In any event, it’s pretty good. Musically, it might not be something you’d want to hear on the morning commute, but it does get the job done. The sound effects however, are superb.

There are a couple of things that hinder the fun. Namely a few small bugs. There were a couple of times the game hanged after I got a “Game Over”, and so I had to exit to my main menu on my Switch to close the game, and then reopen it. This wasn’t horrible, or something game-breaking. But it was annoying, as minimal as the occurrence was. Another weird bug I experienced, was upon losing my last life as I killed the third boss. Unfortunately, because of this it wouldn’t let me continue. The counter just kept going down regardless of my jamming on the “YES! I want to continue!” button. So I had to restart the stage.

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I will say one other novel thing about Raging Justice is its continue system. You get three lives, and a set number of continues. when you run out of continues, the game ends. Par for the course, right? Well, the cool thing the game does is allow you to select any stage played up to that point. The flip side of this is you’ll start in the condition you did when you initially played it. So if you make it to the final stage with one continue left, and lose when you select it later, you’ll begin with however many lives you had, and the one continue. You won’t start with a full set of continues. This really gives you incentive to go back, and do better at the earlier stages so that you’ll have enough continues to clear the game.

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Finally, there is the survival mode I mentioned earlier. There really isn’t too much to write about here. It’s what it sounds like. You start the game with the character, and difficulty setting of your choosing. Then you try to beat up as many waves of enemies as you can until you lose your sole life. It can be fun in short bursts but the main course is where you’ll get the most fun in my opinion.

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Raging Justice may not be the best game you’ll play all year. But it just might be one of the more fun ones. It’s silly. It’s over the top. It doesn’t have a deep narrative. But it has a lot of personality. It also does what a beat ’em up game should: make you feel like a bad ass. Between the moves, weapons, and everything else, you’ll honestly feel like you’re playing a Dolph Lundgren or Jean-Claude Van Damme vehicle. It’s just a fun game. And in the end isn’t that why most of us play games? Don’t let the tacky title card fool you. Raging Justice is a pretty awesome (if sometimes cheesy) brawler.

Final Score: 8 out of 10

Thunder Spirits Review

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Technosoft. Widely known as a tour de force on the Sega Genesis, they built a long running series of shoot ’em ups with Thunder Force. The original Thunder Force was exclusive to the Japanese market on several computers like the Sharp X1, and NEC PC 8801. But fast forward to the launch of Sega’s 16-bit powerhouse, and you’ll find its sequel present in the line up of titles. Thunder Force II combined the original game’s top down shooting, with horizontal side scrolling stages. It did well enough to spawn several sequels. Thunder Force III was one of the most popular of these. A game that did well enough to see an arcade version called Thunder Force AC. Thunder Force AC played almost like a director’s cut of sorts. It retained most of TF III’s best features, while replacing some of  the levels. It was later released on Sega’s Saturn console.

PROS: It’s Thunder Force III/AC. On the Super NES! With improved visuals!

CONS: Sound effects are weak. A couple of moments of slow down.

STRANGE: Naming conventions with some of the series’ titles.

But many don’t realize it was also released on the Super NES. And this version was retitled Thunder Spirits. Functionally it’s pretty much the same game as Thunder Force AC. Though it will undoubtedly be compared against the original Sega Genesis version. Much like Super R-Type though, Thunder Force AC/Spirits is again, a lot like a director’s cut. Like the original Sega Genesis version, you’ll be going through seven stages of hardcore shooting action. The first three stages are identical to three of the stages found in Thunder Force III. Most of the other stages are either altered, or completely new.

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One feature Thunder Spirits has lost in the translation from third game to arcade game, and back to console game is the stage select. In Thunder Force III, you can tackle the stages in the order of your choosing before heading off to the final leg of your journey. In Thunder Spirits, you’ll just quickly go from stage to stage in predetermined order. Another change is the number of continues, and how they work. In the original version you’ll be given several continues. When you’re out of lives, you’ll have a few more chances to redo the stage at hand. In Thunder Spirits you’re only given a mere three continues. However you’ll continue where you died, replicating the feel of the arcade cab it’s been ported from.

No matter which version you play however, you’re in for the kind of challenge that will make your palms sweat. Thunder Force games are of course shmups. So you’ll be assaulted from all sides at a constant pace. It isn’t a bullet hell shooter but it still has plenty of things for you to avoid crashing into while trying to blow away a multitude of enemy ships. In many ways it will remind you of R-Type. It moves along at a similar pace, save for a few moments where things intentionally go into warp speed.

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The warp speed moments often lead to maze sections where you quickly have to guess which path to take. Choosing the wrong one means you’re crashing in many instances which leads to a bit of trial, and error. But this sort of thing was also typical in the genre at the time, as you could find moments like this in the Gradius series for instance. Aside from these moments however, the game generally gives you enough advance a warning to avoid incoming projectiles. Still, you likely will have to memorize stages as you play through them in order to eventually beat them. It’s the sort of game where knowing when, and where enemies are about to strike is key.

