OLD SKOOL AV to HDMI Converter Review

Well, a few weeks back I talked about the Elgato HD60 PRO PCI Express card I picked up and the fairly nice experience I’ve had with it. But as terrific as it is, it doesn’t feature legacy ports. If you’re like me, you’re not going to be content with only capturing footage, and screens from current consoles. You likely have a lot of older devices, and games knocking around that you want to hook up. You might want to stream these games. Or, maybe none of this describes you, and you simply want to hook up your old PlayStation to your new TV. But alas, that TV has nothing on it other than an HDMI input or two.

This is where you’re going to need an upscaling device. There is a slew of different upscalers to choose from. The most famous one being the Framemeister. Of course between the massive amount of features and the fact that it is no longer produced, it’s pretty expensive. It also isn’t something a lot of people necessarily need. Unless you have a lot of SCART compatible computers, consoles, and just have to go the extra expensive mile for clarity you can spend less.

PROS: It’s inexpensive! It does what it advertises!

CONS: There aren’t many advanced features.

BAH: Another device that doesn’t include an AC Adapter.

The Old Skool AV to HDMI converter can be had very cheaply. I only paid around $20 at a local small business for mine, and I went in completely skeptically. In my case, I needed something to temporarily use until I could get something a step up. Was I right to feel a bit cynical? A little bit of “Yes”, and a little bit of “No.”.

For the money, the device does what it advertises for the most part. On the plus side, it’s compact. This makes it easy to store and keeps it out of the way at your desk. Or helps you reduce the size of your nest of wires behind the TV. When you open the package you’ll find the converter itself, a USB cable, and some documentation on how to connect it to your devices. On the converter, there is a switch to change the output between 720p or 1080p. Sadly, there’s no AC adapter to go on the end of the USB cable. If you’re using this with your TV, you’ll have to repurpose one you already own, or you’ll have to buy one.

I tested the unit out with my Elgato HD60 PRO, and I had some mixed results. Generally, it worked as advertised. I was easily able to fire up my NES and play Rolling Thunder with ease. I noticed little to no difference between setting the device on either 720p or 1080p. Most of the other games I tried after worked fine as well, although some of the tricks programmers used with the tech of the time don’t display as they did on a modern TV.  For instance, when playing Batman: Return Of The Joker, Batman’s wave blaster projectiles would sometimes cut out of the image.

Nothing that makes the game unplayable, but something to be aware of. Some old games may have quirks that a low-end solution like this won’t solve. Another thing to be aware of is input lag. Some games like Mike Tyson’s Punch-Out!! are harder to beat on a modern TV because HDTVs have to convert the signal from analog to their digital displays with a built-in scaler. This process takes some time, and so games that require split-second timing will have a noticeable pause between the time you press a button, and seeing the results on the screen.

Depending on the scaler in the TV this process can be any number of milliseconds. External upscalers can reduce this significantly by converting the signal before it even gets to the television. But it won’t eliminate the lag entirely. Even the best devices won’t eliminate all lag. How does the Old Skool do in this regard? Well depending on what you’re using there can be different results. On my capture card, I did notice a tiny amount on Mike Tyson’s Punch-Out!!. Not enough to make the game unbeatable, but definitely harder than when playing on an old CRT. On my 720P set, which has composite inputs, it did a little bit better than the set’s built-in scaler. At least in terms of lag. It fared better on the newer 4k set in the living room, but it was still noticeable.

That said, the majority of my old stuff worked just fine for the most part on everything I threw at it, on all three setups. However, one thing that is a little disappointing, is it cannot push a 4:3 aspect ratio. So everything will be stretched out to fill the screen. On my capture card, even selecting a “Do not stretch” option in the software wouldn’t put the aspect ratio in a standard 4:3, although I could go down to a 480p resolution. That made the image look a little bit muted, but didn’t perform much better than taking a 720p or 1080p option.

On the TVs, I had to force a 4:3 option through their respective menus. Otherwise, the default was to simply let the box stretch everything to full screen. Going with the 1080p option did look the cleanest, and so that’s probably what you’ll want to use unless performance issues crop up on your specific set. In my case, I didn’t notice much in the way of artifacts, or bands in spite of the stretched image.  Putting it to a 4:3 aspect ratio through the TV menus did make it look a bit better.

