I recently had the opportunity to do a crossover project with Russ Lyman. Russ has a great channel on YouTube where he talks about DIY (Do it yourself) projects, as well as videos on video games new, and old. Along with reviews, trips to conventions, and other events, as well as other pop culture stuff. Be sure to check him out! Anyway, I was fortunate enough to do a guest spot on his Pass Or Play series where I talked about Beach-Head II: The Dictator Strikes Back for the Commodore 64! Previously I did a long form review here on the blog, but it was fun to be able to work with Russ, and get out a condensed version. I hope you enjoy it, and I hope you’ll check out Russ Lyman’s other work!
They can’t all be new releases. Sometimes life just has a way of throwing everything including the kitchen sink at you. So you don’t have the precious time to play a massive open world western, or a critically acclaimed RPG. But somehow you want to find time to play something compelling. This is why many early games can fit that bill, and often hold up today. One such game is a staple on early cartridge based consoles.
PROS: Enemy variety. Tight controls.
CONS: Not every version features the boss stage.
MAGIC: Imagic’s developers always seemed to perform it on the venerable VCS.
Released in 1982 Demon Attack is one of many titles that tried to build on the core concept set up by Space Invaders. It also has some inspiration from another early shmup; Phoenix. Where Space Invaders saw you fighting a grid of ships from underneath the confines of shields, Demon Attack pits you against three enemies at a time. Destroy them, and another three will warp in. The game has this really terrific effect when the alien ships, and creatures come into battle against you.
Another thing to be aware of is the fact that each wave introduces new enemy types. Each with its own attack pattern, and weapons. So you should not expect to be going after the same ships over, and over. Or the same bullets over, and over. If you survive a wave without dying you’ll earn a 1-Up. This makes it very easy to get complacent. “Oh I’ll just stock up on lives, and never worry!”. But you should worry. By around the fifth wave you’ll find shooting enemies splits them in half rather than destroying them. You then have to take down each half. And you have to take them down quickly. Once you take down one the other will begin chirping like crazy before suicide diving toward your cannon. The back lines will then move forward taking their place.
While not one of the best looking games on the console, it’s visually a cut above what most of Atari’s own release had looked like up to that point. This is especially true of each of the enemy types. Demon Attack is one of the first 2600 releases to deliver such a wide variety of characters. Considering the limitations of the hardware of the time, and the limitations of cartridge space, it’s no wonder this is one of the first games worth picking up when starting a VCS collection. As a publisher, Imagic seemed to know how to push what was possible on consoles of the time. Like most games of the era there are several variations you can play by using the Game Select switch. Including some two-player modes where you alternate turns trying to out score each other.
Robert Fulop developed the game for the Atari 2600, and after Imagic had settled with Atari over the similarities in Demon Attack to Phoenix (Atari had home console publishing rights), it would go on to be one of the best-selling games on the system. There are no less than three printings of the game. A text label version, and a picture label version are the most common. You’ll find they’re often one of the cartridge variants you’ll see in a bundle of VCS games. After the crash, Imagic would find itself absorbed into Activision who would put it back out in their line of re-releases. This cartridge eschews the original Imagic style, and comes in an Activision shell, with a blue label. This version is considerably rarer than the common types, but is still far from impossible to find.
In any event Imagic had other programmers port the game to several other platforms of the time. The Intellivision, Magnavox Odyssey 2, Commodore VIC 20, Commodore 64, Atari 400/800, TI-99, and Tandy computer all saw versions of Demon Attack. Many of them have better graphics than the original version, and include a boss fight! Be that as it may the VCS original holds its own by having such fluid, and responsive controls. In fact, it’s better than many of the more advanced ports that released elsewhere.
Be that as it may, most of the ports are still quite good, and the boss fight can be pretty interesting as you transition between a surface, and space setting. Defeating it then continues onto the following wave. An interesting piece of info is that the 2600 version of the game almost had an end, as after the 84th wave the game would not continue. After release though, someone managed to get that far, and so the game’s future pressings added a line of code which made the game endless. Unfortunately, there’s no real way to know which cartridge will have the original run inside without actually getting to the 84th wave.
Demon Attack isn’t particularly hard to find these days, Especially not the Atari 2600 version. However, the Odyssey 2 port is an exception. Like many other third-party Odyssey 2 games, it isn’t something you’ll stumble upon in the wild all too often. Still, no matter which version you play is a fun time. Even if the box art does consistently make appearances in bad box art articles. Demon Attack may be a simple game by today’s standards, but it did a lot of things few other fixed shooters were doing. It’s an early game everyone ought to check out. For those who are curious but don’t want to invest in one of the platforms it appeared on just yet, it is in the Activision Anthology for the PS2, and PC.
Final Score: 9 out of 10
Ever since Atari devised the original Atari Flashback line (Which it handed over to ATGames, who has kept the line going), the craze for replica consoles with built-in games has been going strong. Nintendo set the bar for them even higher with its NES, and Super NES Classic Edition machines. Even before this craze however, there were similar devices. Systems built into a controller from a wide variety of vendors like Jakks Pacific. And there was even the C64 DTV I reviewed a while ago. Well now there’s a new take on this mini console idea. As Retro Games LTD brings us a Commodore 64 iteration.
PROS: Excellent emulation. Feature rich. It’s a baby Commodore 64!
CONS: Game selection should have been better. No AC Adapter.
COMMODORE BASIC: You can actually code in it on this device.
Released throughout Europe earlier this year, the C64 Mini finally made its appearance Stateside, and so I picked one up. I pretty much had to as someone who used a Commodore 64 regularly throughout their childhood, and into their teens. The Commodore 64 was the best-selling home computer platform of all time. Released in 1983, and sold until 1994 when Commodore went out of business. And it was well supported in every major territory for most of that time. The American, and European markets differed in some of the game line ups. In Europe a host of publishers, and developers cut their teeth on it, and became the juggernauts they are today. Many games were exclusive to the European market despite being a machine made by an American company. Here in the USA, Commodore (as well as Atari, IBM, and Apple) scooped up most of the publisher support consoles once had. When the great crash happened, and machines like the Odyssey 2, Colecovision, Intellivision, Atari 5200, Bally Astrocade, and others fell by the wayside it was the home computer platforms surviving companies shifted to. Even after the Nintendo Entertainment System reignited the console market, many games continued to see versions on the microcomputers. In Europe, the home computer platforms were almost always preferred, and so there was never really this kind of shift, leading to a wellspring of exclusive amazing games US owners never saw.
Whichever part of the world you hail from though, the Commodore 64 had a massive following. As such it got a ton of games that not only appeared on consoles from the Atari 2600 to the NES to the Sega Master System, but IBM PC Compatibles as well. That’s besides the stuff that it had exclusively, or only shared with a couple of other computer platforms of the day. It was the platform to own until the NES showed up, and even then it still held its own into the shift toward 16-bit processor powered platforms like the Sega Genesis, Super NES, and Amiga computer line. And nothing has or ever will sound as awesome as a Commodore 64 again. It’s Sound Interface Device (SID) chip featured dynamic sound. Something even some arguably more powerful machines didn’t have. Bob Yannes truly was a master of sound chip design.
So what makes the C64 mini so special? Well for starters, it’s a miniature replica of a Commodore 64. The designers got every major detail down on this thing. Of course they aren’t the defunct Commodore of old, so instead of COMMODORE being laden along the top, they’ve displayed C64 Mini. Other than that one change, it’s perfect. Mine had a minor tilted paint application by the power button, but one tiny manufacturing error is a very minor nitpick. I have to say that the presentation in this product is top-notch. The packaging is great. Like the Super NES Classic Edition, they’ve tried to re-create one of the C64 box releases, and have done well. On the back they show off the game list, and this is where the one disappointment crops up. But I’ll get to that in a bit.