Of course no shmup worth its salt is going to be fun unless it has cool power ups, and the Thunder Force series delivers them in spades. Thunder Spirits gives you a wide variety of them. You collect them by destroying certain enemies on any given level, then picking them up. You have stock lasers, but then there are a few different laser types from there. There are crescent-shaped lasers that do high damage at short-range. There are long-range laser beams that do medium damage at longer ranges. Another power up will send heat seekers above, and below you where they’ll follow along the floor or ceiling, destroying enemies. There are also the laser orbs. These will lock on to enemies, and go after them automatically. They’re not the most powerful of your beam attacks, but they do make many parts of the game easier to navigate.

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Rounding out the weapons are the satellites you can pick up, that surround your ship firing copies of your current weapon. You can also find temporary force fields, that allow you to take a couple of extra hits before you’re destroyed. Make no mistake, in any version of this one you’ll be destroyed. The Thunder Force games are all pretty tough. But once you begin to remember which obstacles come up at which time things ease. Also making things manageable is the ability to change which laser weapons you’re using on the fly. Over time you’ll learn what weapons work best on different enemies. Kind of like if your ship were Mega Man.

Thunder Spirits looks really cool too. The color palette is different from the one in Thunder Force III, and the HUD position is different. But by, and large it’s almost identical to what you would find on the Genesis. The new stages look awesome, and have a lot of really cool flair all their own. Unfortunately, some of this flair costs some performance. So expect to run into some slowdown against some mini bosses, and bosses. For whatever reason, the Super NES just takes a hit in these sections, resulting in a noticeable drop in frame rate. It doesn’t get to an unplayable level by any means. But things do slow way down.

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Beyond that however, the game seems to run fine in most other instances. Still, this will disappoint some players who have been used to playing Thunder Force III on the Genesis, and might be looking into this one. On the audio front the soundtrack here is outstanding, and can hang with the Genesis games. The fast paced songs are all here in that orchestral synth the Super NES is known for. The sound effects however, leave a lot to be desired. Explosions particularly are an issue. They have no real depth to them, and the boss deaths seem to go to a very fuzzy, low bit rate popping sound. The Super NES has always done much better in this regard in other games. So it is a bit disappointing.  Nevertheless, it doesn’t take away from the fun of the game.

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Overall, I’d still highly recommend Thunder Spirits though. While long time fans of the series might scoff at the idea of a TF III on the Super NES, it is in fact a terrific game. Even for those who may prefer the original cut on the Genesis, it is worth playing for the different stages, and updated ending. Likewise, if you have a Super NES, and a Genesis, playing TF III on the Genesis means experiencing a masterful shmup, and the parts of the game that Thunder Spirits replaced. Really, anybody who owns both 16-bit behemoths ought to check out both versions. For those who only have a Super NES in their collection, Thunder Spirits is still one of the best shmups on the console. It has everything you could want in a shmup. Great mechanics. Great visual design. A rocking soundtrack. Really the only things holding it back from perfection, are a handful of sub par sound effects, and some unfortunate slowdown. Still, it just goes to show how good Thunder Force games are. Even when they’re not at their best, they’re still some of the best shoot ’em up games you’ll ever play.

Final Score: 8 out of 10

Slam Land Review

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(Full Disclosure: I know one person that is attached to the creation of this game. Be that as it may, I paid for my own digital download of the retail release on Steam with my own money, and have not been endorsed by the studio, publisher or any creator. All thoughts are my own.)

Super Smash Bros. is one of Nintendo’s most beloved franchises of all time. It started out humbly enough on the Nintendo 64. Then it became a massive success on the Nintendo Gamecube, being one of the console’s top drivers. Every sequel since, has done gangbusters. Even iterations that weren’t as well liked, have all sold well, and have been enjoyed by the general audience. Super Smash Bros. Ultimate is one of the most hyped upcoming entries yet.

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So it should be no surprise, that over the years many games large, and small have experimented with Nintendo’s formula. From Cartoon Network Punch Time Explosion XL to PlayStation All Stars Battle Royale, other developers have tried making platformer fighting games. Some of them have been solid. Some have been pretty good. Some have been outright terrible. But Slam Land has to be one of the better takes on the formula I’ve purchased, and played.

PROS: Great visuals, audio, and a compelling twist on a proven formula.

CONS: No online multiplayer. Small character roster.

MISSED OPPORTUNITY: The announcer never shouts “BOOMSHAKALAKA!”

Why is this? Well, because it has a really simple mechanic that really changes the dynamics of the game. Instead of the game focusing on knocking every player out of the arena, it adds a proverbial basket to each of the game’s arenas. The object is instead, centered around throwing or punching your opponents into the goal like a basketball. But it doesn’t end there. You can stack multiple opponents together for major point bonuses when you dunk them. You can “Steal” the ball so to speak, by knocking an opponent out of the hands of another opponent, and catching them for yourself. This one simple change also keeps people running to the goal. So you don’t find yourself falling off of the stage, at the last second, unable to see yourself in the mayhem. At least not as often as you might have in some of the Super Smash Bros. games.