In spite of the issues I’ve mentioned here, I can’t really say this is a bad product. For the low price, it does allow you to get most of your vintage consoles, DVD players, and VHS decks hooked up to a new TV or capture card. It has a respectable picture quality, and performance is pretty good for the most part. If you’re really just looking to play your Sega Genesis games, and you only have an HDTV with HDMI inputs this will fit the bill. You can also use this for entry-level streaming, or capturing game footage for a video project. It’s going to be a fine enough solution for the average person who wants to play their old games, or dip their toes into streaming said old games.

But, if you’re somebody who is into speed running old games you may want something nicer, that reduces input lag further than this will. If you’re a competitive gamer the same may also hold true for you. Those who are deep into the hobby of old games might want something that can support more input options like S-Video, SCART, or even VGA. So that they can have the best possible image quality when playing their Sega Dreamcast on a modern TV. SCART is also ideal for anyone importing platforms from PAL territories, as it was a standard there, and some of those platforms never really made it to North America in a major way. If you’re interested in importing something like a ZX Spectrum or BBS Micro you’ll probably want a higher ended scaler that supports the standard.

Be that as it may, for a mere $20, even some of those better served by a higher ended solution may want to pick up the Old Skool as a stopgap measure. At the very least one can competently play their old games, or stream their old games with it until they can afford to buy a better solution. Some of the converters out there can become cost prohibitive.

While it has its faults, and you can’t expect miracles in the tier it occupies, the Old Skool AV to HDMI converter gets the job done competently. You get what is advertised. Nothing more. Nothing less. if you’re an absolute perfectionist or someone who has to have better than average performance you’ll want to invest in something a bit better. For a lot of other folks out there, as long as you’re okay with a no-frills experience you’ll be happy with this device.

Final Score: 7 out of 10

ConnectiCon 2018 Recap

Another summer has come, and with it another ConnectiCon. I generally look forward to attending every year. There’s almost always something to look forward to. A certain guest, or a certain panel. There are workshops, contests, and a lot of other things going on. Even if none of that appeals to you any given year, there are still plenty of people to meet, video games to play, and board games to play. You can also bet on a lot of vendors showing up, and chances are you’ll end up going home with something.

Unfortunately this year, my work schedule, and health issues kept me from being able to attend the entire duration of the show this year. The convention really runs three days, although if you count the ability to pick up your badge a day early you can technically say four. But in any case, I usually go for the whole weekend, and try to get into as many panels as possible. This year I could only attend Saturday, but I still tried to get in as much as I could into the day.

When you attend the show, there are three lines upon arrival. One for weekend guests to get a discounted parking pass, a second for those who pre-ordered their tickets, and a third for those who did not. This was the first year I would be in the third line, but aside from a long wait time (a lot of other people were apparently last-minute) it really wasn’t that bad. Things moved along pretty smoothly in general, and while I was waiting I chatted up a few of the others in line. This is one of the things about the show I like, and that is for the most part everyone gets along. There are exceptions of course, but most of the time people get along. So often people forget just how much hobbies can bring people together. You might not see eye to eye on any given topic, but you can both agree that F-Zero GX is pretty cool.

One of the cosplayers in line was a kind gentleman whose selection would impress one of my fellow bloggers. He did a terrific job on short notice making a Red Mage costume inspired by the class from the original Final Fantasy. This is also where I have to inform you of some bad news. Like an idiot I had left my memory card at home, so I was forced to take pictures with my sub par cell phone. So unfortunately most of these will be fairly small. Still, I wanted to make sure I had *something* to represent the weekend.

I also have to give a major thanks to the Best Spuds, and a congratulation to them for cracking a major milestone on YouTube. They hung out with me a lot of the day, and were kind enough to check on me as they know I’m not at one-hundred percent. If you haven’t gotten around to watching their stuff on YouTube you really ought to. They blend traditional Let’s Play conventions with sight gags, and comedy in their own way. Some of the bigger names on the platform have even challenged them to take on some difficult games. Some of them because they’re genuinely good, but challenging titles. Others because they’re broken, and notorious for being almost impossible. But in either case the results are entertaining. One small anecdote from that morning happened on my way down a hall. One of the ConnectiCon staff members saw my CGR 2085 shirt, and shouted “TRUXTON!”. So we spent a few moments talking about Mark Bussler’s show, and some of the other regional cons the staff member worked on. He got to see Machinae Supremacy play at MAGFest one year, which sounded like quite the experience. If you haven’t heard them, check out some of their stuff on YouTube sometime. They’re great.