Opening the box reveals another box, one that feels luxurious despite just being more cardboard. It’s embossed with a beautiful logo, and upon opening it, you’ll see both the computer, and classic style joystick replica encased in a removable clamshell. Upon taking those out, you’ll find your cables, and documentation underneath. It should be noted that if you’re the type who likes to re-seal, and pack away your consoles when not in use, the packaging is accommodating. It’s very easy to put back everything where it goes for putting away. In the box you’ll get the C64 Mini, a Joystick, HDMI cable, USB cable for power, and documentation. Unfortunately for whatever reason it does not have an AC adapter. So unless your HDTV has a USB port for you use, you’ll need to buy a USB to AC adapter if you don’t already have one for another device like a smart phone.
Upon turning on the device you’ll hear a glorious original chip tune, as you’re greeted with a simple language selection screen. Once you choose your language you’ll see a panorama of the devices built-in games. At the bottom are a couple of icons. You’ll have one for display options. These are very much like the ones on the Super NES Classic Edition. You can choose aspect ratio, and select from a few filters. Another icon lets you go back into the language selection, while the third lets you go in, and change other settings. One of which shows you the Firmware version. Here’s the cool thing. If you go to the manufacturer’s site, you can get the latest update for free. Put the update on a flash drive, and you can install it on the C64 Mini. When you do this, the device will reboot, and when it does you’ll see a USB flash drive icon at the bottom of the screen. This lets you read disk images off of a flash drive! So if you have a means to back up your collection to disk images, you have the potential to run them on the C64 Mini! This is also a great option for anybody who buys an indie game for their C64, as often times homebrew developers will have a digital image option or inclusion with their disk or cartridge. This is also great for anybody who enjoys the C64 Demo scene, as again, you can run these audiovisual projects on the C64 Mini!
As for the games that are included here, the list of titles is a mixed bag. There are a few very memorable C64 games on here. Especially from the now defunct Epyx. The Apshai series is here, which is an amazing line of early Action RPGs. Jump Man, and Jump Man 2 are here, and while even back upon release they weren’t much to look at, they were amazing. These are two of the best platform-puzzlers ever released. This device also has the two Impossible Mission games which are also two must-plays. Rounding out the Epyx catalog are some of their better known sports games including California Games. These aren’t what one would call system sellers, but they are probably the best versions of these titles.
The Mini also has a few Firebird releases on it. Firebird wasn’t as well-known in the States as it was in Europe, but they still did release a lot of their better titles in the US. Two of the better ones here are The Arc Of Yesod, and The Nodes Of Yesod two games that feel like precursors to Metroid. They’re labyrinthine, and action packed games that while admittedly aren’t as good as Metroid, are still really well made. There are also a host of Shmups by Hewson Consultants on here which were always lauded back in the day. Cybernoid, and Cybernoid II are here, and play as great as ever. Cybernoid was an early C64 staple, and one that remains superior to its NES counterpart. Uridium is also here, which NES fans may recognize as The Last Starfighter. (Mindscape re-skinned it, and ported it long after the movie came, and went). They also put the excellent Zynaps on here, as well as Firebird’s IO. So there are some excellent Shoot ’em ups on display.
The other two major titles on the device are Boulder Dash, and Tower Toppler/Nebulus. These games are excellent arcade style games with puzzle elements. I’ve talked about Boulder Dash a few times on the blog here, and truly is one of the best games of its ilk ever made. It’s great to see it here once again. Tower Toppler is a very challenging game that has an awesome pseudo-3D effect at the forefront of its gameplay. It saw release on other platforms, but the Commodore 64 version was always one of the best versions. There is also a really cool Demo on it that doubles as an end credits sequence. It shows off the names of everyone involved in making it, and a lot of creativity in the process.
As for the rest of the games, there aren’t too many I would say to stay away from. But they’re not the most compelling titles either. Save for Monty On The Run, many of them were lower tier releases in Europe, and so many North American players will not know anything about these games. It’s a real shame that the folks at Retro Games LTD couldn’t have found a way to get some of the major releases from Activision, Electronic Arts, Capcom, Konami, SEGA, Lucas Arts, or Data East. Or some of the classic Broderbund, Accolade, Cinemaware, Access Software, System 3, or Microprose releases. Granted few of these publishers are around anymore, and I’m sure there are all kinds of rights hell complications in getting their games to market again. Still, most of their exclusive games were amazing, and the ones that would appear on other platforms, were still excellent on the Commodore 64. (Most of the time. There were some ports that were stinkers.) I would have also liked to see some of the higher profile European releases like Katakis, Phantis, or Turrican II on here, or some of the American gems like Paul Norman‘s games Forbidden Forest, Beyond The Forbidden Forest, Caverns Of Khafka, Aztec Challenge, or Super Huey. Cosmi published them, and are still around today. They don’t publish much in the way of games anymore, but permission may not be out of the realm of possibility.
Be that as it may, the fact you can run backup images, and homebrew releases makes up for the lack of more recognizable games in the roster. And although you may not have heard of some of the included ones, most of them are still enjoyable enough. You could very well find you get a lot of mileage out of Who Dares Wins II It may not be the best Run ‘n Gun you’ll ever play, but it is a pretty respectable Commando clone. One really cool inclusion here is the classic Commodore 64 BASIC prompt. Like all of the 8-Bit microcomputers of the time, one had to use BASIC commands to load programs, search media for files or save files. But you could also code in BASIC! So if you’re a budding developer willing to learn the language, you can code your own games, and save them to a flash drive! You can also type in those old programs printed in classic magazines like Ahoy!, or Commodore RUN.
The mini also has a spiffy on-screen keyboard you can pull up using the joystick, although I have to say, a USB keyboard is preferred. Especially when playing classic RPGs, coding in BASIC, or playing text adventures. The included joystick is a really well made one. It’s tactile, re-centers itself nicely, and the fire buttons have a nice mechanical spring design. The joystick also has a hotkey on it for pulling up menus, and the on-screen keyboard, as well as the Space bar button, and Return button. This makes navigating action games much easier, as you don’t have to frantically look for a key on your keyboard. However the drawback to this is that if for any reason you break the joystick, navigating things may become a bit iffy. So treat the joystick like fine china. Fortunately you can acquire spare joysticks separately. However, not all of the big box stores who carry the mini, carry the standalone joysticks. I also forgot to mention the C64 mini also supports save states. So you’ll be able to save scum your way through some of the more difficult sections of games, or just simply create a save point in general. Not every Commodore 64 game had a save feature, so being able to create a save file for some of the longer games available for the computer is very convenient.
Emulation on the C64 mini is very good. Visually everything looks the way it is supposed to. The color palette is on par with the original computer’s. Graphics look crisp, and the sprites all look as good as they would on the original hardware. The different filters, and aspect ratios all work very well too. So if you don’t like the computer monitor look of the different settings you can put on one of the CRT filters I briefly mentioned earlier. Personally I recommend the pixel perfect or 4:3 aspect ratio, as they look cleaner. But if you prefer the look of scan lines, the filters do a pretty good job here.
Sound emulation is also spot on. Of course depending on the model of the original computer there were two major sound chip versions, with revisions of each throughout the production run. The mini appears to sound more like the earlier versions of the chip, which makes sense since the casing is modeled after the earlier version of the computer, and not the C64c re-release. The C64c had the later chip versions, and so there are some slight sound differences between the earlier C64’s, and the C64c (A C64 in a new casing). In any case, the sound veers toward the original model here.