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Slam Land also makes a few adjustments to keep things from getting monotonous. Namely by adding a few different modes. There’s a Trash mode, where instead of throwing each other, you, and opponents collect garbage bags to throw into a goal. As is the case with the main mode, you can knock bags away from people or throw them off the stage to buy yourself some time. You can also, again, stack up multiple bags to dunk at the same time for big points. But the more you carry, the slower you move, allowing an enemy to knock you down, and take them away.

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Another variation is the game of Horse, where you spell the word “Horse” by getting baskets as in the basketball game. However, it does this by dropping Knight pieces with the corresponding letters into the map. And once you get one letter into the basket, you can’t score with the same letter again. So the four of you will be trying to balance getting letters you need, and throwing the ones you don’t need out of the map. This way you can keep opponents from catching up to you.

The other mode you can play is Peanut. This mode drops a peanut into the stage. Again, you’ll all want the peanut so you can shoot a basket for points. However, the longer you hold the peanut before dunking it, the more points you will get for doing so. So if you can hold it for several seconds you can be scoring 8 points or 12 points instead of only one. Of course, as in the other modes, enemies can knock you down. Thus claiming the peanut for themselves for a massive point boost.

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Every one of these variations is a lot of fun because they all feature a great sense of risk versus reward. Do you go for more bags for the big points, or do you just throw one to retain the speed to get away from everyone? Do you hold the peanut or go for a shot before someone can steal it? Do you throw your opponent now or wait until they’re distracted by someone else?

All of the modes go for three rounds too. So you might dominate one round, only to find you’ve been triple teamed faster than Braun Strowman in a fatal four-way. Even so, you’ll find all of them quite engaging. You can also play the primary mode with either time or stock rules. These work the way they do in Smash Bros. Where you’re either trying to get the highest score in a duration, or trying to be the last person with any lives left. The difference however is that stock mode in Slam Land, means you’re still going for points by eliminating opponents. Unlike Smash, you can be the last one standing, and still lose. So you can’t expect to turtle your way to victory.

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There is also a pseudo-campaign mode here, but really it just puts you in five games involving a mix of the pre-existing modes. I recommend playing through it initially because you’ll get acquainted with the modes right away to see which you enjoy the most. After that though, you can really roll with whichever modes you, and your group of friends like most. Rounding that out is a quick mode that just starts up a single game.

Audio-visually the game is really quite nice! Everything has a really crisp 2D look that resembles a sticker book. The characters all have a cute look infused with some pulp. It screams early 90’s Nickelodeon cartoons, and even some contemporary Adult Swim cartoons. One of the playable characters reminded me a bit of  The Ren & Stimpy Show, while the ominous blue character who shows up in some of the game’s stage backgrounds reminded me a lot of stuff like Superjail. But that isn’t to say any of this stuff feels like a copy of anything. Everything is wholly original, but these are just some of the things I was reminded of by the game’s art style. The bottom line is that it looks great. The light audio soundtrack, and booming announcer voice accent all of it very nicely too.

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There are a few things that I would have liked the game to have implemented though. While I love the look of the characters I would have liked to have had a bigger roster. Functionally every character works the same way of course. You move them, and then you have a jump button, a pickup button (which you also use to throw), and a punch button that makes your character throw an uppercut. A simple control scheme, that anyone can understand. But having more characters would have been a nice touch. The five characters you do get are pretty cool though, each with neat little details. The human walks around in his BVDs. The Skeleton has some great inking for wear, and tear. The bug animates nicely. The carrot has a giant grin, and the other garish figure is so weird you’ll just fall in love with it. I would have liked more of that.

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It’s also going to disappoint some of you that this game has no online multiplayer. So if you’re someone whose friends are mostly long distance, you’re stuck playing against bots. The bots have pretty good A.I. but there’s nothing quite like playing against other people. This is why the Switch version is also an attractive option. Because it’s exactly the short, and simple kind of game you can take to a family gathering, or play with strangers at a coffee shop or with your coworkers on a lunch break. The other versions are great if you do have people over regularly. But for those who don’t, but who do own a Switch, it’s something worth considering. If you pretty much only play by yourself though, it’s not as easy to recommend.

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All of that said though, this is a phenomenal multiplayer experience. It’s also a cut above many other Smash clones because it plays so much differently. There may be four of you, and an arena. But the basketball mechanics really make Slam Land stand out. In fact, if you’re looking for a party game, and you’re not a fan of Super Smash Bros., you may just find you’ll enjoy this because of that different goal. Bread Machine Games should really commend themselves on making such a simple, yet addictive spin on the platform fighter. It might not be as deep as Nintendo’s own game, but it is a super fun game that can complement it nicely. If you’ve got a Steam account, a PS4, or a Switch, and want something a little bit different pick up Slam Land.

Final Score: 8 out of 10