Speaking of YouTube, I was able to get into one panel that morning.  Helmed by Random Encounters, the panel centered around ways to improve your content, and drive. Rob Walker, and Doug Walker of Nostalgia Critic fame joined in shortly thereafter. Random Encounters is a channel that does their own musicals based upon video game characters, and storylines. It was a pretty good panel overall. Some of the things they brought up in the panel could be applied to other creative endeavors as well.  Things like making content first, and foremost because it’s something one is passionate about doing. If one tries entering the arena as a get rich quick scheme, it probably isn’t going to happen. The odds of posting one video, and having it become a phenomenon is similar to the odds of winning the lottery. All of the panelists also drove home the point of consistency on YouTube, constantly giving potential fans something new. But the team of Random Encounters also reminded the audience that if one project does well it doesn’t guarantee that every project will. There will be ups, and downs for every creator of every size.

Throughout the Q&A there were plenty of good discussions, and anecdotes. There was a point where the idea of diversification came up. With all of the rules YouTube changes frequently, there are no guarantees things will always be good or bad. Some YouTube names like Classic Game Room have moved their shows to other platforms like Amazon Prime in addition to or in lieu of YouTube with better success. But even names that have better success on YouTube have followed that show’s lead by offering other merchandise to help fund their projects. As well as services like Patreon that allow fans to directly contribute to the projects if they wish.

All of the panelists also were asked about how they were able to get some of their guests, and collaborators to do crossovers. Many of these came down to already having a project ready to go to present to them, and simply asking without expecting to get a “Yes.” for an answer. When they did, they were grateful for it, but acknowledged there were far many more times when that answer was a respectful “No.”.

There were even some moments with fan interactions, like the M.Bison cosplayer who projected a very good impression of the late Raul Julia’s classic performance of the character. He had a back, and forth with Doug Walker who had reviewed the Street Fighter Movie as The Nostalgia Critic years ago. Everyone on the panel really adored one cosplayer’s Butterfree Pokémon costume with working wings. One of the Random Encounters team liked my Atari trucker cap. So that was nice.

Nintendo Of America was also at ConnectiCon. Not for a panel, but to let people check out their Mario Tennis Aces, and Labo products. They also gave out a TON of cool swag. I got my nieces a few free posters, and Splatoon 2 plastic cups. I spent some time on Mario Tennis Aces, and while one or two matches aren’t enough to really give it a full on review, it was a pretty fun time. It has a large roster of Super Mario Bros. characters to choose from, and the mechanics seem to be about on point for a Mario sports game. There seemed to be an emphasis on not just hitting the ball, but on the timing, and using the traps within the environment to ones’ advantage. It certainly won’t interest everyone, but it did seem like an enjoyable enough game for the most part.

The one panel I wanted to get into was the Voice Actor Cards Against Humanity panel. Unfortunately when I went to double-check the time for it, it was crossed off, so it appeared to have been cancelled. There were a number of high-profile voice actors who came out to this year’s show including Steve Blum (Cowboy Bebop) who I was really excited to see. I didn’t get a chance to meet him, though I did catch a glimpse of him through the massive crowd of fans around his booth. Hopefully, he’ll return another year. Jon St. John was back this year, and I was told also had another fantastic panel this year on Friday.  Some of the other big names were Ron Rubin (X-Men), Cal Dodd (Wolverine), Katie Griffin (Sailor Moon), Susan Roman (Sailor Moon), Nolan North (Nathan Drake in Uncharted), Troy Baker (Joel in The Last Of Us) among others. It was a great year for those who wanted to meet actors who have done work in anime, and games.

Speaking of games, the gaming area was greatly expanded over last year’s show. This year they even had an F-Zero AX cabinet! For those who don’t know, back in 2003 when F-Zero GX came out on the Nintendo Gamecube, Sega also made an arcade version called F-Zero AX. They’re the same game on paper. You won’t see much of a difference in graphics quality, or sound. However, the arcade cabinet had many racers, and tracks that were playable fairly quickly, that were almost impossible to unlock on the Gamecube version for many people. Why? Because doing so required top honors in its courses, and missions on the highest difficulty settings. However, if you brought your Gamecube memory card, with an F-Zero GX file on it to the arcade cab, these would unlock when you came back home to play the home version. The thing is, this was at a time when arcades were dwindling in North America. So for many people, seeing one of these cabs was all but impossible. This was compounded when only a proverbial handful of these cabs made it to North America anyway.