As far as the performance goes, it too is very good. Things run at a great pace, and I have yet to experience slowdown the original computer wouldn’t. I also haven’t noticed any considerable amount of input lag when playing games on it. I’ve tried it on three TV sets, a 720p 32″ Element LCD, an Insignia (Best Buy) 720p 19″ LCD, and a Samsung 4K 42″ LCD. I only ever noticed it on the Samsung, and even then, just barely. For the overwhelming majority of people who pick this up, it’s going to be a great experience.
In closing, the C64 mini is one of the best of these miniature emulation devices to see release in recent years. While Nintendo’s releases have more recognizable games in their line ups, this device has better functionality. The ability to use virtually any USB controllers or keyboards paired with some of the best emulation around makes for an almost 1:1 experience. Plus, the inclusion of the classic BASIC prompt means you can make your own programs. This even adds an educational level to the package. Not only do you get a piece of video game history, but you can learn about, and learn how to code in a programming language. True it isn’t as robust as a modern language, but it still gives you the building blocks, and helps you better understand where modern technology came from. I wouldn’t be surprised to find school teachers or other instructors picking this up for that purpose.
Really, the only drawback is that it could have used a few more higher profile games in the line up. I would recommend getting a spare joystick for it at some point as well, just on the off-chance you somehow break the included one. The odds aren’t very high (again, the build quality is actually quite good.) but it’s just one of those just in case things you should have. Still, while it isn’t as cool as an actual Commodore 64 (though short of a FPGA powered clone compatible with the original’s drives, and software, what can be?) but it’s close. Real close. Its shortcomings are more than made up for by its features. This is simply the best mini platform not made by Nintendo. If you’re a long time Commodore 64 fan or collector, you’ll love that it makes C64 HDTV gaming a snap. If you’ve never experienced a C64, and want to without having to invest a few hundred dollars into obtaining one, its peripherals, and games this is a great option. It’s also a great device for anyone who wants to learn about early computers, and the use of BASIC programming as an Operating System. Even if none of those things apply to you, the wealth of indie homebrew games being made for the original C64 may just pique your interest. Again, the digital images for many of them can be run via flash drive.
Final Score: 9 out of 10
In the interim between the North American console market crash of 1983, and its eventual return to greatness in 1985 something had happened. While many software houses disappeared, others survived. One such case was Activision. Activision began to see a proverbial life boat in home computers. They continued to support the Atari 2600, 5200, Intellivision, and Colecovision. But while many other companies struggled with what to do next, they were one company who began making computer versions of their games. At one point, they even changed their name to Mediagenic for a short time, and tried branching out into other kinds of software. This didn’t work. But the migration to computer gaming did.
PROS: Great presentation. Great game play.
CONS: Accidentally wasting missiles.
DON’T: Accidentally destroy the 1-Ups.
One such pre NES era Activision game is Beamrider. Released in 1983, and coded by David Rolfe, it’s a space ship shoot ’em up with a third person view. What makes this game stand out however are the Tron inspired lines your ship, the enemies, and objects move along. Every one of the 99 waves sees your ships flying along a giant grid. you can move left or right, and you can fire with the fire button.
Interestingly, you only stop moving upon each vertical line. This is where a lot of the high play comes in later. Like you, the enemies can move along horizontal lines. Unlike you, they aren’t limited to those lines. They’ll flow, in, and out of the background. Often going up, and down the lines in their attack patterns. Early on, you’ll face some pretty simplistic enemy fighters. Your lasso shaped lasers will take them out in a single hit, and the only real obstacles are the indestructible green shields that float around on the lines.
But after a few waves you’ll find yourself avoiding meteors, shields, enemy ships, and more. Each wave the enemy attack patterns become more, and more complicated. On top of this, you’ll have to avoid the aforementioned enemy shields, meteors, and other obstacles. You should also know you can only fire one laser at a time. There are no rapid fire features or power ups to save you. If you can get far into Beamrider you’ll find it gets faster, and throws in more, and more. But despite this fact, once you really begin to learn to analyze patterns you’ll find things become easier to deal with. By no means does the game become a breeze. But you’ll go further, and further before things seem insurmountable. Even when they do, remember every wave only consists of 15 standard enemies. It’s avoiding all of the extra stuff while trying to destroy them that presents that addictive high score challenge.
At the end of each wave (Which the game calls Sectors) is a massive boss that scrolls off in the distance. If you can destroy it using your torpedoes, you’ll get a massive point bonus. You can shoot these by pushing up on the controller. But note you’ll only have three torpedoes per life. So use them wisely. Something that will no doubt keep you around is the way the game deals out 1-Ups. Instead of calling them 1-Ups or Extra Lives the game refers to them as Rejuvenators. These appear on the play field, and have an interesting mechanic. If you crash into them, you’ll gain another life. If you shoot them, they become space debris, and crashing into them will kill you. It’s something so small, yet changes up the game because it’s another thing you have to keep watch for. It also ties into the game’s storyline.
Yes. Beamrider has a storyline. In the distant future, a massive device known as the Restrictor Shield isolates the Earth. As the Beamrider, you have to clear the shield which is composed of 99 sectors. Each of which is guarded by a Sector Sentinel. As you get further, and further the deluge deepens. David Rolfe’s Beamrider initially released on the Intellivision, and the Atari 2600 (with some minor concessions I’ll get to). Activision contracted Action Graphics to convert the game to the Atari 5200, Atari 400/800/XE computer line, Colecovision, Commodore 64, and MSX computer platforms. Activision contracted Software Creations to port the game to the ZX Spectrum.
Graphically, Beamrider is a game that was visually impressive back when it was new, and it still doesn’t look too shabby today. Most of the versions are able to render an auto scrolling grid effect, and the Intellivision, Colecovision, Atari 5200, Atari 8-bit computers, MSX, and Commodore 64 versions all have a really cool blast door effect. When you begin a new wave, you’ll see a top, and bottom door, with a gap in the middle. That gap actually displays the animated grid you’ll be playing on! The doors open, and you’re off. It blew everyone away in 1983, and it’s still impressive today. Some have compared the look to Nintendo’s Radar Scope, or Konami’s Juno First. While these games do have grids, (Juno First being made up of dots rather than lines) they don’t auto scroll the way David Rolfe’s shooter does. The game play is also quite different here, making things feel rather unique.
Another really cool feature with these versions happens when you lose a ship. Upon your death, you will see the grid fade off into the distance, leaving behind a starry background while your flaming scrap heap of a ship floats through the depths of space. Then it’s back to the blast doors unless you’re out of lives. Then you’re stuck with a Game Over. The Atari 2600 version makes a couple of cutbacks, likely due to the memory limitations of the console. Two of the enemy ship types have been omitted from the game, and the blast door effect is also missing. The animated grid effect is here, although the vertical lines are composed of dots rather than lines. You also won’t be getting the grid elimination effect upon your demise. Again, this is likely due to either limitations of memory, or the 2600’s TIA chip. Despite these edits however, it is one of the most responsive versions of Beamrider. It manages to keep performance up to pace with the more visually appealing ports, and retains nearly everything else.
The ZX Spectrum port retains the blast door effect, but the grid effect is made entirely of dots rather than lines. It also doesn’t have the grid fade effect when you die. Although when you’re out of lives it does change to a deep space background. It doesn’t look as nice as the other versions, but it retains the general game play. If you can somehow make it through all of the sectors in any of the versions it won’t matter as the score will max out at 999,999 points. Be that as it may, there are but a proverbial handful of people who can or have done this. So if you can do it, congratulations. And even if you can’t, find solace in the fact that if you can crack 40,000 points or more by Sector 14 you could have won a coveted Activision patch back in the day. (Throughout their early days, the publisher rewarded skilled play with iron on patches based on their games.) Still, this is a shmup I would say just about anybody can enjoy. About the only issue you’ll run into is how easy it is to accidentally fire a torpedo you’ve been saving for the Boss.
If you don’t happen to own one of the retro platforms Beamrider first appeared on, but you find yourself interested in playing it, it did appear in a couple of compilations. Activision Anthology (PS2, GBA), Activision Anthology Remix (PSP, PC) featured the 2600 version of the game, while the Activision Commodore 64 15 Pack (Windows 95) features the Commodore 64 version. If you can manage to find Intellivision Rocks, (PC) you’ll find the original Intellivision version is included.
So often in the world of retro games, early titles get overlooked for a variety of reasons. Beamrider should not be one of those games. If you collect for one of the consoles or computers it originally appeared on, keep an eye out for it. It isn’t one of the cheaper titles for those platforms, but it is certainly worth having in your collection. For those who aren’t ready to dive into investing into one of those platforms, but are interested in checking it out, one of the aforementioned compilations is worth looking into. Beamrider is one of the highlights of home gaming in the first half of the 1980’s. Whether you’re an enthusiast of the genre who owns everything from Aleste to Giga Wing, or a fan looking to play something different, Beamrider is one shmup that stands the test of time.
Final Score: 9 out of 10
Well okay, that might be a bit of hyperbole. But I was invited to do a crossover with the folks over at The Well-Red Mage. A gaming blog that puts out some of the most intricately detailed articles you will ever read. It’s great stuff. Even your favorite magazines as a teenager covering the latest Mortal Kombat game never went this deep in the weeds.
Anyway, they’re doing a massive event this month highlighting games on different systems you should consider adding to your collection. I was asked to help by going over some classic Commodore 64 goodness. So crack a beer, click the link, and enjoy. And while you’re there you may want to check out the other articles throughout the rest of the month. They’ll feature some other great guests you ought to check out. Thanks to The Well-Red Mage for the opportunity.
Released in 1982, River Raid was one of Activision’s earliest hits. Long before being known for controversial business practices, and publishing another Call Of Duty annually they were a fledgling upstart. One that took the unbridled creativity of ex Atari programmers, and gave them credit for producing games. Many of the early Activision names went on to have big successes on the Atari 2600. David Crane, Garry Kitchen, were two of the big names. But River Raid was made by Carol Shaw.
PROS: Tight controls. Game play innovations. One of the 2600’s marvels.
CONS: The complete lack of a soundtrack.
RED ALERT: The panic ensues at higher stages.
She had done other games while working for Atari, like 3D Tic-Tac-Toe which added an awful lot of depth to a simple game. But River Raid was, and still is one of the technical marvels in the Atari 2600 library. It was also one of the earliest games that would publicly acknowledge a woman for creating it. Not only does the River Raid manual include a short bio about her (the way all of the early Activision game manuals credited their games’ respective designers), future ports made her name the marquee.
As for the game itself, it may seem like any other simple arcade style shoot ’em up of the era. But River Raid, does a lot of things that were revolutionary at the time. For starters, when you fire up the game for the first time, you’ll see visual details that many other 2600 games simply did not have at that time. Most of the 2600 shmups up to that point took place on a black background, on a static screen. River Raid also bucked that trend, by being one of the earliest shooting games on the 2600 to scroll vertically. Many other titles would also show up around that time to do vertical scrolling like Data Age’s Journey Escape, or Parker Bros.’ Spider-Man. Players who weren’t around for those early years of console games, may not realize just how big a deal this was.
That one feature would set it apart from many other games released on the market from 1977 to 1982. But a lot of vertically scrolling games made for the VCS in 1982 onward would now have to meet or beat this standard. Graphically, River Raid is also one of the most visually impressive games on the Atari 2600. The game makes excellent use of color to determine where there is water, where there is land, and even has some pretty cool enemy vehicle designs.
The object of the game of course, is to try to score as many points as possible without touching any land. Or crashing into vehicles or bridges for that matter. You’re flying along a river of no return. As such, you’re basically flying just above the choppy waters trying to shoot down targets. You’ll be blowing up tanker ships, helicopters, and higher altitude fighter planes. The river is broken up into sections. At the end of each of these sections is a bridge that needs to be destroyed in order to advance to the next section.
All of this might sound pretty easy until you also notice there’s a fuel gauge on the screen. River Raid also utilizes a fuel system. If your plane runs out of gas, at any time you’ll fall into the river, and explode. How do you keep your aircraft fuelled, and airborne? By flying over fuel tanks. But the little touches that add complexity aren’t over yet. You see, you can also accelerate, and decelerate your plane. pushing up on the joystick will speed up your plane, while pulling back will slow it down. What complicates matters is the fact that the faster you fly, the faster you run out of gas, and it becomes harder to maneuver small areas.
Moreover, the sections of river become more, and more complex the further you go. The game speeds up, and you’ll see branching paths in the river at the last possible second. Then you’ll have to start making split second choices. Do you take the path with more enemies, and try to go for points? Or do you take the path with a lot of twists, and turns? The latter might not have enemies, but it does have a lot of fuel. On the other hand, the paths are narrow. So getting through without crashing into a riverfront house is going to prove difficult. And of course the game’s scoring system gives you some respectable points for blowing up fuel containers. But if you do that, you won’t be able to get all of the fuel out of them. Unless you become a top-tier player who knows exactly when to blow up the container while refueling. One thing that is nice, is that the game sets off a warning when you’re almost out of fuel. You also get extra lives for doing well. Every 10,000 points will give you an extra plane, though you will max out at nine of them.
Of course, River Raid did so well on the Atari 2600 Activision would port it to most of the popular platforms of the era. There were versions for the Atari 8-bit family of home computers, as well as the Atari 5200. There were also ports for IBM PC compatibles, the MSX, ZX Spectrum, and Commodore 64 computers too. Activision even put out versions for the Intellivision, and ColecoVision. Nearly all of these versions look much better than the 2600 original, but the 2600 version is arguably a little bit more responsive than some of the others. A few of the ports do add a few arrows to the quiver like tanks that shoot at you from the bridges, and faster attack helicopters. Still, no matter which version of the game you pick up, you’re going to have a great time. River Raid stands the test of time because of the core game design. Every aspect of the game offers you some element of risk versus reward. It also does this with some airtight controls. If you’re collecting for a platform it appeared on, you really ought to pick it up. Especially if that platform is the Atari 2600. The 2600 original is a pioneer on many fronts, and it’s still a blast today. Classic game enthusiasts are still trying to speed run their way to the kill screen of exclamation. Whether you grew up playing shmups in the era of Space Invaders or the era of Ikaruga, chances are you’ll be able to appreciate River Raid, and what it did for the decades of shmups that followed.
Final Score: 9 out of 10
Way back in 1984 came an excellent platform puzzle game called Boulder Dash. It was a big hit on home computers of the time. The Atari 400/800 version came first, but the game made its way to the Commodore 64, ZX Spectrum, and some of the consoles like the Colecovision. There was even an NES port. Over the years it has seen newer versions. Some by First Star Software, the company who created it. Others by different developers who were licensed to do so.
PROS: A really great take on Boulder Dash with some refinements.
CONS: Some of the tweaks aren’t intuitive.
ROBOTS: Your quasi-human miners have been replaced by automatons.
In 2012, a small outfit called Catnip made a new version for the Xbox Live service, and computers called Boulder Dash XL. It replaced the main characters with robot interpretations, but it retained the spirit of the original game fairly well. It also added a few new spins on the game which I’ll get to in a bit. Boulder Dash XL 3D is a port of that game to the 3DS. This port was done by the folks at Ludosity who went on to make the well received Princess Remedy games on Steam.
For the uninitiated, Boulder Dash is a series where you collect diamonds while mining. You’re given a few minutes to get a certain number of diamonds, and then make your way to the exit. You do this, by moving around the stages, digging dirt, and picking them up. The challenge of course is trying to get these without getting crushed. Much like the rocks in Dig Dug, digging out the dirt from beneath the boulders will cause them to fall. You can also be crushed by the very diamonds you collect.