So imagine the joy I felt upon seeing one in person! They also had a Mortal Kombat II machine, several Street Fighter games, a vast selection of rhythm games, and a classic Centipede machine. Unfortunately for me the Centipede machine wouldn’t save scores, so when I toppled the high score, I had to take a snapshot for proof. The dealer section was also much bigger this year. There weren’t a ton of video game vendors, though I managed to spot three of them. One was a massive vendor of Japanese imports. I found them a bit high, even for a convention but it was cool seeing never opened, Japanese region Super Famicoms, Sega Dreamcasts, Nintendo 64’s alongside a plethora of Japanese exclusives, and other cool stuff.

The second vendor only had a smattering of NES, and PS1 games amongst the large selection of soundtrack albums. I was tempted to pick up a few of these OSTs, but ultimately didn’t. I probably should have picked up the lone Rockman boxed set I saw there but it is what it is. The third vendor was Retro Games Plus who had a booth for the upcoming RetroWorldExpo. But they also had a selection of games on hand to sell. I found a game I hadn’t seen before, but looked interesting called Weaponlord for the Super NES. It hadn’t been marked, but it was in great shape so I asked about the price. So after looking it up, the rep told me it would be $15. So I picked it up.

After browsing the floor with friends, we headed out to get lunch. Again the show coincided with Hartford’s Riverfest. An event where the city brings many food trucks, and some live entertainment along the Connecticut River. It culminates at night with a fireworks celebration. (More on that later.) This year the Chompers truck from last year was back. So I tried their new taco variation of their food balls. They were really good. Not too spicy, they did in fact, taste like tacos inside of a breaded meatball. They also had a sour cream, and mild salsa dip for them. We spent some time checking out the area before heading back. We walked the floor getting a few photos in, before going to the dealer room one last run. While there I found a heavily discounted copy of The Art Of Atari Poster Collection book. It’s fantastic, compiling most of the Atari 2600 box art covered in Tim Lapetino’s book The Art Of Atari. But here, all of the paintings that graced these covers, are presented without any text on them. The original artwork on pages that can be removed, framed, and hung on the wall in poster form. At less than half of the MSRP I couldn’t say “No.”.

Shortly after that we went to Bear’s Smokehouse BBQ for dinner. If you’re in Hartford, and you’re in the mood for grilled meats, this is a great place. I had their Mac Attack with Brisket. It was awesome. Macaroni, and Cheese topped with Brisket, and they had a sweet, and tangy sauce seared in. It also wasn’t that much more expensive than going to a traditional diner, and the service was great. We headed back to the Convention Center, and that’s when a bit of commotion happened. The Riverfest fireworks where going off, when we saw crowd come running from the Convention Center, and police coming speeding in to investigate. We would later find out that there was an altercation between two attendees, and someone hearing the fireworks though a gun had discharged. So people panicked. According to the Hartford Courant though, Oddly enough while this was going on, further away, someone did in fact shoot a stolen gun at absolutely nothing, and was promptly arrested.

This is the only time in any of the years I’ve attended the show that anything like this has ever happened. But in spite of the hysteria, the police did do a good job of getting to the bottom of it quickly. Shortly after we got back inside the convention put out an alert that things were safe again. The entire thing was over with fairly quickly. Thankfully nobody was hurt in any of it. After that short fit of panic we went to the bar in the Marriott connected to the Convention Center, and winded down with a drink.

All in all, I had a great time. Save for a short-lived scare I didn’t really have much to complain about here. ConnectiCon is a great show to visit. Again, it’s one of the larger conventions that focuses on the community aspect of fandoms. That being said, I would have liked to have been able to attend the whole weekend this year. I could have made some more of the panels. I also really would have liked to have seen Steve Blum, and Jon St. John play that card game. But perhaps they’ll return next year. Even though I could only experience the one day this time around, I still had a mostly terrific experience. Here’s hoping next year’s show will be even better, I’ll be able to experience all three days, and I won’t forget crucial equipment.

ConnectiCon 2014 recap

Every year in Hartford, ConnectiCon comes around.

This year was packed with a large amount of guests, activities, and panels. So many in fact, that it was impossible to see everything between the variety, and overlap. Still, I just like to recap my convention experiences. I always have a lot of fun,  getting to go to panels, talking with other fans, and taking in a really great meal.

Some of the highlights for me over the weekend began almost immediately upon arrival. One of the first events I attended was an Epic Rap Battles Of History event. Some of the most notable episodes were played on a screen. After each one of them the hosts of the event, and the fans in attendance debated which characters won. Historical Accuracy, the number of good insults, rhythmic flow, were all factors in picking a winner.