But where Dig Dug focused more on defeating all of the bad guys in the stage to advance, Boulder Dash does a lot more with the boulders (hence the name.). Boulders, and diamonds will shift to the left or the right as they fall on top of one another. When you first start out, the earliest levels are pretty easy to figure out. You’ll find you can get the required number of diamonds, and get to the exit. There’s a bit of risk/reward too in that you can also try to get all of the diamonds for bonus points rather than just the required number to exit. Of course, getting all of the diamonds requires nearly flawless puzzle solving skills. Often times making a mistake will not only keep you from getting that last diamond, but may get you trapped between boulders, forcing you to restart.
But its a very engrossing formula, and this version adds a host of new mechanics to an already fun game. There are transporters, there are boxes that turn boulders into diamonds, and vice versa. They even added a few power ups on some levels that are used in a number of puzzles. That’s in addition to some of the newer takes on enemy types featured here. There is a large wealth of content here too. There are around 100 stages or more for you to play through. This edition also has several modes in it.
The primary mode is the Arcade mode, where the game puts you through the 100 stages in a row. This mode works with the traditional Boulder Dash rules. You’re given a time limit, and you have to get the qualifying number of diamonds to make the exit appear so you can escape as quickly as possible for the most time points. Again, getting every diamond is worth a huge bonus, but you risk running out of time, or trapping yourself if you don’t get them just right.
Next up is Puzzle mode, which gives you a 25 stage gauntlet. Every stage you complete can be replayed at any time, but you’ll have to beat them all in a row in order to see them all. This mode eschews the time limit, giving you more time to experiment, and figure out exactly how the level designers wanted you to find your way out of the mazes.
Zen mode is essentially the Arcade mode but without the time limit. So in a way it feels like a giant practice mode where you can try to fine tune your techniques on each of the stages to minimize the amount of time it takes you to clear them. It’s pretty neat from that particular perspective, but most will likely prefer the Arcade mode over it since it’s a lot more high stakes, which feels more rewarding when you succeed.
Score mode features four stages where you can either try to go for the time bonus or you can try to get every last diamond possible. To get the best scores, you’ll likely have to skip a number of diamonds as it’s a balance of knowing how many diamonds, and how many seconds left on the clock will get you in terms of points. It’s an interesting concept some players may enjoy. To me it isn’t as interesting as the Puzzle mode, or as fun as the Arcade mode. But still fun to check out.
Retro mode is one of the coolest inclusions in this game. It’s a combination of stages from the original game, as well as all new stages specific to this iteration. The interesting thing it does is replace all of the textures with the original 8-bit tile sprites from the Commodore 64 version of the first Boulder Dash. There are 25 stages in this set, and for older people like me who pick this up, the nostalgia it conjures up is great. But for people who never played the original, the newer stages are still a nice challenge. So even if you pick this up having never played the original, this mode gives you more content to enjoy.
Visually, the main game on display here is pretty nice. The blocks, boulders, and diamonds all look pretty good, and the monsters all have pretty interesting takes on their original designs. There’s also a pretty good use of lighting considering the obviously smaller budget when compared to a lot of the big hits on the 3DS. Be that as it may, the change from the humanoid miners to robots is a bit weird. It by no means hampers the game. It isn’t going to make any old timers scream “Sacrilege!” to the heavens. It’s just a small change that doesn’t make any sense. As for the 3D, I couldn’t really test that out, as I own a 2DS which doesn’t have the 3D functionality. But honestly this isn’t the kind of game that requires 3D to enjoy. In terms of performance, I didn’t run into any major issues, though there was some minor slowdown when I caused a slew of boulders to fall at once. Still, it didn’t get in the way of the actual game play.
There isn’t much in the way of good audio here though. The soundtrack doesn’t have the up tempo, frazzled chip tune theme of the original. It has a mostly forgettable set list, with one or two songs that can even annoy a bit. Some of you may disagree, but honestly I think you’ll enjoy it more without the music playing. The sound effects themselves are fine. You can hear the falling boulders, and explosions perfectly well, and they fit the game as intended.
Boulder Dash is one classic game that is perfectly suited to a portable platform. It’s the kind of game you can attempt to clear a map or two in during a lunch break, or commute. But you can also spend a weekend away, putting in a few hours into going for a high score, or solving puzzles. It’s also just a great game in its own right. This version on the 3DS is a pretty fun, and convenient iteration of the game. It’s probably not going to live up to the lofty heights of the original versions for those who grew up with them. But be that as it may this is (as Metal Jesus Rocks might say) a hidden gem in the 3DS library. It’s addictive. It’s fun. It’s Boulder Dash.
Final Score: 8 out of 10
While the world was getting hyped about E3 last week (and yeah, there are some cool looking games coming down the pike. I’ve been peeking in on conferences when I can.) I was hunting for some additions to my collection. I stumbled upon a Master System cartridge I’ve rarely seen outside of conventions, and it was pretty cheap so I thought “Why not?” The box art alone was worth the price of admission. But I got a fairly compelling action title in the process.
PROS: A really cool take on the classic top down run n’ gun.
CONS: Difficulty spikes, occasional collision issues.
WOAH: Giant dinosaurs with laser guns. What’s not to love?
Originally a twin-stick arcade shooter by ADK (The folks who gave us World Heroes), Time soldiers was ported by Sega to the Master System. Before you even open the box to put the game in you’ll marvel at the artwork. It has everything a child of the 80’s was into. Dinosaurs, rocket launchers, and tanks. Once you start playing, you’ll see it lives up to the lofty promises the box advertises.
The setup is that in the distant future, a despotic, intergalactic Warlord decides to conquer the Earth. To do this, he traps many of the world’s best soldiers in different time periods throughout history. The guy basically looks like the Anti-Monitor from The Crisis On Infinite Earths, and probably has a lot of the same powers. So “Why couldn’t he just destroy the world with antimatter?” seems like a good question to ask.
Anyway, you have to go on a quest to rescue each of these warriors from their cells throughout history. On paper, this seems pretty straightforward. Go kill bad guys, and blow up stuff in a sequential order, and roll the end credits. Time Soldiers takes inspiration from earlier run n’ guns like Ikari Warriors, and Commando. You play from a top down perspective, and do just that. Kill hundreds of enemies who come charging at you guns blazing.
But what makes this game stand out from almost every other game of its ilk, is the fact that it is never the same game twice. Time Soldiers, places each of these hostages in a different place every time, and you have to kill a boss in order to proceed. Often times, the game will not place you in the proper time period from the get go. So you’ll play the first stage, and then be sent to a new era.
Each of the eras has a few different versions, and these will vary depending on when you’re sent to that era. So if you get sent to the Prehistoric era on stage two, it will have one version. But get sent there again a few stages later, and it will be a variant. The game will also make you fight a mini boss if you’re in the wrong era for the current hostage you’re tracking down. Defeating the mini boss will then either open another time machine (which look suspiciously like the portals from Stargate) where you’ll have to go to another time period or it will summon the actual boss.
The bosses are pretty cool. They’re not nearly as difficult as the stages are. But they’re large, and interesting sprites. They remind me a lot of the encounters of Alien Syndrome, though the patterns are much easier to learn than in that classic. But don’t be fooled by a lower difficulty. Time Soldiers only affords you two continues on the Master System. Since you die if ANYTHING touches you, this game still isn’t an easy one. Especially since the game may send you on longer paths during certain rescues. The saving grace are some boss warps that can skip you ahead to a boss fight. On the other hand, if you aren’t powered up, taking them down with a pea shooter makes things more intimidating.
Time Soldiers does offer a wide variety of weapons. In that respect it can feel like Contra. The thing is, these armaments aren’t permanent. After so many shots, or so many seconds they run out of ammo. So often times you’ll want to conserve them for taking down bosses, or mini bosses. You get these, power ups, and boss warps by shooting specific enemies in any given level. Basically, you’ll want to shoot as many targets as possible, because as the game goes on things will only get tougher.
Time Soldiers has a really nice look to it, and embraces the absurdity of everything. Dinosaurs shoot lasers. Ancient Romans have shields that can take a ton of bullets before going down. The mini bosses continue the weirdness, with cutesy, pink helicopters just being the tip of the iceberg. Everything is colorful, and some of the backgrounds are interactive in a sense. Going over tall grass or mud will slow you down. There are a few catchy chip tunes to thump along with the action, and the sound effects stand out against some of the other titles in the genre.
Overall, it’s a really good action game for the Master System, and easy to recommend you add to your collection. It’s also one of the more affordable obscure games out there. It was also available on some computer formats, but as I don’t have any of those versions, I can’t really comment on them. Still, if you have a chance to check one of them out, you just may want to. If I had any major issues with this Master System version, it would be the occasionally weird collision detection. Most of the time things go the way they’re supposed to, but I did notice a few occasions where I passed through enemies I shouldn’t have, or got stuck on a piece of scenery in one game, but not on a repeat attempt. It isn’t enough to ruin the game, but it is something holding it back a little bit. Otherwise, it’s a solid addition to any collector’s library.
Final Score: 8 out of 10.
Sorry for being a little bit late this week. I was able to see a fantastic concert for the first time in many moons. I had to take full advantage of that fact. I got to see The Dollyrots for the second time ever (They don’t get out to New England very often), and it was awesome. An area band, Chaser Eight opened for them, and had an absolute killer set. Then the Dollyrots got on stage, and crushed it too. If you’ve never heard either band, and you like rock n’ roll, do check them out. Chaser Eight is pretty great, with elements of Alt-Rock, Glam, and straight up rock. It just works. The Dollyrots on the other hand, are an amazing Pop Punk trio led by Kelly Ogden, and Luis Cabezas. They have a really great blend of the sound of the early Rock groups like The Ronettes, and 1970’s Punk bands like The Ramones. Over the years they’ve grown as musicians but the roots are still apparent. It was a great show. Both bands were very approachable, and kind. They hung out with everyone at the bar after playing for a bit, and visited with fans like family you love, but don’t get to see all of the time. It was awesome. If either comes to your area, go see them. If they’re in your town as you’re reading this, just stop reading, and go see them. What are you waiting around for? Go!
Okay, you’re back? Good. I hope you had as great a time as I did. Anyway, lately I’ve talked a lot about the mighty Commodore 64, its library, and a great C64 peripheral. It’s one of the best platforms of all time. It was sold more than any other computer in its day, and there are a plethora of great games on it. With those, the demo scene, and even a few great bands using its sound chip, you may have thought about getting one. As a lifelong fan of the computer, I can point to some facts, and information you’ll need to know if you’re going to collect for the C64. Now this isn’t going to be the most in-depth look at the platform. There are books that go into the detailed information over the course of several hundred pages for that sort of thing. But these are some key things to look for, and some things to be aware of. There may even be a few things that intrigue a casual reader. So feel free to read on.
First of all, there were a few models. The first version is often called the bread bin model. This came in a couple of variants. The silver label variant is the earliest version, and is sought after by the most devoted Commodore fans. These have the logo in a silver style paint. The drawback with this variant is it has a 5 pin DIN connector for video, where the later models (which had a rainbow of colors next to the logo) used an 8 pin DIN connector for video. Later models also added support for S-Video which is a major jump over the stock RF cable, and switch box that all models can use. The image will be much cleaner, and clearer. Provided of course you track down one of the cables. After the bread bin model, Commodore released the C64c, which has many of the same updates as the rainbow variant of the bread bin. It also has a couple of chip refinements, and a redesigned bezel. It should also be noted that while you gain the S-Video, and slightly better power connector in later models, you lose the ceramics for heat reduction on chips. To remedy this, later models have a metal shield inside to draw some heat, but this still isn’t always an effective solution. In Europe some later models didn’t have a metal shield, but a metal coated cardboard one, which trapped heat in some cases.
Aside from the revisions to the standard Commodore 64, there were alternate versions altogether. The SX-64 was one of the earliest portable computers, as it had a built-in screen, and floppy drive. These things weigh a good 20 lbs. though, so they’re not portable in the sense you’re used to. In Japan, there was a short-lived version of the C64 called the Commodore MAX. But this cut some functionality. So it didn’t compete on the games or business end, and quickly disappeared. There was also the C64 Game System. But this cut out all of the computer aspects of the computer to play cartridge games. Unfortunately this also broke compatibility with most of the game library as by 1990, the best titles were on tape or diskette. All three of these variants are considered collector’s items. But unless you just have to have a conversation piece in your collection, I would focus on a regular C64 instead. These alternate versions can also be expensive.
The one noteworthy alternate Commodore 64 is the Commodore 128. This doubled the amount of memory in the computer, and could run all of the C64 software. The catch is it has to be run in C64 mode, as some of the revisions to the hardware led to some incompatibility in 128 mode. But the 128 did well with business, and productivity users, as there were applications that did take advantage of the extra memory. There were two versions, the standard C128, and the C128D. The latter made the keyboard an external peripheral, and included a built-in 1571 floppy diskette drive. The C128D can get expensive as a result, as finding one with a working drive is getting harder.
There are a couple of risks involved when getting into the platform. But these can be mitigated if you’re wise enough to do a couple of simple things. First, when you find a potential C64 purchase, confirm it is working. If it’s a store, they should be willing to hook it up, and confirm it’s operational. Second, make certain the Power Supply Unit not only works, but is in great shape. The PSU actually has two rails inside. One powers the motherboard, and most of the system, while the other powers the sound chip. As a means to control costs, it is encased in a resin material. However there’s a chance even a working PSU can overheat. Depending on the problem, a bad PSU can fry components inside the computer. That’s why it’s imperative you get a plug-in as pristine condition as possible. You’ll want to make sure it sits out in the open where heat can escape, and if you’re paranoid, you can always have a small desk fan blowing on it. Also keep in mind some of the later bread bin releases may have heat issues from the cost reduced RF shield. These are mostly in PAL territory releases. But again, keeping things cool can help mitigate a problem.
With that out-of-the-way, you’ll want to start gaming. But what else will you need? This depends a bit on what territory you’re in, and whether or not you plan to do any importing. Since I’m in the US, I’ll focus on that, but I’ll touch a bit on other parts of the world in a bit. When the C64 arrived on the scene, games for it started out on cartridge. They had about as much space as the ones found on consoles that were out at the time. Not every user had an external drive right away either, so it made sense for publishers to put games on cartridges. Some of the earliest software also came on cartridges, and this even includes diagnostic software, which may or may not work depending on the hardware issue. If applicable you can turn on the computer with a diagnostic cartridge, and it will let you run simple tests to determine if a chip has gone bad. But this isn’t always a sure thing, since some hardware failures won’t give you anything other than the blackness of space on your screen. More on that later.
So a lot of the earliest stuff was out on cartridge. Activision ported many of its console games to the C64 including H.E.R.O., Beamrider, Pitfall II: Lost Caverns, and River Raid. But there were a number of great games on cartridge. Eventually however, publishers found alternatives that gave developers more space at a lower cost. The first of these were cassette tapes. Games, and other programs could be published on audio cassettes. These were also cheap, and so many titles started being released on cassette.