A large number of attendees loved the He-Man costume I roamed about the convention center in. I probably stopped every 15 minutes or so, so that someone could take a snapshot. It was more over than my Dr. Insano cosplay from last year, and that had gone very well. But there were far many more impressive costumes than mine.

One of the best moments was when Alan Oppenheimer’s booth assistant saw me coming down the aisle. Then proceeded to put her head face down on her arm on top of her table, and laugh. But both Mr. Oppenheimer, and his assistant were very kind, hospitable, and friendly.  Of course Masters Of The Universe was a huge part of my childhood.  So meeting the guy who provided the voices of many of its most iconic characters like Man At Arms, and Skeletor was a really awesome moment for me.

I also got to see Alan Oppenheimer, and Noah Hathaway talk about their time working together on The Never Ending Story, and other projects in a panel together. Like many of the various panels I attended it was pretty informative. Noah talked in-depth about how the scene where Artax dies in a swamp was done, taking several shoots on  a giant sound stage. The stage had a lowering platform for the horse to simulate sinking, and was covered in mud. The set designers also brought in the trees, and other props for the scene.

He also talked about leaving, and returning to acting, as well as the fun of nitpicking movies. Alan also talked a lot about voice acting, and the importance of being able to visualize a voice for a character. He also talked about using traditional acting techniques in voice acting. Notably, how much of acting is actually listening to the other performers in any given scene.

Like last year’s ConnectiCon, Doug Walker was in three panels. Doug is best known for his long running Nostalgia Critic web show. The first panel was on Friday, and it focused on how to better debate movies with other people by listening. The set up, was that each of the attendees in line would bring up a movie they loved that the internet at large seemed to hate, or vice versa, and why. The point of the exercise was to show how much you could learn about someone in just hearing why they did or didn’t like a movie. It also made for the argument that you can have a strong opinion about a film, and still remember that that’s ultimately what it is:  An opinion. Often times we can forget that when we talk about pop culture. We may have all of the evidence in the world that a movie is bad, and justify our opinion. But someone else is going to like it anyway, and it doesn’t make them terrible for doing so. In fact, really listening to someone’s opposing point of view may bring out some interesting things you may not have considered.

Doug was also part of a web series roundtable panel with Marble Hornets, internet comedian Uncle Yo, and Signal Crash. This Q&A session was geared more toward production of content. Advice was given to creative people in attendance. What kinds of techniques to use in any given craft. What avenues to take in furthering a goal. But there was also the rather frank theme of doing what one loves because they love to do it above all else. Not only from Doug Walker, but from all of the members of the panel. It was an encouraging panel that acknowledged challenges, acknowledged that there will be rejections, and failures. But it also left a theme of persistence, and sense of pride in whatever our passions are. Whether we ever get to do them professionally or not.

Of course there was also the That Guy With The Glasses panel in which Doug, and Rob Walker fielded questions of all kinds. As in the roundtable, some of the questions were about production, promotion, and professionally furthering one’s creative output into a business. Others were about the content of the TGWTG flagship series. Then there were other moments that came out of left field. One fan brought in a script, and wanted the Walkers to produce. They couldn’t do that, but they did recite the first page in the voices of Chester A. Bum, and Jeff Goldblum. At one point during the panel the Nostalgia Chick herself; Lindsay Ellis showed up with the rest of Chez Apocalypse. Posing as a con goer, Lindsay asked Doug when Nella (of Chez Apocalypse) would be getting top billing in lieu of the Nostalgia Chick. Fans cheered as Lindsay, Nella, and Elisa would celebrate the run in during their exit.

 

Chez Apocalypse were also part of another panel with other internet media creators including members of Steam Funk Studios, and Overclock Remix. Similar to some of the other panels, it was a Q&A session filled with some insight into the guests’ creative processes, how they keep things fresh, and how they handle criticism. There was also a lot of advice given to the audience at hand. The biggest piece being perseverance. Being able to see where one began, and the level of improvement over time as a driver to keep going.

Actor Walter Jones was also at ConnectiCon. Most know him as the Black Ranger from the original Mighty Morphin Power Rangers show. He talked about his life growing up in Detroit, Michigan. His early days working as an entertainer on cruise ships, and of course his time on Power Rangers. He joked about how difficult the helmets were to see out of at times. He described some of the impressive stunts he did during shoots only to have parts lost during edits. He was also asked if he had seen himself as a role model for African-American children by someone in attendance. He told the audience that he saw himself as a role model for all of the children watching the show, and that nobody in the cast risked doing anything to jeopardize that. When asked if he would ever return to Power Rangers, he said it would be an option provided it would be backed by The Writers Guild Of America. The original show wasn’t, and it was the main reason he left after the Mighty Morphin era of the series ended. Another person asked if he still talks with the rest of the cast, and he replied that he did from time to time when schedules line up. He added that he actually knows some of the cast members from other iterations of the series.  It was an intriguing panel even if you weren’t a Power Rangers fan.

I also found my way into a Cosplay Court event during the convention. Hosted by Steam Funk, it played a lot like a small claims court show like The People’s Court. The spin on it was that everyone in the room had to play in their cosplay character. Audience members were chosen for the character on trial, prosecution, defense, and even the witnesses. In one case I was called to the stand as He-Man, and was cross-examined by a cosplayer who was The Mad Hatter from American McGee’s Alice.  In one case a Mario cosplayer was on trial for the extermination of the Koopa race, as well as the Mushroom Kingdom’s citizens. Another case was against Frozen’s Elsa, and of course there were many Disney themed cosplayers involved. Including a pretty good Ursula of The Little Mermaid fame.

Voice actors Maurice La Marche, and Rob Paulsen also had two events. I managed to get into the second one. It was a Pinky & The Brain Q&A, and it was certainly one of the highlights of the convention for me. Nearly the entire session was done in character. Both actors talked about many of the shows they’ve done over the years, in addition to a lot of the cartoons that inspired them. There were some zany moments too. One member of the audience wanted Maurice to determine if a photo of his daughter looked more like him or his ex-wife. There was another point when someone had asked P&B which fan was the worst they had experienced. Maurice pointed into the front of the crowd saying “That guy right there.” to which the crowd erupted in laughter as it was revealed to be Doug Walker. Doug  pretended to fail to be conspicuous while walking to an exit that turned out to be a hall filled with chairs. He then sheepishly walked back to his chair. Later in the panel, the two actors actually listed Doug in a list of some of the most pleasant entertainers they’ve known over the years. A list that included names like Jon Lovitz, and Steven Spielberg.

I was also lucky enough to catch a Voice Actor roundtable near the end of the final day of the convention. Lauren Landa, (Dead or Alive 5, Attack On Titan) Danielle McRae (League Of Legends, Skullgirls), Chris Cason (Dragonball Z), Brittany Lauda (Prince Adventures) were on hand to make for a nice sendoff. All of the guests were laid back, very friendly, and were funny. As with all of the previous panels fans asked the panelists what some of their favorite works were. What some of their dream roles would be, and some of the things voice acting entails.

Speaking of interesting people, I do want to give a shout out to Jenisaur, a blogger who introduced herself to me at the convention. She writes over at  http://www.sub-cultured.com/ about all kinds of things. Comics. Conventions. Novels. You name it. If it sounds interesting to you, check it out.

There were a lot of other panels, and events I missed that I would have loved to have seen. But you can only get out to so many over the three days. I would have loved to have made it out to the Jennifer Hale panel. She has done so many interesting video game, and animated television roles over the years.  I also missed seeing Ellen McLain, the voice of GLaDOS from the Portal series.  Her husband John Patrick Lowrie was there with her, and he’s done voice work for Half-Life 2. Hearing a bit about voice work for Valve would have really been a blast for me, and sadly I had to miss them. TV’s Diedrich Bader was there too. I also had to miss his panel. I did get to see him for a split second roaming the dealer’s room, and shared a very brief “Hello”.  I loved seeing him on The Drew Carey Show back in the day, and his role in Office Space was pretty great. Apparently he has done a myriad of cameos, and voice work that I never knew about. Alas, another interesting panel I missed out on. Others I missed? TeamFourStar was there. There was a Cards Against Humanity panel. There’s just so much to do, and so little time.

But I suppose that’s a testament to just how much there is to do every year. Cosplay death match, creative workshops, heavily discounted movies at the theatre across the street. Video game tournaments. Table top game tournaments. Japanese import rhythm arcade machines. Swag. Obviously the panels. It really is a great time, and I love it when I attend it. I can’t wait to see what next year brings. Plus there’s always City Steam Innocence IPA waiting for me a mere two blocks away.