In order to run these programs you’ll need a datasette drive. These are basically old school cassette decks. If you want an in-depth look at how these worked, I highly recommend this video from the 8-Bit Guy. In European territories this is the format nearly all of the biggest titles came on, due to the lower production costs. There is one thing for newcomers to be aware of though, and that’s long load times. A lot of larger games on tape can take minutes to load. In the grand scheme of things it isn’t that big a deal. Even today’s console games can take eons to load if you’re playing them off disc, rather than installing them. Still, if you’re short on patience, you’ll need to learn to gather some if you need to run a game off of cassette.
In North America, prices of writable media began to fall after a while though, and so many games began the move to 5.25″ Floppy Diskettes. these eliminated the storage concerns for a long time. When they cropped up again, many developers simply made games that took multiple disks to get through. To play these games you’ll need a 1541 or a 1541-II floppy diskette drive. There were a few aftermarket drives as well like The Enhancer 2000. In the USA, nearly every notable game came on floppy diskette. Even games that were previously released on cartridge or cassette tape. Most games released on floppy take a lot less time to load over cassette releases. However they’re not quite as fast as one would hope due to a slow port speed. To help with this, there are a number of Fast Loader cartridges you can get. These take some of the load off, and do shave some time off of loading. Again, 8-Bit Guy has a great video on the specifics of how this worked that I won’t go into here. Just know, that an Epyx Fast Load cartridge, or equivalent is something you want if you’re going to play games on Floppy Diskettes.
Once you have all of those in order, you’ll probably want to look into controllers. Most games took advantage of joysticks, though many also had keyboard binds. Almost any controller with a DB9 connector will fit the ports. Atari 2600 joysticks, Sega Genesis pads, and so on. However, it is NOT recommended you use a Sega Genesis pad, because the Sega Genesis pad draws more power than the controller ports need, so there is the chance you can blow a controller port in the process. So it’s best to stick to controllers built with either the C64, or Atari 2600 in mind. My controller of choice is the Slik Stik by Suncom. But there are no shortage of joystick options. Note that some games still utilized two button schemes, at a time when nearly all controllers were one button controllers. The work around most developers went with, was using the space bar. Depending on the title it may take a little getting used to. In slower paced games it’s rarely a problem, in action games, you’ll want the joystick right in front of the computer so you can easily press the space bar when you need to.
Now the thing to remember is, this is still a computer platform. So you can do more than game on it. In fact if you’re willing to learn the Commodore variant of BASIC, you can code your own homebrew games for the machine. Which a lot of people did. So you may even have fun tracking down old, defunct Commodore 64 themed magazines. Some of them have been archived like the entire run of Ahoy!. Not only do you get the sensation you feel when looking at an old Nintendo Power, you get programs. Long before the advent of getting a CD full of demos with your game magazine, computer magazines had program articles. You could type in these programs, save them to a diskette, and run them whenever you wanted. Many of them were written entirely in BASIC, although some were written in machine language, and you typed them into a HEX editor program. But you could save them to diskette! Some of these were really good too, like Mystery At Mycroft Mews, where you had to go around a town as detectives, solve murders, and bring the right suspect to trial.
Aside from gaming, there are a wealth of old productivity, and business programs you can find, but honestly, they’re not really going to be much value beyond the history. It is nice to see the original Print Shop in action, or some of the word processors of the time. But you’re probably not going to send your masterpiece novel to a literary agent on a 5.25″ Floppy these days. Still, you can still find old dot matrix printers, and the ribbons though they’re getting scarce.
But in the more interesting range you can find things like the Koala pad, which is one of the earliest graphics tablets. You could draw with a stylus, and save your art to diskette. There were a bunch of clones that came afterward. But if you draw on a modern Wacom graphics tablet, and wonder where the earliest versions of the tech came from, their infancy took place on 8-bit home computers. You can also find the original 300 baud modems, that let users connect to services like Quantum Link back then (LazyGameReviews did a wonderful video on that service.) But these days, there are homebrew network cards, and browsers tinkerers can invest in.
One of the craziest things I have in my collection is the Hearsay 1000. A cartridge, and software combo that reads whatever you type, back to you. In a kind of creepy robot voice. The software is far from perfect, it doesn’t account for pronunciation, so it can only read things as they are spelled. So if you type in the name “Barbara” it will say it back as “Bar-Bar-A”. But this is where stuff like Dragon Naturally Speaking got its start. Building off of this early tech, or properly doing what it was trying to. If you find a Hearsay 1000, don’t use it while playing games with voice samples. It will yell “HEARSAY ONE THOUSAND!”, and then crash the computer. Then you’ll have to turn it off, disconnect the module, and turn it back on. Then load your game again. Considering you’re going to wait a while for Ghostbusters to load again, best to know that up front.
Of course not too long ago, I reviewed the SD2EIC. This is a must own peripheral because you can make disk images, or download images of stuff you own to an SD Card. It’s also great if you do happen to have old disks with personal files on them, and want to save those along with your other programs. Plus the load times, are dramatically cut down.
One also needs to take into account the difference between PAL, and NTSC territories If they plan on importing. A lot of really great games including some of the best were exclusive to Europe. While most of these are playable on a North American C64, the speed differences can often lead to all kinds of glitches. Random characters popping up, graphics showing up in grayscale rather than in color, some extreme cases will involve lock ups, and crashes. One can convert their computer via modifying it, but this isn’t recommended if you don’t know your way around altering a circuit board. My advice is to either deal with the glitches if you import a game or follow the purist. Purists will import a PAL C64, peripherals, and either a PAL monitor or else using a scaler with their HDTV to run a native 50 hz signal from the computer. You’ll also want a power converter as the electrical outlets, and standards are different. If you’re in a PAL territory, and you want some of the NTSC exclusives, you’ll see similar issues. So again, purists will want to import an NTSC setup, and use a power converter.
While some of this may get a little complicated, it is worth the plunge. Once you have a fully functional C64 setup, there really isn’t anything else like it. The unique sound of its sound chip (known as the SID) is popular to this day. The wide, and varied library gets you a large variety of original games, multi platform games, and arcade ports. As is the case with every platform you’ll find a lot of good games, some truly great games, and a fair number of bad ones. I highly recommend visiting Lemon64 for its wealth of information, and its game archive. Plus they have a very helpful community if you do run into issues. Thanks to them I discovered a wonderful hobbyist who does repairs, and builds a lot of high quality homebrew accessories, and power supplies. When my C64c gave me a dreaded Black Screen Of Death last month I got in contact with Ray Carlsen, After some back, and forth messaging I ended up sending him the machine. Having some background in PC repairs, and upgrades I had taken it apart, checked the motherboard, found no bad capacitors. The fuse was intact, and working. I didn’t see any corrosion on chips. But I had no way to test them, and I was stumped. Well he was able to determine I had a minor issue with my power connector, and that my PSU was on its way out. He installed a breaker to prevent the components from frying from a bad PSU. I also ordered one of his homebrew PSUs. When the computer came back, not only was everything working the way it is supposed to, but he somehow got it looking much newer than when I had sent it in. Now he isn’t a traditional business, so he doesn’t do bulk jobs. Don’t go looking to send him 50 broken C64 computers. That isn’t what he is about. But he’ll charge you a fair price to fix a single machine, and take a look at some of his PSU models. With the originals drying up, it can’t hurt to have a spare.
The Commodore 64 may have been a home computer, but it was one of the most important platforms in video game history. It’s where many games went after the infamous crash in North America, and even after the rise of the NES it still retained a viable market share. In Europe it was also a major contender throughout the 80’s, and 90’s. Although there are some things to be aware of if you want to begin collecting for one, it can be a rewarding experience. Prices fluctuate constantly, but expect to spend between $50 – $150 for a working model with a good PSU. With that alone, you’ll be set for any cartridge games. But chances are you’ll want some of the higher profile releases. A 1541 Floppy drive will set you back about $50. There are deals out there to be had, but many of the cheap ones aren’t tested, so you may be buying a worn out drive. On the budget end though, Datasette drives are fairly inexpensive. So keep an eye out for one of those.
Then, you’ll be ready to pick up some C64 games! Just like on retro consoles, some games are cheap, and common. Some are rare, and expensive. A lot of times you can make out well, by buying lots. A lot of games don’t require anything beyond a floppy diskette, cartridge or cassette. But there are games that have manual protection. So do some research on a title before you buy it. For example, you’ll want to look for complete copies of certain RPGs as they require a code wheel, or manual as a means of copy protection. (IE: Type in the first word in the third paragraph on page 13.) Plus it’s nice to have the manuals, and keyboard overlays for flight sims, RPGs, or point, and click adventure games. Action genres usually didn’t have these vast control schemes requiring hot keys. But a handful did use manual protection so make sure the game you’re interested in isn’t one of them if you’re looking at a loose copy.
Also be sure to keep your disk based games in sleeves when you’re not using them, and don’t let them get too hot or cold. Definitely keep them away from magnets, as that will corrupt the disk, and destroy your game. It was a lesson we children learned quickly back when home computers were first gaining prominence. Finally, the Commodore 64, and other computers of the era were powered by variants of Microsoft BASIC. So you’ll need to know a few basic (Ha, ha!) commands. The most important being LOAD”*”,8,1 which for all intents, and purposes tells the disk drive to load the first file on a disk (Usually the executable) into memory. Then when the computer says ‘READY” you can simply type “RUN”, press RETURN, and fire up your game.
That should about do it this time. But keep in mind how many great things the retro games, and computing scene keeps pumping out for the mighty C64. Here’s hoping the new motherboards, network cards, card readers, and even homebrew games continue preserving one of gaming’s most iconic platforms.
You wouldn’t know it at face value, but you’re on a mission to defuse bombs on another world. A world of bombs, killer robots, and a lethal pixel. In addition to a host of other horrific adversaries. It all sounds like a side scrolling action platformer or run ‘n gun. But you’d be wrong. Jumpman is one of the strangest, yet greatest puzzle games ever made. Debuting on the Atari 8-bit family of computers, it appeared on the Commodore 64 soon after, along with the IBM PC, and Apple II.
PROS: Excellent gameplay. Fun animation. Great musical numbers.
CONS: Bland graphics.
APOGEE: The Duke Nukem publisher felt the ire of Epyx.
Jumpman may seem a bit esoteric today, but there was a time when he was almost as popular as Bomberman. That’s because he starred in two of the most fun arcade puzzle games to ever grace a computer screen. As I mentioned at the start, the storyline of the game doesn’t accurately describe what is going on at face value. You really have to start playing the game before you realize that it does.
The goal of Jumpman is easy to grasp. Defuse all of the bombs in the level before losing all of your lives for big points. If you manage to do this, you’ll move onto the next level. You’ll also get bonus points for having more Jumpmen in reserve. So a high performance level is key. Created by Randy Glover, and released by Epyx, there is a wonderful use of the easy to learn, lifetime to master principles behind many great games.
The game eases you in, with a couple of pretty simple to understand levels. You’ll go about your goal of defusing bombs, and slowly notice changes to a given stage. Pieces of scenery disappear, creating new gaps to jump over. A floating pixel will chase you down, and kill you if you get in its line of sight. But the obstacles only increase as you complete levels. It isn’t long before you see killer robots that change position every time you defuse a bomb. Or a plethora of bombs falling from the sky. Or flying saucers. Or rabid bats. Sometimes the challenges aren’t adversaries. Sometimes they’re things like moving ladders or other scenery.
Every one of these attempts to impede you can be overcome with enough practice. Over time, you begin to recognize patterns, and figure out what you’re supposed to do. But it doesn’t become a cakewalk, because actually doing what you’re supposed to still requires dexterity. When you clear a level, you’ll hear one of a multitude of cheery carnival tunes. These go along with the circus-like feel of the game’s introduction animation.
Jumpman gives you nine lives to get through the stages. You can choose from several difficulty settings which will start at a stage where the appropriate difficulty jump occurs. You can also select Grand Loop which does all 30 levels in a row. Or you can choose the Randomizer, which plays the levels in a random order. Beyond that, you can also choose a game speed. The center value of 4 will run the game at the standard speed. The max speed of 8 is probably too fast for all but the most devoted player, and the minimum speed of 1 makes the game exceptionally slow. The speed setting is a nice option though because it can make the game a bit more interesting. The game can also be played by up to four players alternating turns.
Visually, Jumpman isn’t much to look at. stages are made of simple shapes, and a handful of colors. Jumpman himself, is little more than a stick figure. But the gameplay in Jumpman is amazing. Moving about the levels is very smooth, and the controls are tight. One interesting thing the game does is allow Jumpman to climb anything he touches. If you go for a jump, and your hand nabs part of the scenery, you’ll climb it! There are also some cool navigational variables thrown in, in the form of ropes. Green ropes can only be climbed up, while blue ropes can only be climbed down. Between this, and the other mechanics introduced through enemy character types Jumpman becomes surprisingly deep for such a simple game.
There are a few minor differences between the different versions of Jumpman. The original Atari 400/800 version features some really slick transition animations between levels as you clear them. It also has a pretty cool stage destruction sequence when you run out of lives, and get a Game Over. The Commodore 64 version has a little bit more detail in the graphics department. It gives our hero a shirt, and pants through some simple colors. The music sounds a tiny bit better too. It is missing the stage transitions, and if you lose you don’t see the level explode. Instead, you get a harmonious musical number as the backgrounds, and characters slowly become the same color.
Over on the Apple II, you won’t see the transitions. Visually, it’s somewhere between the Atari, and Commodore computers. It has the Commodore’s background colors, but the Atari’s blank Jumpman. The IBM PC port was outsourced to another developer. It pretty much plays the same as the other versions although the terrible PC speaker sound, and CGA color scheme make it the worst in terms of visuals, and sound.
Jumpman was also followed up by Jumpman Junior, which is really a companion version of the game. It was made for Commodore 64, and Atari 8-bit users who didn’t have a 5.25″ Floppy drive. Being a cartridge game makes it one of the more sought after games for collectors. It’s pretty much exactly the same game as Jumpman, except it has only 12 stages. At the time cartridges didn’t have as much storage capacity as the floppies, and cassettes did. Still, for many retro fans, it isn’t the full Jumpman experience unless you have both games. It was never available for other computer formats, although it was ported to the Colecovision.
Long after Randy Glover left the game industry, A programmer named Dave Sharpless ported the game, and it’s expandalone to MS-DOS under the title Jumpman Lives! The game was published by Apogee in 1991. The thing is, that while Epyx had long been a shell of its former self, it was still around. The remake caught the ire of Epyx, and Apogee would cease selling it immediately. Epyx wouldn’t be around much longer though, after getting out of bankruptcy, and focusing on Atari Lynx development the company was sold off, and dissolved. Jumpman Lives! Is a fairly rare computer game as a result.
In the end, Jumpman, and Jumpman Jr. are games that really deserve more recognition than they get. At least when compared with other retro games. Things may look more like a carnival than a space station, and the bombs may look more like flowers. But once you get past the rudimentary look of everything you’ll be engrossed in one of the most addictive puzzlers of all time. If you can find the original floppy disk, the cartridge based companion edition, or even the unlicensed, unofficial, Apogee remake, give it a go. Jumpman Junior was also included in the C64 DTV, as well as the recent Colecovision Flashback by AtGames. So if you don’t have one of these old computers or consoles, there are other legitimate ways to add this masterful game to your collection in some capacity.
Final Score: 9 out of 10